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William Hogarth Hudibras Vanquished by Trulla
William Hogarth, 1697–1764
Hudibras Vanquished by Trulla
William Hogarth Hudibras's First Adventure (no.3)
William Hogarth, 1697–1764
Hudibras's First Adventure (no.3)
William Hogarth Hudibras Sallying Forth (no.2)
William Hogarth, 1697–1764
Hudibras Sallying Forth (no.2)
William Hogarth Hudibras Vanquish'd by Trulla (no.5)
William Hogarth, 1697–1764
Hudibras Vanquish'd by Trulla (no.5)
William Hogarth Hudibras Triumphant (no.4)
William Hogarth, 1697–1764
Hudibras Triumphant (no.4)
William Hogarth Hudibras in Tribulation (no.6)
William Hogarth, 1697–1764
Hudibras in Tribulation (no.6)
William Hogarth Frontispiece and its Explanation (no.1)
William Hogarth, 1697–1764
Frontispiece and its Explanation (no.1)
1726
William Hogarth Hudibras Catechiz'd (no.9)
William Hogarth, 1697–1764
Hudibras Catechiz'd (no.9)
William Hogarth Burning ye Rumps at Temple-Barr (no.11)
William Hogarth, 1697–1764
Burning ye Rumps at Temple-Barr (no.11)
William Hogarth Large Illustrations to Samuel Butler's Hudibras: Hudibras and the Skimmington (no.12)
William Hogarth, 1697–1764
Large Illustrations to Samuel Butler's Hudibras: Hudibras and the Skimmington (no.12)
William Hogarth Hudibras Encounters the Skimmington (no.12)
William Hogarth, 1697–1764
Hudibras Encounters the Skimmington (no.12)
William Hogarth Prospectus print "Crown & Mitre"
William Hogarth, 1697–1764
Prospectus print "Crown & Mitre"
1754
William Hogarth Pit Ticket
William Hogarth, 1697–1764
Pit Ticket
1759
William Hogarth Fair Scene
William Hogarth, 1697–1764
Fair Scene
1733
William Hogarth William Hogarth
William Hogarth, 1697–1764
William Hogarth
1764
William Hogarth The Four Stages of Cruelty: Cruelty in Perfection (The Murderer)
William Hogarth, 1697–1764
The Four Stages of Cruelty: Cruelty in Perfection (The Murderer)
1751
William Hogarth Painting of Pharoah's Daughter and Moses in the Foundling Hospital
William Hogarth, 1697–1764
Painting of Pharoah's Daughter and Moses in the Foundling Hospital
1752
William Hogarth Paul before Felix
William Hogarth, 1697–1764
Paul before Felix
William Hogarth The Distressed Poet
William Hogarth, 1697–1764
The Distressed Poet
1740
William Hogarth Mr. Garrick in the Character of Richard III
William Hogarth, 1697–1764
Mr. Garrick in the Character of Richard III
1746
William Hogarth Beer Street
William Hogarth, 1697–1764
Beer Street
1751
William Hogarth Simon, Lord Lovat
Print made by William Hogarth, 1697–1764
Simon, Lord Lovat
William Blake Plate 6 (page 10): 'Disease invades the chastest temperence'
William Blake, 1757–1827
Plate 6 (page 10): 'Disease invades the chastest temperence'
1797
William Blake Plate 7 (page 12): 'Its favours here are trials, not rewards'
William Blake, 1757–1827
Plate 7 (page 12): 'Its favours here are trials, not rewards'
1797
William Blake Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'
William Blake, 1757–1827
Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'
1797
William Blake Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
William Blake, 1757–1827
Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
1797
William Blake Plate 9 (page 15):' The longest night though longer far, would fail'
Engravings by William Blake, 1757–1827
Plate 9 (page 15):' The longest night though longer far, would fail'
1797
William Blake Plate 13 (page 23): 'We censure nature for a span too short'
Engravings by William Blake, 1757–1827
Plate 13 (page 23): 'We censure nature for a span too short'
1797
William Blake Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'
William Blake, 1757–1827
Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'
1797
William Blake Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'
William Blake, 1757–1827
Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'
1797
William Blake Plate 21 (page 37): 'Love, and love only, is the loan for love'
William Blake, 1757–1827
Plate 21 (page 37): 'Love, and love only, is the loan for love'
1797
William Blake Plate 22 (page 40): ' Angels should paint it, angels ever there'
William Blake, 1757–1827
Plate 22 (page 40): ' Angels should paint it, angels ever there'
1797
William Blake Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'
William Blake, 1757–1827
Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'
1797
William Blake Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'
William Blake, 1757–1827
Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'
1797
William Blake Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
William Blake, 1757–1827
Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
1797
William Blake Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'
William Blake, 1757–1827
Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'
1797
William Blake Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'
William Blake, 1757–1827
Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'
1797
William Blake Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
William Blake, 1757–1827
Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
1797
William Blake Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'
William Blake, 1757–1827
Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'
1797
William Blake Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
William Blake, 1757–1827
Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
1797
William Blake Plate 41 (page 92): 'When faith is virtue, reason makes it so'
William Blake, 1757–1827
Plate 41 (page 92): 'When faith is virtue, reason makes it so'
1797
William Blake "The Book of Thel William Blake Original Wrappers 1789"
William Blake, 1757–1827
"The Book of Thel William Blake Original Wrappers 1789"
1789
William Blake May-Day in London
William Blake, 1757–1827
May-Day in London
1784
William Blake "There is No Natural Religion", London, by William Blake
William Blake, 1757–1827
"There is No Natural Religion", London, by William Blake
ca. 1788
William Blake Songs of Innocence and of Experience
William Blake, 1757–1827
Songs of Innocence and of Experience
1789-1794
William Blake "Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
William Blake, 1757–1827
"Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
1797
William Blake Beggar's Opera, Act III
William Blake, 1757–1827
Beggar's Opera, Act III
1790
William Blake Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'
William Blake, 1757–1827
Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'
1797
William Blake Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
William Blake, 1757–1827
Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
1797
William Blake Plate 3 (page 4): 'What, though my soul fantastick measures trod'
William Blake, 1757–1827
Plate 3 (page 4): 'What, though my soul fantastick measures trod'
1797
William Blake Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'
William Blake, 1757–1827
Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'
1797
William Blake Plate 15 (page 25): 'Behold him, when past by; what then is seen'
William Blake, 1757–1827
Plate 15 (page 25): 'Behold him, when past by; what then is seen'
1797
William Blake Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"
William Blake, 1757–1827
Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"
1797
William Blake Plate 37 (page 86): 'His hand the good man fastens on the skies'
William Blake, 1757–1827
Plate 37 (page 86): 'His hand the good man fastens on the skies'
1797
William Blake Plate 40 (page 90): 'That touch, with charm celestial heals the soul'
William Blake, 1757–1827
Plate 40 (page 90): 'That touch, with charm celestial heals the soul'
1797
William Blake Plate 8 (page 13): 'The present moment terminates our sight'
William Blake, 1757–1827
Plate 8 (page 13): 'The present moment terminates our sight'
1797
William Blake Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'
William Blake, 1757–1827
Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'
1797
William Blake Plate 12 (page 19): 'Emblem of that which shall awake the dead'
William Blake, 1757–1827
Plate 12 (page 19): 'Emblem of that which shall awake the dead'
1797
William Blake Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'
William Blake, 1757–1827
Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'
1797
William Blake Plate 26 (page 49): 'As if the sun could envy, check'd his beam'
William Blake, 1757–1827
Plate 26 (page 49): 'As if the sun could envy, check'd his beam'
1797
William Blake Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'
William Blake, 1757–1827
Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'
1797
William Blake Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'
William Blake, 1757–1827
Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'
1797
William Blake Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'
William Blake, 1757–1827
Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'
1797
William Blake Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'
William Blake, 1757–1827
Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'
1797
William Blake Plate 33 (page 72): 'And vapid; sense and reason shew the door'
William Blake, 1757–1827
Plate 33 (page 72): 'And vapid; sense and reason shew the door'
1797
Gainsborough, Thomas, 1727-1788, author.  Thomas Gainsborough letter to William Jackson, 1773 January 29.
Gainsborough, Thomas, 1727–1788
Thomas Gainsborough letter to William Jackson, 1773 January 29
1773 January 29
Gainsborough, Thomas, 1727-1788. Thomas Gainsborough letter to Elizabeth Rasse.
Gainsborough, Thomas, 1727–1788
Thomas Gainsborough letter to Elizabeth Rasse
[1753]
Stubbs, George, 1724-1806. The anatomy of the horse :
Stubbs, George, 1724–1806
The anatomy of the horse
1766
Constable, John, 1776-1837. Letter to John Thomas Smith.
Constable, John, 1776–1837
Letter to John Thomas Smith
1797, between January 16 and March 23
Rocque, John, -1762 A map of London and the adjacent country 10 miles round :
Rocque, John, -1762
A map of London and the adjacent country 10 miles round
1748
 A book of eighteen leaves :
A book of eighteen leaves
1757
Halfpenny, William, d. 1755. Chinese and Gothic architecture properly ornamented :
Halfpenny, William, d. 1755
Chinese and Gothic architecture properly ornamented
1752
Stuart, James, 1713-1788. Critical observations on the buildings and improvements of London.
Stuart, James, 1713–1788
Critical observations on the buildings and improvements of London
MDCCLXXI [1771]
James Barry King Lear
James Barry, 1741–1806
King Lear
1776
Pennant, Thomas, 1726-1798, author. The journey from Chester to London.
Pennant, Thomas, 1726–1798
The journey from Chester to London
MDCCLXXXII [1782]
Luke Sullivan The March to Finchley
Luke Sullivan, 1705–1771
The March to Finchley
John Bowles Untitled
John Bowles, 1701–1779
Untitled
Francois Vivares Untitled
Francois Vivares, 1709–1780
Untitled
Peter Simon Tom Jones; The Interview of Tom Jones, and Sophia, after the Reconciliation
Peter Simon, 1750–1810
Tom Jones; The Interview of Tom Jones, and Sophia, after the Reconciliation
1789
Jean B. C. Chatelain A View from Durdham-Down near Bristol looking down the Avon
Print made by Jean B. C. Chatelain, 1710–1771
A View from Durdham-Down near Bristol looking down the Avon
1756
William Ridley Cymbelline, Act II, Sc. 7
William Ridley, 1764–1838
Cymbelline, Act II, Sc. 7
1799
William Sharp The Tempest, Act I Sc. 3
Print made by William Sharp, 1749–1824
The Tempest, Act I Sc. 3
1783
Anker Smith Goldsmith's "Deserted Village"
Anker Smith, 1759–1819
Goldsmith's "Deserted Village"
1800
Anker Smith Goldsmith's "Deserted Village"
Anker Smith, 1759–1819
Goldsmith's "Deserted Village"
1800
Rocque, John, -1762. Plan of the house, gardens, park & hermitage of Their Majesties at Richmond :
Rocque, John, -1762
Plan of the house, gardens, park & hermitage of Their Majesties at Richmond
1734
W. Taylor All's Well... Act III, Sc. V
W. Taylor, active 1790–1810
All's Well... Act III, Sc. V
1791
Taylor Two Gentlemen... Act V, Scene IV
Taylor, active 1790
Two Gentlemen... Act V, Scene IV
1790
Mathieu Liart Loves Labour Lost, Act. IV, Scene IV
Mathieu Liart, 1736–1782
Loves Labour Lost, Act. IV, Scene IV
1774
Thomas Medland Goldsmith's Traveller, page 10
Thomas Medland, 1755–1823
Goldsmith's Traveller, page 10
1800
Page Taming...Act III, Scene I
Page, fl. 1784–1803
Taming...Act III, Scene I
1791
Boulton, George. The route of the mail & post coaches, George Boulton & Co. proprietors :
Boulton, George
The route of the mail & post coaches, George Boulton & Co. proprietors
[between 1796 and 1809]
John Bowles Untitled
John Bowles, 1701–1779
Untitled
John Bowles Untitled
John Bowles, 1701–1779
Untitled
John Bowles Untitled
John Bowles, 1701–1779
Untitled
George Noble Maternal Instructions
George Noble, active 1795–1806
Maternal Instructions
1790
Charles West The Silver Age
Charles West, Active c. 1778
The Silver Age
1782
unknown artist Falstaff reproved by King Henry
unknown artist
Falstaff reproved by King Henry
1792
John Chapman Black-George
John Chapman, active ca. 1792–1823
Black-George
1791
William Baillie Parish Orphans
William Baillie, 1723–1810
Parish Orphans
1770
Carington Bowles Twelve Illustrations of Robinson Crusoe
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783