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On-site Access Accessible by appointment in the Study Room
Remove constraint On-site Access: Accessible by appointment in the Study RoomDate 1783
Remove constraint Date: 1783Image Use Free to Use
Remove constraint Image Use: Free to UseClassification Prints
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1
- There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
- ca. 1788
2
- There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
- ca. 1788
3
- There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
- ca. 1788
4
- There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)
- ca. 1788
5
- There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
- ca. 1788
6
- There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
- ca. 1788
7
- There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)
- ca. 1788
8
- There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
- ca. 1788
9
- There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)
- ca. 1788
10
- There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
- ca. 1788
11
- There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
- ca. 1788
12
- "There is No Natural Religion", London, by William Blake
- ca. 1788
13
- The Tempest, Act I Sc. 3
- 1783
14
- Twelve Illustrations of Robinson Crusoe
- 1783
15
- Lucan-House
- 1783
16
- The Feathered Fair, Feeding the Feathered Fowl
- 1783
17
- Grandison, Plate XI
- 1783
18
- Lady Amelia Hume
- 1783
19
- John, Lord Cardiff
- 1783
20
- Honorable Mrs. Stanhope
- 1783
21
- Sir William James
- 1783
22
- Grandison, Plate XXVIII
- 1783
23
- Mrs. Smith
- 1783
24
- Lord Robert Manners, Captain R.N
- 1783
25
- The Death of Captain Cook
- 1783
26
- Paulus Aemelius
- 1783
27
- Diana, The Huntress
- 1783
28
- Mrs. Abington As Thalia
- 1783
29
- Cleopatra And Meleagar
- 1783
30
- Coriolanus, Act 5, Scene III
- 1783
31
- The Elevation of the Brazen Serpent in the Wilderness
- 1783
32
- The Elevation of the Brazen Serpent in the Wilderness
- 1783
33
- Sir Harbord Harbord Bart
- 1783
34
- The True State of the Junction; or Men of Abilities Call'd For
- 1783
35
- The West India Flower Girl
- undated
36
- Squire Thomas Just Arriv'd, Touch Me Not! I'm Still a Maid
- 1783
37
- A Perspective View of the Cities of London & Westminster
- 1783
38
- The Eclipse at an End - and Political Tilting Discovered
- ca. 1788
39
- All Alive, or the Political Churchyard
- 1783
40
- The Ladies Church Yard
- 1783
41
- Tax on Receipts
- 1783
42
- Coalition - The Fox & Badger Both in a Hole
- 1783
43
- The Union, - Whom --- Has Join'd, Let No Man put Asunder!
- 1783
44
- Charley Boy Crying for the Loss of his Political Father
- ca. 1788
45
- A pair: 1. Symptoms of Rearing, 2. Moses
- 1783
46
- Twelve Illustrations of Robinson Crusoe
- 1783
47
- Angelica Kauffman
- undated
48
- Twelve Illustrations of Robinson Crusoe
- 1783
49
- Twelve Illustrations of Robinson Crusoe
- 1783
50
- Twelve Illustrations of Robinson Crusoe
- 1783
51
- Twelve Illustrations of Robinson Crusoe
- 1783
52
- Hon. Mrs. Stanhope
- 1783
53
- The Calling of Samuel
- 1783
54
- The Infant Academy
- 1783
55
- George, Prince of Wales
- 1783
56
- John Henderson
- 1783
57
- Sir Harbord Harbord
- 1783
58
- Sir Abraham Hume, Bart. F.R.S
- 1783
59
- His Majesty Recommending a Law (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
- after 1783
60
- Louisa Finch (née Thynne), Countess of Aylesford
- 1783
61
- The Diagorides Victors at Olympia (Design for the Walls of the Great Room of the Society for the Encouragement of the Arts)
- after 1783
62
- Mademoiselle Baccelli
- 1783
63
- The Thames or the Triumph of Navigation (Designs for the Great Room of the Society for the Encouragement of the Arts)
- after 1783
64
- Orpheus instructing..in Theology (Designs for the Walls of the Great Room of Society for the Encouragement of the Arts)
- After 1783
65
- Fainasollis, Borbar and Fingal
- 1783
66
- The Fall of Agandecca
- 1783
67
- A Grecian Harvest Home (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
- after 1783
68
- The Society for the Encouragement of the Arts (2 copies)
- after 1783
69
- The Queen or Domestic Education at Windsor (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
- after 1783
70
- A Sun Setting in a Fog, With The Old Hanover Hack Descending
- 1783
71
- A New Administration, or - The State Quacks Administring
- 1783
72
- Bonus - Melior - Optimus, or the Devil's The Best of the Bunch
- 1783
73
- A Block for the Wigs - or, The New State Whirligig
- 1783
74
- The R't Hon'ble Catch Singers
- 1783
75
- Jack A Both Sides!
- 1783
76
- A Warm Birth for the Old Administration -----
- 1783
77
- Balaam, - or - The Majesty of the People,- The Lord Open'd the Mouth of the Ass, . . . etc
- 1783
78
- The Cole - Heavers. Two Virtuous Elves, Taking care of Themselves
- 1783
79
- A Coalition of Parties, Give Justice Her Claims
- 1783
80
- Two New Sliders for the State Magic Lanthern
- 1783
81
- The Siphons or Tale of a Tub
- 1783
82
- Sion House in Middlesex
- 1783
83
- The Patriot Exalted
- ca. 1788
84
- A Transfer of East India Stock
- 1783
85
- Such was the Love of Office of the Noble Lord, That finding he would not be Permitted to Mount the Box, He had been Content to get up Behind
- 1783
86
- The Spell, or Hobnelia
- 1783
87
- Lady Elizabeth Harriet Bulkeley (née Warren)
- 1783
88
- View of Mr. Hatchett's Capital House in Long Acre
- 1783
89
- The Encampment in St. James's Park MDCCLXXX
- 1783
90
- Front, Side View, and Back Front, of a Modern fine Gentleman
- 1783
91
- The Inflexible Porter, a Tragedy
- 1783
92
- Building of a Cutter
- 1783
93
- Chase of a Cutter
- 1783
94
- Cecilia
- 1783
95
- G. B. Cipriani, RA
- 1783
96
- The Triumph of Beauty and Love
- 1783
97
- A Sacrifice To Cupid
- 1783
98
- Meekness
- 1783
99
- Beauty
- 1783
100
- Prosperity
- 1783