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Genre architectural subject

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Associated Places Essex

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Associated Places Europe

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Creator Constable, John, 1776–1837

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Image Use Free to Use

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Ruin of St. Botolph's Priory, Colchester
Creator:
John Constable, 1776–1837
Date:
ca. 1809
Materials & Techniques:
Black and brown chalk over graphite with stumping on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/8 x 14 7/8 inches (43.5 x 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Study for Cottage in Cornfield, East Bergholt
Creator:
attributed to John Constable, 1776–1837
Date:
ca. 1833
Materials & Techniques:
Graphite and brown wash on medium, smooth, beige wove paper mounted to card
Dimensions:
Sheet: 3 1/2 x 2 1/2 inches (8.9 x 6.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wormingford Church
Creator:
attributed to John Constable, 1776–1837
Date:
between 1813 and 1815
Materials & Techniques:
Graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/8 inches (18.4 x 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mill Near Colchester
Creator:
Print made by David Lucas, 1802–1881
Date:
1845
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/8 x 14 1/4 inches (25.7 x 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Havering Bower, Essex (A View of a Country Mansion)
Creator:
unknown artist
Date:
1819
Materials & Techniques:
Green wash and graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 5/8 x 6 5/8 inches (11.7 x 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dedham Church
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/2 x 8 3/8 inches (16.5 x 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection