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Date 1801

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Creator Jones, George, 1786–1869

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A Camel Resting
Creator:
George Jones, 1786–1869
Date:
undated
Materials & Techniques:
Brown wash, black chalk, and white gouache on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 3 3/4 × 5 1/4 inches (9.5 × 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Chantrey's Studio
Creator:
George Jones, 1786–1869
Date:
undated
Materials & Techniques:
Graphite and brown wash on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 4 3/4 x 4 1/2 inches (12.1 x 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Figures on an Elephant and Other Elephant Studies
Creator:
George Jones, 1786–1869
Date:
undated
Materials & Techniques:
Pen and brown ink, and graphite on medium, slightly textured, gray wove paper
Dimensions:
Sheet: 6 1/4 × 5 9/16 inches (15.9 × 14.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Head of a Donkey
Creator:
George Jones, 1786–1869
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 4 15/16 × 3 7/8 inches (12.5 × 9.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Interior of a Blacksmith's Forge
Creator:
George Jones, 1786–1869
Date:
undated
Materials & Techniques:
Gray wash, brown wash and white gouache on moderately thick, slightly textured, gray wove paper
Dimensions:
Sheet: 5 7/8 × 6 inches (14.9 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lady Westmorland (Priscilla Anne Fane, Countess of Westmorland, nee Wellesley-Pole)
Creator:
George Jones, 1786–1869
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 x 9 3/8in. (29.8 x 23.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Magdalen Tower and Bridge, Oxford
Creator:
George Jones, 1786–1869
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, graphite, and white gouache on moderately thick, moderately textured, blue wove paper
Dimensions:
Sheet: 9 5/16 × 7 1/2 inches (23.7 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Portentous Things
Creator:
George Jones, 1786–1869
Date:
undated
Materials & Techniques:
Pen and brown ink, watercolor, brown wash, black chalk, white chalk, and graphite, with scraping out on smooth, thin, beige wove paper
Dimensions:
Sheet: 23 3/4 × 19 3/8 inches (60.3 × 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Study of J.M.W. Turner Sketching
Creator:
George Jones, 1786–1869
Date:
undated
Materials & Techniques:
Gray wash on medium, slightly textured, wove paper
Dimensions:
Sheet: 6 5/8 x 6 7/16in. (16.8 x 16.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Study of Sailing Ships
Creator:
George Jones, 1786–1869
Date:
undated
Materials & Techniques:
Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/8 × 4 5/8 inches (7.9 × 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Blacksmith
Creator:
George Jones, 1786–1869
Date:
undated
Materials & Techniques:
Brown wash and white gouache on moderately thick, rough, gray wove paper
Dimensions:
Sheet: 5 3/8 × 5 3/4 inches (13.7 × 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Two Horses Feeding: Each Seen Three-Quarters From the Rear, Facing Left
Creator:
George Jones, 1786–1869
Date:
undated
Materials & Techniques:
Pen and brown ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 3 1/4 × 4 7/8 inches (8.3 × 12.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection