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Credit Line Yale Center for British Art, Paul Mellon Fund

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Period 18th century

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Genre military art

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The Battle of La Hogue
Creator:
Benjamin West, 1738–1820
Date:
1778, retouched 1806
Materials & Techniques:
Oil on canvas
Dimensions:
64 3/4 x 96 1/4 inches (164.5 x 244.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view
Colonel Tarleton
Creator:
Print made by John Raphael Smith, 1752–1812
Date:
1782
Materials & Techniques:
Mezzotint, engraver's proof on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 25 3/16 × 16 1/4 inches (64 × 41.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
John Marquess of Granby
Creator:
Print made by James Watson, 1740–1790
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 24 1/8 × 18 1/4 inches (61.3 × 46.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Oliver Cromwell and General Lambert
Creator:
Andrew Miller, Died 1763
Date:
1745
Materials & Techniques:
Mezzotint on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 18 1/4 × 23 3/16 inches (46.4 × 58.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Right Hon. Augustus Hervey
Creator:
Print made by James Watson, 1740–1790
Date:
1773
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 22 7/16 × 14 1/2 inches (57 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Richard, Lord Viscount Howe
Creator:
Print made by James Watson, 1740–1790
Date:
1778
Materials & Techniques:
Mezzotint on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 15 1/2 × 11 1/2 inches (39.4 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Lord Robert Manners, Captain R.N.
Creator:
Print made by William Dickinson, 1746–1823
Date:
1783
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 25 × 15 3/8 inches (63.5 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Hon. George Cranfield Berekley
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1793
Materials & Techniques:
Mezzotint with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 27 × 19 1/8 inches (68.6 × 48.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
George Augustus Elliot Lord Heathfield
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1788
Materials & Techniques:
Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 25 1/2 × 20 inches (64.8 × 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Celebrated Victory ... on the Glorious First of June 1794
Creator:
Print made by Daniel Orme, 1766–1837
Date:
1795
Materials & Techniques:
Color-printed stipple engraving and etching with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 19 7/8 × 23 1/4 inches (50.5 × 59.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
John Viscount Ligonier
Creator:
Print made by Edward Fisher, 1722–1785
Date:
after 1761
Materials & Techniques:
Mezzotint ( 1st state ) on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 24 3/4 × 18 7/8 inches (62.9 × 47.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Horatio, Lord Nelson
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1798
Materials & Techniques:
Mezzotint (first state) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 20 1/4 × 14 1/4 inches (51.4 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
David Garrick as Richard III
Creator:
Print made by John Dixon, ca. 1740–1811
Date:
1772
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 26 1/4 × 17 1/8 inches (66.7 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Officer of State
Creator:
Print made by William Pether, ca. 1738–1821
Date:
1764
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 20 13/16 × 14 7/8 inches (52.9 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
General Washington
Creator:
Print made by Thomas Cheesman, 1760–1834/35
Date:
1796
Materials & Techniques:
Color-printed stipple engraving and etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 29 3/4 x 19 5/8in. (75.6 x 49.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
General Washington
Creator:
Print made by Thomas Cheesman, 1760–1834/35
Date:
1796
Materials & Techniques:
Stipple engraving and etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 28 3/8 × 18 1/2 inches (72.1 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Encampment at Brighton
Creator:
Print made by John Murphy, ca. 1748–1820
Date:
1796
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 20 13/16 × 25 7/8 inches (52.9 × 65.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Delivery of the Definitive Treaty by the Hostage Princes into the Hands of Lord Cornwallis
Creator:
Print made by Daniel Orme, 1766–1837
Date:
1793
Materials & Techniques:
Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 20 1/4 x 25 3/8 inches (51.4 x 64.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund