Period: 18th century / Genre: sporting art - YCBA Collections Search Search Results

1. Turf, with Jockey up, at Newmarket

Creator:: George Stubbs, 1724–1806
Date:: ca. 1766
Materials & Techniques:: Oil on canvas
Dimensions:: Frame: 46 1/2 × 56 1/2 × 2 7/8 inches (118.1 × 143.5 × 7.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view at YUAG

2. Lustre, held by a Groom

Creator:: George Stubbs, 1724–1806
Date:: ca. 1762
Materials & Techniques:: Oil on canvas
Dimensions:: Frame: 46 1/2 × 56 3/4 inches (118.1 × 144.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Foxhound

Creator:: George Stubbs, 1724–1806
Date:: ca. 1760
Materials & Techniques:: Oil on paper laid on board
Dimensions:: 5 3/4 x 8 3/4 inches (14.6 x 22.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Studies for or after "The third Duke of Richmond with the Charleton Hunt"

Creator:: George Stubbs, 1724–1806
Date:: late 1750s
Materials & Techniques:: Oil on four pieces of paper conjoined on canvas
Dimensions:: 10 1/4 × 11 7/8 inches (26 × 30.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. Foxhound

Creator:: George Stubbs, 1724–1806
Date:: ca. 1760
Materials & Techniques:: Oil on paper laid on board
Dimensions:: 5 3/4 x 8 3/4 inches (14.6 x 22.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. The Countess of Coningsby in the Costume of the Charlton Hunt

Creator:: George Stubbs, 1724–1806
Date:: ca. 1760
Materials & Techniques:: Oil on canvas
Dimensions:: 25 x 29 1/4 inches (63.5 x 74.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. Two Gentlemen Going a Shooting

Creator:: George Stubbs, 1724–1806
Date:: 1768
Materials & Techniques:: Oil on canvas
Dimensions:: 39 15/16 x 50 1/16 inches (101.4 x 127.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Given by Paul Mellon in memory of his friend James Cox Brady, Yale College, Class of 1929
On View:: Not on view

8. Two Gentlemen Going a Shooting, with a View of Creswell Crags, Taken on the Spot

Creator:: George Stubbs, 1724–1806
Date:: ca. 1767
Materials & Techniques:: Oil on canvas
Dimensions:: 40 x 50 inches (101.6 x 127 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Given by Paul Mellon in memory of his friend James Cox Brady, Yale College, Class of 1929
On View:: Not on view

9. A Repose after Shooting

Creator:: George Stubbs, 1724–1806
Date:: 1770
Materials & Techniques:: Oil on canvas
Dimensions:: 40 1/4 x 50 1/2 inches (102.2 x 128.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Given by Paul Mellon in memory of his friend James Cox Brady, Yale College, Class of 1929
On View:: Not on view

10. Two Gentlemen Shooting

Creator:: George Stubbs, 1724–1806
Date:: ca. 1769
Materials & Techniques:: Oil on canvas
Dimensions:: 39 x 49 inches (99.1 x 124.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Given by Paul Mellon in memory of his friend James Cox Brady, Yale College, Class of 1929
On View:: Not on view

11. Diamond, with Dennis Fitzpatrick Up

Creator:: Benjamin Marshall, 1768–1835
Date:: 1799
Materials & Techniques:: Oil on canvas
Dimensions:: 34 x 41 inches (86.4 x 104.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. Sir Roger Burgoyne Riding "Badger"

Creator:: James Seymour, 1702–1752
Date:: 1740
Materials & Techniques:: Oil on canvas
Dimensions:: 48 7/8 x 69 inches (124.1 x 175.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

13. Lord Portmore Watching Racehorses at Exercise on Newmarket Heath

Creator:: John Wootton, 1682–1764
Date:: ca. 1735
Materials & Techniques:: Oil on canvas
Dimensions:: 26 5/8 x 49 inches (67.6 x 124.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

14. The Death of the Hare

Creator:: John Wootton, 1682–1764
Date:: ca. 1735
Materials & Techniques:: Oil on canvas
Dimensions:: 40 1/2 x 50 1/4 inches (102.9 x 127.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

15. Learning about the Hounds

Creator:: Thomas Butler of Pall Mall, active 1750
Date:: ca. 1750
Materials & Techniques:: Oil on canvas
Dimensions:: 30 x 65 inches (76.2 x 165.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

16. Major John Dade of Tannington, Suffolk

Creator:: Thomas Gainsborough, 1727–1788
Date:: ca. 1755
Materials & Techniques:: Oil on canvas
Dimensions:: 30 × 25 1/2 inches (76.2 × 64.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

17. The Match between Aaron and Driver at Maidenhead, Aug. 1754: Aaron winning the Second Heat

Creator:: Richard Roper, active 1749–1765
Date:: ca. 1754
Materials & Techniques:: Oil on canvas
Dimensions:: 35 x 48 inches (88.9 x 121.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

18. Portrait of a Sportsman with His Son

Creator:: Francis Wheatley, 1747–1801
Date:: 1779
Materials & Techniques:: Oil on canvas
Dimensions:: 36 x 28 inches (91.4 x 71.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

19. Lough Erne from Knock Ninney, with Bellisle in the distance, County Fermanagh, Ireland

Creator:: Thomas Roberts, 1748–1778
Date:: 1771
Materials & Techniques:: Oil on canvas
Dimensions:: 22 1/2 x 36 inches (57.2 x 91.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

20. Windham Quin of Adare, Co. Limerick, Ireland

Creator:: Stephen Slaughter, 1697–1765
Date:: ca. 1745
Materials & Techniques:: Oil on canvas
Dimensions:: 40 1/8 x 50 5/8 inches (101.9 x 128.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

21. James Rann (1756-1813)

Creator:: William Williams, 1727–1791
Date:: ca. 1780
Materials & Techniques:: Oil on canvas
Dimensions:: 30 x 25 inches (76.2 x 63.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

22. Lord Bulkeley and his Harriers, his Huntsman John Wells and Whipper-In R. Jennings

Creator:: Thomas Stringer, 1722–1790
Date:: 1773
Materials & Techniques:: Oil on canvas
Dimensions:: 35 1/2 x 48 inches (90.2 x 121.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

23. The Reverend Jemmet Browne at a meet of foxhounds

Creator:: Peter Tillemans, 1684–1734
Date:: 1730 to 1732
Materials & Techniques:: Oil on canvas
Dimensions:: 38 1/2 x 48 1/2 inches (97.8 x 123.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

24. Lamprey, with His Owner Sir William Morgan, at Newmarket

Creator:: John Wootton, 1682–1764
Date:: 1723
Materials & Techniques:: Oil on canvas
Dimensions:: 41 x 49 1/2 inches (104.1 x 125.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

25. Preparing for the Hunt

Creator:: John Wootton, 1682–1764
Date:: ca. 1745
Materials & Techniques:: Oil on canvas
Dimensions:: 47 x 49 inches (119.4 x 124.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

26. Pheasant Shooting

Creator:: George Morland, 1763–1804
Date:: ca. 1790
Materials & Techniques:: Oil on canvas
Dimensions:: 15 7/8 x 20 1/2 inches (40.3 x 52.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

27. Foxhunting in Hilly Country

Creator:: George Morland, 1763–1804
Date:: 1792
Materials & Techniques:: Oil on canvas
Dimensions:: 12 1/4 x 15 1/4 inches (31.1 x 38.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

28. A Bay Racehorse with Jockey Up

Creator:: James Seymour, 1702–1752
Date:: ca. 1730
Materials & Techniques:: Oil on canvas
Dimensions:: 12 x 14 inches (30.5 x 35.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

29. One of Four Portraits of Horses - a Chestnut Racehorse with Jockey Up: walking to the left; jockey in buff-yellow jacket

Creator:: Attributed to James Seymour, 1702–1752
Date:: ca. 1730
Materials & Techniques:: Oil on canvas
Dimensions:: 12 x 14 inches (30.5 x 35.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

30. Portrait of a sportsman, possibly Robert Rayner

Creator:: Henry Walton, 1746–1813
Date:: ca. 1770
Materials & Techniques:: Oil on canvas
Dimensions:: 41 x 33 1/2 inches (104.1 x 85.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

31. Tiger Hunting in the East Indies

Creator:: Thomas Daniell, 1749–1840
Date:: 1798
Materials & Techniques:: Oil on canvas
Dimensions:: 32 5/8 x 50 inches (82.9 x 127 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

32. John Corbet, Sir Robert Leighton and John Kynaston with their Horses and Hounds

Creator:: Thomas Stringer, 1722–1790
Date:: 1779
Materials & Techniques:: Oil on canvas
Dimensions:: 37 3/4 x 57 1/2 inches (95.9 x 146.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

33. Releasing the Hounds

Creator:: John Wootton, 1682–1764
Date:: ca. 1745
Materials & Techniques:: Oil on canvas
Dimensions:: 18 1/2 x 40 inches (47 x 101.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

34. An Unknown Man, perhaps Charles Goring of Wiston (1744-1829), out Shooting with his Servant

Creator:: unknown artist
Date:: ca. 1765
Materials & Techniques:: Oil on canvas
Dimensions:: 45 3/4 x 54 inches (116.2 x 137.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

35. John Sidey and his Hounds at a Farmhouse near Hadleigh, Suffolk

Creator:: James Dunthorne, 1730–1815
Date:: 1765
Materials & Techniques:: Oil on canvas
Dimensions:: 35 1/2 x 54 inches (90.2 x 137.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

36. Portrait of a Racehorse, Possibly Disguise, the Property of the Duke of Hamilton, with Jockey Up

Creator:: George Garrard, 1760–1826
Date:: 1786
Materials & Techniques:: Oil on canvas
Dimensions:: 33 1/2 x 42 1/2 inches (85.1 x 108 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

37. The Countess of Effingham with Gun and Shooting Dogs

Creator:: George Haugh, 1756–1827
Date:: 1787
Materials & Techniques:: Oil on canvas
Dimensions:: 17 1/4 x 15 inches (43.8 x 38.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

38. Partridge Shooting

Creator:: George Morland, 1763–1804
Date:: ca. 1790
Materials & Techniques:: Oil on canvas
Dimensions:: 15 7/8 x 20 1/2 inches (40.3 x 52.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

39. One of Four Portraits of Horses - a Chestnut Horse (? Old Partner) held by a Groom: standing facing right, wearing blue saddle-cloth edged with gold; the groom in blue...

One of Four Portraits of Horses - a Chestnut Horse (? Old Partner) held by a Groom: standing facing right, wearing blue saddle-cloth edged with gold; the groom in blue...

Creator:: Attributed to James Seymour, 1702–1752
Date:: ca. 1730
Materials & Techniques:: Oil on canvas
Dimensions:: 12 x 14 inches (30.5 x 35.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

40. One of Four Portraits of Horses - a Chestnut Racehorse Exercised by a Trainer in a Blue Coat: galloping to the left, the horse wearing blue sweat cover and saddle-cloth edged with gold

One of Four Portraits of Horses - a Chestnut Racehorse Exercised by a Trainer in a Blue Coat: galloping to the left, the horse wearing blue sweat cover and saddle-cloth edged with gold

Creator:: Attributed to James Seymour, 1702–1752
Date:: ca. 1730
Materials & Techniques:: Oil on canvas
Dimensions:: 12 x 14 inches (30.5 x 35.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

41. One of Four Portraits of Horses - a Chestnut Racehorse Exercised by a Trainer in a Red Coat: galloping to the left, the horse wearing white sweat covers on head, neck and body

One of Four Portraits of Horses - a Chestnut Racehorse Exercised by a Trainer in a Red Coat: galloping to the left, the horse wearing white sweat covers on head, neck and body

Creator:: Attributed to James Seymour, 1702–1752
Date:: ca. 1730
Materials & Techniques:: Oil on canvas
Dimensions:: 12 x 14 inches (30.5 x 35.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

42. A Game of Cricket (The Royal Academy Club in Marylebone Fields, now Regent's Park)

Creator:: unknown artist
Date:: between 1790 and 1799
Materials & Techniques:: Oil on panel
Dimensions:: 10 1/4 x 11 1/2 inches (26 x 29.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

43. An Exercise in Haute Ecole: the Passage to the Left along a Wall, after Vanderbank

Creator:: unknown artist
Date:: ca. 1730
Materials & Techniques:: Oil on canvas
Dimensions:: 18 1/2 x 12 inches (47 x 30.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

44. A Party Angling

Creator:: George Morland, 1763–1804
Date:: 1789
Materials & Techniques:: Oil on canvas
Dimensions:: 25 x 30 inches (63.5 x 76.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

45. The Shooting Party

Creator:: Julius Caesar Ibbetson, 1759–1817
Date:: ca. 1800
Materials & Techniques:: Oil on panel
Dimensions:: 6 1/4 x 7 7/8 inches (15.9 x 20 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

46. Borlase Cokayne as a Boy riding Sultana

Creator:: Thomas Smith of Derby, ca. 1720–1767
Date:: 1751
Materials & Techniques:: Oil on canvas
Dimensions:: 18 1/2 x 25 3/8 inches (47 x 64.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

47. Scipio, a spotted hunter, the property of Colonel Roche

Creator:: Thomas Spencer, 1700–1753
Date:: ca. 1750
Materials & Techniques:: Oil on canvas
Dimensions:: 39 x 52 3/4 inches (99.1 x 134 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

48. The Duke of Hamilton's Grey Racehorse 'Victorious' at Newmarket

Creator:: John Wootton, 1682–1764
Date:: ca. 1725
Materials & Techniques:: Oil on canvas
Dimensions:: 113 1/4 x 127 1/8 inches (287.7 x 322.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

49. A Sportsman

Creator:: Edward Haytley, active 1740–1761
Date:: 1752
Materials & Techniques:: Oil on canvas
Dimensions:: 20 3/8 x 14 3/8 inches (51.8 x 36.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

50. The Chaise Match Run on Newmarket Heath on Wednesday the 29th of August, 1750

Creator:: James Seymour, 1702–1752
Date:: 1750
Materials & Techniques:: Oil on canvas
Dimensions:: 42 × 66 inches (106.7 × 167.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

51. The Death of the Hare

Creator:: unknown artist
Date:: between 1760 and 1770
Materials & Techniques:: Oil on canvas
Dimensions:: 60 x 99 inches (152.4 x 251.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

52. George Morland on his Hunter

Creator:: Thomas Hand, died 1804
Date:: 1794
Materials & Techniques:: Oil on canvas
Dimensions:: 23 3/4 x 31 1/2 inches (60.3 x 80 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

53. Hunting Scenes: five oval plaques in one frame, perhaps Staffordshire or Liverpool and possibly enamel transfer-printed in black

Creator:: unknown artist
Date:: 18th century
Materials & Techniques:: Enamel transfer-printed in black on ceramic
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

54. Studies of Horses

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/4 x 6 3/4 inches (15.9 x 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

55. Wakefield

Creator:: Print made by James Walker, 1748–1808
Date:: 1798
Materials & Techniques:: Line engraving, 1st published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 × 10 inches (20 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Position pour le Garde en Tierce et le Coup de Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/2 × 16 1/8 inches (26.7 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Position pour la Garde en Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 7/16 × 11 7/8 inches (26.5 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Position pour la Garde en Quarte et le Coup de Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 9/16 × 15 1/2 inches (26.8 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. De la Passe en Quarte du Dehors des Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 × 15 3/8 inches (27.9 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Position de la Garde Italienne de L'Epée & Poignard

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 15 15/16 inches (27.3 × 40.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Premiere Position pour tirer L'Epée

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, beige wove paper
Dimensions:: Contemporary drawn border: 10 9/16 × 8 5/16 inches (26.8 × 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Position de la Garde de Tierce et le Coup de Seconde

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/8 × 17 1/16 inches (26.4 × 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Position pour la Garde en Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/4 × 11 1/4 inches (26 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Premiere Position du Salut

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/4 × 10 1/16 inches (26 × 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Seconde Position du Salut

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/8 × 10 3/16 inches (25.7 × 25.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Quatrieme Position du Salut

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/2 × 10 15/16 inches (26.7 × 27.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Troisieme Position du Salut

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 9 15/16 × 10 inches (25.2 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 7/8 × 16 inches (27.6 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. De la Parade du Demi-Cercle sur le Coup, de Quarte Basse

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/8 × 17 11/16 inches (28.3 × 44.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. De la Parade de Tierce, sur le Coup de Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/2 × 16 15/16 inches (26.7 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 16 1/4 inches (27.3 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 × 17 3/8 inches (27.9 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Du Desarmement Aprés Avoir Paré le Coup de Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 3/16 × 15 1/2 inches (28.4 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Du Desarmement sur le Coup de Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 3/16 × 15 3/16 inches (28.4 × 38.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. De la Volte sur la Passe au Dehors des Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 3/8 × 15 1/8 inches (28.9 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 3/16 × 16 3/8 inches (28.4 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Risposte Aprés Avoir Trompé la Parade du Poignard

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 16 7/16 inches (27.3 × 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1792
Materials & Techniques:: Color-printed stipple engraving with aquatint and drypoint
Dimensions:: Sheet: 21 x 26 1/4in. (53.3 x 66.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Colonel Mordaunt's Cock Match at Lucknow

Creator:: Richard Earlom, 1743–1822
Date:: 1792
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 1/4 x 27 1/2 inches (54 x 69.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Colonel Mordaunt's Cock Match at Lucknow

Creator:: Richard Earlom, 1743–1822
Date:: 1792
Materials & Techniques:: Mezzotint with hand coloring on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 21 x 28 7/8 inches (53.3 x 73.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/2 × 15 1/2 inches (26.7 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Position de la Garde en Quarte, et le Coup de Flanconnade

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/4 × 15 7/8 inches (26 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Cinquieme Position du Salut

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/16 × 10 7/8 inches (25.9 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 5/8 × 16 5/8 inches (27 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. De la Parade de Seconde sur le Coup de Seconde

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 15/16 × 17 1/4 inches (27.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. De la Parade du Cavé sur le Coup de Flanconnade

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/8 × 17 1/16 inches (26.4 × 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. De la Parade de Prime sur le Coup de Seconde

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/16 × 16 inches (28.1 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. De la Risposte de Quarte apres la Parade de Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 5/8 × 16 5/16 inches (27 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 16 inches (27.3 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. De la Parade Dequinte sur le Coup de Quinte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 17 1/2 inches (27.3 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. De la Risposte en Quinte de Pied forme sur le Coup de Seconde

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 5/8 × 17 1/4 inches (27 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Du Coupé sur Pointe de Quarte en Quarte sur les Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/2 × 16 inches (29.2 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Demi Volte sur les Coups Forcés au Dehors des Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 15/16 × 16 inches (27.8 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Position Aprés Avoir Desarmé sur le Coup de Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 3/16 × 15 11/16 inches (28.4 × 39.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Du Desarmement Aprés la Parade au Dehors des Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 7/8 × 14 15/16 inches (27.6 × 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Position Aprés Avoir Désarmé sur le Coup de Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 7/16 × 14 1/8 inches (29.1 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 11/16 × 15 1/4 inches (27.1 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/8 × 15 1/16 inches (26.4 × 38.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Period 18th century

Genre sporting art

Search Results

1. Turf, with Jockey up, at Newmarket

2. Lustre, held by a Groom

3. Foxhound

4. Studies for or after "The third Duke of Richmond with the Charleton Hunt"

5. Foxhound

6. The Countess of Coningsby in the Costume of the Charlton Hunt

7. Two Gentlemen Going a Shooting

8. Two Gentlemen Going a Shooting, with a View of Creswell Crags, Taken on the Spot

9. A Repose after Shooting

10. Two Gentlemen Shooting

11. Diamond, with Dennis Fitzpatrick Up

12. Sir Roger Burgoyne Riding "Badger"

13. Lord Portmore Watching Racehorses at Exercise on Newmarket Heath

14. The Death of the Hare

15. Learning about the Hounds

16. Major John Dade of Tannington, Suffolk

17. The Match between Aaron and Driver at Maidenhead, Aug. 1754: Aaron winning the Second Heat

18. Portrait of a Sportsman with His Son

19. Lough Erne from Knock Ninney, with Bellisle in the distance, County Fermanagh, Ireland

20. Windham Quin of Adare, Co. Limerick, Ireland

21. James Rann (1756-1813)

22. Lord Bulkeley and his Harriers, his Huntsman John Wells and Whipper-In R. Jennings

23. The Reverend Jemmet Browne at a meet of foxhounds

24. Lamprey, with His Owner Sir William Morgan, at Newmarket

25. Preparing for the Hunt

26. Pheasant Shooting

27. Foxhunting in Hilly Country

28. A Bay Racehorse with Jockey Up

29. One of Four Portraits of Horses - a Chestnut Racehorse with Jockey Up: walking to the left; jockey in buff-yellow jacket

30. Portrait of a sportsman, possibly Robert Rayner

31. Tiger Hunting in the East Indies

32. John Corbet, Sir Robert Leighton and John Kynaston with their Horses and Hounds

33. Releasing the Hounds

34. An Unknown Man, perhaps Charles Goring of Wiston (1744-1829), out Shooting with his Servant

35. John Sidey and his Hounds at a Farmhouse near Hadleigh, Suffolk

36. Portrait of a Racehorse, Possibly Disguise, the Property of the Duke of Hamilton, with Jockey Up

37. The Countess of Effingham with Gun and Shooting Dogs

38. Partridge Shooting

39. One of Four Portraits of Horses - a Chestnut Horse (? Old Partner) held by a Groom: standing facing right, wearing blue saddle-cloth edged with gold; the groom in blue...

40. One of Four Portraits of Horses - a Chestnut Racehorse Exercised by a Trainer in a Blue Coat: galloping to the left, the horse wearing blue sweat cover and saddle-cloth edged with gold

41. One of Four Portraits of Horses - a Chestnut Racehorse Exercised by a Trainer in a Red Coat: galloping to the left, the horse wearing white sweat covers on head, neck and body

42. A Game of Cricket (The Royal Academy Club in Marylebone Fields, now Regent's Park)

43. An Exercise in Haute Ecole: the Passage to the Left along a Wall, after Vanderbank

44. A Party Angling

45. The Shooting Party

46. Borlase Cokayne as a Boy riding Sultana

47. Scipio, a spotted hunter, the property of Colonel Roche

48. The Duke of Hamilton's Grey Racehorse 'Victorious' at Newmarket

49. A Sportsman

50. The Chaise Match Run on Newmarket Heath on Wednesday the 29th of August, 1750

51. The Death of the Hare

52. George Morland on his Hunter

53. Hunting Scenes: five oval plaques in one frame, perhaps Staffordshire or Liverpool and possibly enamel transfer-printed in black

54. Studies of Horses

55. Wakefield

56. Position pour le Garde en Tierce et le Coup de Tierce

57. Position pour la Garde en Quarte

58. Position pour la Garde en Quarte et le Coup de Quarte

59. De la Passe en Quarte du Dehors des Armes

60. De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson

61. Position de la Garde Italienne de L'Epée & Poignard

62. Premiere Position pour tirer L'Epée

63. Position de la Garde de Tierce et le Coup de Seconde

64. Position pour la Garde en Tierce

65. Premiere Position du Salut

66. Seconde Position du Salut

67. Quatrieme Position du Salut

68. Troisieme Position du Salut

69. De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes

70. De la Parade du Demi-Cercle sur le Coup, de Quarte Basse

71. De la Parade de Tierce, sur le Coup de Tierce

72. De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes

73. De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce

74. Du Desarmement Aprés Avoir Paré le Coup de Quarte