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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionPeriod 18th century
Remove constraint Period: 18th centurySearch Results
1
- A Club of Gentlemen
- ca. 1730
- Not on view
2
- A Consultation of Physicians
- 1736
3
- A Midnight Modern Conversation
- 1733
4
- A Midnight Modern Conversation
- ca. 1732
- Not on view
5
- A Rake's Progress, Plate I: He Takes Possession
- 1735
6
- A Rake's Progress, Plate II: His Levee
- 1735
7
- A Rake's Progress, Plate III: He Revels
- 1735
8
- A Rake's Progress, Plate IV: Goes to Court
- 1735
9
- A Rake's Progress, Plate V: He Marries
- 1735
10
- A Rake's Progress, Plate VI: He Gambles
- 1735
11
- A Rake's Progress, Plate VII: In Fleet Street Prison
- 1735
12
- A Rake's Progress, Plate VIII: In Bedlam
- 1735
13
- A Representation of the March of the Guards towards Scotland in the Year 1745 (from: Caricature, vol. 5)
- 1745
14
- Album Collection of Sixty-six Engravings after William Hogarth
15
- An Election Entertainment, Plate I
- 1755-58
16
- Analysis of Beauty, Plate I: A Statuary's Yard
- 1753
17
- Analysis of Beauty, Plate II: A Country Dance
- 1753
18
- And as he Reasoned of Righteousness, Temperance, and Judgment to Come, Felix Trembled
- 1752
19
- And as he Reasoned of Righteousness, Temperance, and Judgment to Come, Felix Trembled
- 1752
20
- And the Child Grew, and She Brought Him unto Pharaohs Daughter, and He Became Her Son, and Called his name Moses
- 1752
21
- Beggar's Opera, Act III
- c.1790
22
- Benjamin Read
- ca. 1757
23
- Burning the Rumps, Temple Bar
- undated
24
- Canvassing for Votes, Plate II
- 1755-1758
25
- Chairing the Members, Plate IV
- 1758
26
- Colombus breaking the Egg
- 1753
27
- Daniel Lock, Esqr
28
- Fair Scene
- 1733
29
- Figures in a Tavern or Coffee House
- ca. 1725 or after 1750
- Not on view
30
- Frontispiece design for John Fayram's "Eight Views after Nature"
- ca. 1739
31
- Gabriel Hunt
- undated
32
- George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock
- ca. 1750
33
- George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
- ca. 1750
34
- Girl in a Plumed Hat
- ca. 1740
- Not on view
35
- Grotesque Female Head
- undated
36
- Grotesque Female Head
- undated
37
- Grotesque Female Head
- undated
38
- Grotesque Female Head
- undated
39
- Grotesque Female Head
- undated
40
- Grotesque Male Head
- undated
41
- Grotesque Male Head
- undated
42
- Grotesque Male Head
- undated
43
- Grotesque Male Head
- undated
44
- Grotesque Male Head
- undated
45
- Grotesque Male Head
- undated
46
- Grotesque Male Head
- undated
47
- Grotesque Male Head
- undated
48
- Grotesque Male Head
- undated
49
- Grotesque Male Head
- undated
50
- Gulielmus Hogarth
- 1749
51
- Hogarth
- 1781
52
- Hogarth Painting the Comic Muse
- 1764
53
- Hymen
- ca. 1748
54
- John Palmer, Barrister of the Inner Temple
- 1749
- Not on view
55
- Marriage A-La-Mode, Plate I: The Contract
- 1745
56
- Marriage A-La-Mode, Plate II: The Breakfast Scene
- 1745
57
- Marriage A-La-Mode, Plate III: The Scene with the Quack
- 1745
58
- Marriage A-La-Mode, Plate IV: The Toilet Scene
- 1745
59
- Marriage A-La-Mode, Plate V: The Death of the Earl
- 1745
60
- Marriage A-La-Mode, Plate VI: The Death of the Countess
- 1745
61
- Members of a Society of Artists that Existed About 1730
- ca. 1829
62
- Miss Wood
- ca. 1730
- Not on view
63
- Mr. Garrick in the Charakter (sic) of Richard the 3D
- 1746
64
- North and South of Great Britain
65
- Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right
- undated
66
- Painting of Pharoah's Daughter and Moses in the Foundling Hospital
- 1752
67
- Political Caricature: "The Spiritualists"
- undated
68
- Prospectus print "Crown & Mitre"
- 1754
69
- Restoration Procession of Charles II at Cheapside
- mid-18th century
- Not on view
70
- Rosamond's Pond
71
- Scholars at a Lecture (A Chorus of Singers)
- 1736
72
- Self-Portrait
- ca. 1735
- On view at YUAG
73
- Shrimps!
- 1782
74
- Sign for a Paviour
- 18th century
- Not on view
75
- Simon Lord Lovat
- 1746
76
- Simon, Lord Lovat
- 1746
77
- Sir James Thornhill
78
- Sketch of a Fat Man in Profile and from the Rear
- 1781
79
- Southwark Fair
- 1733
80
- Strolling Actresses Dressing in a Barn
- 1738
81
- Studies of Heads
- ca. 1740
- Not on view
82
- Study for a Group Portrait
- between 1729 and 1730
- Not on view
83
- Study for the Foundlings
- ca. 1739
84
- Study of a Female Nude
- undated
85
- Study of a Girl's Head
- ca. 1740
- Not on view
86
- Subscription Ticket: Three Characters and Four Caricaturas
- 1743
87
- The Angel of Mercy
- ca. 1746
- Not on view
88
- The Beggar's Opera
- 1729
- Not on view
89
- The Bench
- 1758
90
- The Billiard Room
- ca. 1725
- Not on view
91
- The Brothers Clarke with Other Gentlemen Taking Wine
- between 1730 and 1735
- Not on view
92
- The Cockpit
- 1759
93
- The Distrest(ed) Poet
- 1740
94
- The Enraged Musician
- 1741
95
- The Family of John, 2nd Duke of Montagu and an Attendant
- between 1730 and 1735
- Not on view
96
- The First Stage of Cruelty
- ca. 1750
97
- The First Stage of Cruelty: First, Children Torturing Animals
- 1751
98
- The Foundlings
- undated
99
- The Four Stages of Cruelty: Cruelty in Perfection (The Murderer)
- 1751
100
- The Four Stages of Cruelty: The Reward of Cruelty (Anatomy Theatre)
- 1751