Date: 1812 / Period: 19th century / Creator: Say, William, 1768–1834 - YCBA Collections Search Search Results

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Date 1812

Period 19th century

Creator Say, William, 1768–1834

1. Scene in the Campagna

Scene in the Campagna

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink First Published State on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Landscape with Three Figures

Landscape with Three Figures

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint on wove paper
Dimensions:: Plate: 8 1/4 x 11 1/2in. (21 x 29.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

3. Chain of Alps from Grenoble to Chamberi

Chain of Alps from Grenoble to Chamberi

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 × 13 3/4 inches (26 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Scene in the Campagna

Scene in the Campagna

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 16 1/4 inches (27 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Chain of Alps from Grenoble to Chamberi

Chain of Alps from Grenoble to Chamberi

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink Engraver's proof (c) on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 1/4 × 11 1/2 inches (21 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Chain of Alps from Grenoble to Chamberi

Chain of Alps from Grenoble to Chamberi

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 17 3/8 inches (29.5 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. The Dilettanti Society

The Dilettanti Society

Creator:: Print made by William Say, 1768–1834
Date:: 1812
Materials & Techniques:: Mezzotint (proof before letters) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 24 1/4 × 18 inches (61.6 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

8. Hagar and Ishmael

Hagar and Ishmael

Creator:: Print made by William Say, 1768–1834
Date:: 1812
Materials & Techniques:: Mezzotint (proof before all letters) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 25 7/8 × 19 5/8 inches (65.7 × 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

9. Reverend. Shute Barrington L.L.D.

Reverend. Shute Barrington L.L.D.

Creator:: William Say, 1768–1834
Date:: 1812
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 19 3/4 × 13 13/16 inches (50.2 × 35.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Reverend William Lort Mansel, Lord Bishop of Bristol

No cover image available

Creator:: William Say, 1768–1834
Date:: 1812
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 19 15/16 × 13 7/8 inches (50.6 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection