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Antigonus Disposing of Perdita
Creator:
Mary Hoare, 1744–1820
Date:
ca. 1781
Materials & Techniques:
Watercolor with brown and black ink and scraping over graphite on thick, textured, cream laid paper mounted on thick, textured, beige card with additional inscribed sheet mounted lower center
Dimensions:
Mount: 23 1/16 x 18 5/8 inches (58.5 x 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Death of the First Born of Egypt
Creator:
John Martin, 1789–1854
Date:
1836
Materials & Techniques:
Pen and red and gray ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 19 15/16 x 27 15/16 inches (50.6 x 70.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Expulsion from Eden
Creator:
John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Brown wash and graphite with pen and brown ink on moderately thick, smooth, beige wove paper mounted on board
Dimensions:
Mount: 7 11/16 x 10 1/4 inches (19.6 x 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Michael D. Coe, Yale MAH 1968
Job Rebuked by His Friends
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 5/8 x 4 3/4 inches (9.2 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lamentation
Creator:
unknown artist
Date:
19th century
Materials & Techniques:
Graphite and white chalk on moderately thick, slightly textured, gray wove paper, pasted on thick, smooth, gray card
Dimensions:
Mount: 10 5/8 × 9 inches (27 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
Lear Awakened by Cordelia
Creator:
George Romney, 1734–1802
Date:
ca. 1774
Materials & Techniques:
Brown ink over graphite on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 14 15/16 x 19 5/16 inches (38 x 49 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
Study of a bear
Creator:
Sawrey Gilpin, 1733–1807
Date:
undated
Materials & Techniques:
Pen and brown ink over graphite on thick, rough, brown wove paper
Dimensions:
Sheet: 9 7/8 × 13 5/8 inches (25.1 × 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Death of Cordelia
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, gouache, red crayon, and graphite on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 12 x 9 3/4 inches (30.5 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Indians Delivering up the English Captives to Colonel Bouquet near his camp at the folks of Muskingum in North America in November 1764, 1765
Creator:
Benjamin West, 1738–1820
Date:
between 1765 and 1766
Materials & Techniques:
Graphite, pen and black ink, and pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 10 1/8 x 8 1/4 inches (25.7 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Messengers Tell Job of the Misfortunes that Have Befallen Him
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/2 x 4 5/8 inches (8.9 x 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Reconciliation of the Montagues and the Capulets
Creator:
Frederic Leighton, 1830–1896
Date:
1854
Materials & Techniques:
Watercolor with gouache over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 20 3/4 inches (39.6 x 52.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund