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Credit Line Yale Center for British Art, Paul Mellon Collection

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Date 1745

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Subject Terms columns

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Subject Terms entablature

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Details of a Corinthian Temple on the Acropolis of Pergamon
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Black and brown ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 1/4 x 14 13/16 inches (53.9 x 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Members of a Ionic Temple in Ruins at Priene (now Turunclar)
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Black ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 5/16 × 14 15/16 inches (54.1 × 38 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Details of an Ionic Capital, Column, and Frieze from Hierapolis (now Pamukkale)
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Black ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 7/16 x 15 3/16 inches (54.4 x 38.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Details of a Corinthian Order at Geramo
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Black ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 1/4 x 14 3/4 inches (54 x 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Details of a Corinthian Order, Possibly from Mylasa
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Black ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 1/8 x 15 3/16 inches (53.7 x 38.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection