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Cobham Hall, Kent: Plan of the Ground Floor of the Offices
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite, pen and brown ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 10 7/8 x 20 5/8 inches (27.6 x 52.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Emma, Lady Hamilton
Creator:
Print made by John Jones, ca. 1745–1797
Date:
1785
Materials & Techniques:
Stipple engraving (first state) on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 × 10 7/8 inches (38.1 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Allington Castle, Kent
Creator:
Robert Nixon, 1759–1837
Date:
ca. 1790
Materials & Techniques:
Watercolor over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 7/8 × 15 1/8 inches (27.6 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View in Annamooka
Creator:
John Webber, 1752–1793
Date:
ca. 1790
Materials & Techniques:
Graphite, squared for transfer on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 × 15 3/4 inches (27.9 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Right Honorable Harriet Viscountess Bulkeley
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1785
Materials & Techniques:
Stipple engraving
Dimensions:
Sheet: 11 1/16 x 8 7/16 inches (28.1 x 21.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Horses and a Cart at a Sandpit
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1785 and 1790
Materials & Techniques:
Watercolor with pen and gray and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 10 15/16 x 13 7/16 inches (27.8 x 34.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tancred and Clorinda
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1785
Materials & Techniques:
Stipple engraving on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 11 1/8 x 9 3/16 inches (28.3 x 23.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wooded Landscape with Herdsman and Cows
Creator:
Print made by Thomas Gainsborough, 1727–1788
Date:
between 1785 and 1788
Materials & Techniques:
Soft-ground etching with aquatint, in gray ink on thick, slightly textured, brown laid paper
Dimensions:
Sheet: 11 5/8 x 14 1/4 inches (29.5 x 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Love Letter
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1790
Materials & Techniques:
Watercolor, pen and gray ink, and graphite on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 x 7 9/16 inches (27.9 x 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
unknown artist
Date:
ca. 1790
Materials & Techniques:
Graphite, pen and black and brown ink on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 10 7/8 × 14 7/8 inches (27.6 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
unknown artist
Date:
ca. 1790
Materials & Techniques:
Graphite, pen and brown and black ink on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 11 1/16 × 15 inches (28.1 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by William Dickinson, 1746–1823
Date:
1785
Materials & Techniques:
Stipple engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 17 3/8 x 12 13/16 inches (44.1 x 32.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund