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Credit Line Yale Center for British Art, Paul Mellon Collection

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Subject Terms destruction

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1. The Deluge

The Deluge
Creator:
John Martin, 1789–1854
Date:
1834
Materials & Techniques:
Oil on canvas
Dimensions:
66 1/4 x 101 3/4 inches (168.3 x 258.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. The Judgement of Korah, Dathan and Abiram

The Judgement of Korah, Dathan and Abiram
Creator:
Maria Hadfield Cosway, 1759–1838
Date:
ca. 1801
Materials & Techniques:
Pen and ink and oil on canvas
Dimensions:
14 3/4 × 11 1/2 inches (37.5 × 29.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

3. The Destruction of the Children of Niobe

The Destruction of the Children of Niobe
Creator:
Richard Wilson, 1713/4–1782
Date:
1760
Materials & Techniques:
Oil on canvas
Dimensions:
58 x 74 inches (147.3 x 188 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

4. The Deluge

The Deluge
Creator:
Engraved by Joseph Mallord William Turner, 1775–1851
Date:
between 1813 and 1823
Materials & Techniques:
Mezzotint; modern impression on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 15 1/4 inches (28.9 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. The Destruction of Sodom and Gomorrah

The Destruction of Sodom and Gomorrah
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, gouache, and graphite on medium, moderately textured, cream wove paper
Dimensions:
Mount: 19 × 24 13/16 inches (48.3 × 63 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. The Religion of Europe: Professed and Practiced

The Religion of Europe: Professed and Practiced
Creator:
Print made by Gregory, Collins and Reynolds, active 1843
Date:
ca. 1845
Materials & Techniques:
Wood-engraving and color printed woodcut on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 10 3/4 x 8 inches (27.3 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. The Destruction of Job's Sons

The Destruction of Job's Sons
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 1/8 inches (13.3 x 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. The Monmouth of 64 Guns, taking the Foudroyant a French Man of War of 84 Guns on the 28th of Feb. 1758 in the Mediterranean,....

The Monmouth of 64 Guns, taking the Foudroyant a French Man of War of 84 Guns on the 28th of Feb. 1758 in the Mediterranean,....
Creator:
Print made by Peter P. Benazech, 1767–1794
Date:
ca. 1760
Materials & Techniques:
Line engraving and etching with hand colored ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 14 5/8 x 21 1/16 inches (37.1 x 53.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. The Glorious Defeat of the French Fleet under the Command of Marshal Conflans, off Belle-Isle, on the 20th of November, 1759, ...

The Glorious Defeat of the French Fleet under the Command of Marshal Conflans, off Belle-Isle, on the 20th of November, 1759, ...
Creator:
Print made by Peter P. Benazech, 1767–1794
Date:
ca. 1759
Materials & Techniques:
Line engraving and etching, hand colored on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/16 x 20 11/16 inches (36 x 52.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Niobe

Niobe
Creator:
Print made by William Sharp, 1749–1824
Date:
1792
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 3/4 x 26 1/8 inches (50.2 x 66.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Presages of the Millenium

Presages of the Millenium
Creator:
James Gillray, 1756–1815
Date:
1795
Materials & Techniques:
Etching and aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 × 14 13/16 inches (33 × 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. The Boscawen and Sheerness Privateers

The Boscawen and Sheerness Privateers
Creator:
Print made by John Boydell, 1720–1804
Date:
1753
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream laid paper, laid on mount
Dimensions:
Sheet: 14 5/8 x 20 9/16 inches (37.1 x 52.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Night

Night
Creator:
Print made by John Boydell, 1720–1804
Date:
1756
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 5/8 x 21 1/4 inches (39.7 x 53.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. The Wreck of the Nuestra Senora de los Remedios

The Wreck of the Nuestra Senora de los Remedios
Creator:
Print made by John Boydell, 1720–1804
Date:
1753
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 21 3/16 inches (39.6 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. The Deluge

The Deluge
Creator:
Print made by John Martin, 1789–1854
Date:
1828
Materials & Techniques:
Mezzotint with etching; engraver's proof on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 25 9/16 × 33 3/16 inches (64.9 × 84.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection