Taking Physick; - or - The News of Shooting the King of Sweden!
1792
302
James Gillray, 1756–1815
The York Reverence; - or - City - Loyalty Amply Rewarded
1791
303
James Gillray, 1756–1815
The Slough of Despond----; Vide - The Patriots Progress
1793
304
James Gillray, 1756–1815
Cockney-Sportsmen finding a Hare
1800
305
James Gillray, 1756–1815
Coming-In at the Death
1800
306
James Gillray, 1756–1815
Hounds Throwing-Off
1800
307
James Gillray, 1756–1815
Cockney-Sportsmen Shooting-Flying
1800
308
James Gillray, 1756–1815
Cockney-Sportsmen Re-charging
1800
309
James Gillray, 1756–1815
The Kettle Hooting the Porridge-Pot
1782
310
James Gillray, 1756–1815
A Standing-dish at Boodles
1800
311
James Gillray, 1756–1815
A Block for the Whigs - or, The new State Whirligig (Poor John Bull's House Plundered at Noon Day)
1783
312
James Gillray, 1756–1815
Britania's Assassination or The Republican's Amusement
1782
313
James Gillray, 1756–1815
A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)
1783
314
James Gillray, 1756–1815
Pigs Meat; - or - The Swine Flogg'd Out of the Farm-Yard
1798
315
James Gillray, 1756–1815
Junction of Parties
1783
316
James Gillray, 1756–1815
Duke William's Ghost
1799
317
James Gillray, 1756–1815
Miss, I have a Monstrous Crow to pluck with you!!
1794
318
James Gillray, 1756–1815
Evacuation of Malta
1803
319
James Gillray, 1756–1815
- "and would'st thou turn the vile Reproach on me?"
1807
320
James Gillray, 1756–1815
Hounds in Finding
1800
321
Charles Turner, 1774–1857
James Gillray
1819
322
Print made by James Gillray, 1756–1815
A Cognocenti Contemplating ye Beauties of ye Antique
1801
323
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."
1806
324
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
1806
325
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
1806
326
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
1806
327
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
1806
328
James Gillray, 1756–1815
A Kick at the Broad-Bottoms! - i.e.- Emancipation of "All the Talents"
1807
329
James Gillray, 1756–1815
The Valley of the Shadow of Death
1808
330
Print made by James Gillray, 1756–1815
Shakespeare Sacrificed; or, The Offering to Avarice
1789
331
James Gillray, 1756–1815
Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
1802
332
James Gillray, 1756–1815
Freedom (France) - Slavery (Britain)
1789
333
Print made by James Gillray, 1756–1815
Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will
1791
334
James Gillray, 1756–1815
Betty Canning (Gunning) Revived, or a Peep at the Conjuration of Mary Squires and the Gipsy Family
1791
335
James Gillray, 1756–1815
Squire Thomas Just Arriv'd, Touch Me Not! I'm Still a Maid
1783
336
James Gillray, 1756–1815
Patern-Staff - Weymouth
1797
337
James Gillray, 1756–1815
The Salute, - Vide, The Parade
1797
338
James Gillray, 1756–1815
Shrine at St. Ann's Hill
1798
339
James Gillray, 1756–1815
John Bull Ground Down
1795
340
James Gillray, 1756–1815
The Lover's Dream
1795
341
James Gillray, 1756–1815
Light Expelling Darkness, - Evaporation of Stygian Exhalations, - or - The Sun of the Constitution, Rising Superior to the Clouds of Opposition
1795
342
James Gillray, 1756–1815
Patriotic Regeneration, - Viz - Parliament Refoun'd a la Francoise, - that is, - Honest Men (i.e. Opposition) in the Seat of Justice. Vide, Carmaguol Expectations
1795
343
James Gillray, 1756–1815
Improvement in Weights and Measures. - or - "Sir John Seeclear Discovering e/y Ballance of e/y Flag" (from: Caricature, vol. 1)
1798
344
James Gillray, 1756–1815
Buonaparte, Hearing of Nelson's Victory, Swears by His Sword, to Extirpate the English off the Earth (from: Caricature, vol. 1)
1798
345
James Gillray, 1756–1815
Horrors of the Irish-Union; - Botheration of Poor Pat! - or - A Whisper Across the Channel (from: Caricature, vol. 1)
1798
346
James Gillray, 1756–1815
Fighting for the Dunghill, - or - Jack Tar Settling Citoyen Francois (from: Caricature, vol. 1)
1798
347
James Gillray, 1756–1815
Evacuation Before Resignation
1782
348
James Gillray, 1756–1815
Hounds in Full-Cry
1800
349
James Gillray, 1756–1815
Cockney-Sportsmen marking game
1800
350
James Gillray, 1756–1815
Extirpation of the Plagues of Egypt
1798
351
James Gillray, 1756–1815
Destruction of the French Collossus
1798
352
James Gillray, 1756–1815
The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton)
1797
353
James Gillray, 1756–1815
The Royal Academy
1786
354
James Gillray, 1756–1815
A Uniform Whig ---
1791
355
James Gillray, 1756–1815
The April Fool or The Follies of a Night ---
1786
356
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
357
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
358
Print made by James Gillray, 1756–1815
The Dutch Divisions
1787
359
Print made by James Gillray, 1756–1815
The Sick Prince
1787
360
James Gillray, 1756–1815
The Doctor Indulged with his Favorite Scene ---
ca. 1790
361
James Gillray, 1756–1815
The (Prince's) Nursery or Nine Months After
1786
362
James Gillray, 1756–1815
The Funeral Procession of Miss Regency
1789
363
James Gillray, 1756–1815
The Tottering Pyramid
1784
364
James Gillray, 1756–1815
The Fall of Dagon - or Rare News for Leaden-Hall Street
1784
365
James Gillray, 1756–1815
The Battle of Bow-Street
1788
366
James Gillray, 1756–1815
The Times - or a View of the Old House in Little Brittain - with Nobody Giving to Hannover
1784
367
James Gillray, 1756–1815
A Modern Cherub, - Vide Peters
1791
368
Print made by James Gillray, 1756–1815
The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing
1805
369
Print made by James Gillray, 1756–1815
Venus Attired by the Graces
1800
370
Print made by James Gillray, 1756–1815
The King of Brobdingnag and Gulliver
1803
371
James Gillray, 1756–1815
Blood on Thunder Fording the Red Sea
1788
372
James Gillray, 1756–1815
The Spanish-Bull-Fight - or - The Corsical-Matador in Danger
1808
373
James Gillray, 1756–1815
Preparing for The Grand Attack - or - A Private Rehearsal of the Ci-Devant Ministry in Danger
1801
374
James Gillray, 1756–1815
Westminster-Conscripts under the Training Act
1806
375
James Gillray, 1756–1815
Comfort's of a Bed of Roses; Vide Charley's Elucidation of Lord C(a)stl(e) R(ea)gh's Speech! --A Nightly Scene near Cleveland Row
1806
376
James Gillray, 1756–1815
Le Diable - Boiteux - or - The Devil Upon Two Sticks, Conveying John Bull, to the Land of Promise
1806
377
James Gillray, 1756–1815
Hope
1802
378
James Gillray, 1756–1815
Despair
1802
379
James Gillray, 1756–1815
Be gone Dull Care, I Prithee Begone From Me!
1801
380
James Gillray, 1756–1815
Bologna Sausages, or Opposition Flux'd
1788
381
James Gillray, 1756–1815
The Lubber's - Hole, - Alias - The Crack'd Jordan
1791
382
James Gillray, 1756–1815
A Good Shot, or Billy Ranger the Gamekeeper, in a Fine Sporting Country. (Lord Grenville)
1792
383
James Gillray, 1756–1815
The Devil to Pay; or Neptune Reposing after Fording the Jordan
1791
384
James Gillray, 1756–1815
Opposition Coaches
1788
385
James Gillray, 1756–1815
Honi Soit Qui Mal Y Pense (Shame on Him Who Evil Thinks)
386
James Gillray, 1756–1815
The Westminster School, or Dr. Busby Settling Accounts with Master Billy and His Playmates
1785
387
James Gillray, 1756–1815
Twas Nobody Saw the Lover's Leap and Let the Cat Out of the Bag
1786
388
James Gillray, 1756–1815
A Tom Tit Twittering on an Eagle's Back-side
1786
389
James Gillray, 1756–1815
Out of Fits - or the Recovery to the Satisfaction of All Parties
1786
390
James Gillray, 1756–1815
Hudibrass and His ' Squire (Fox and Burke)
1784
391
James Gillray, 1756–1815
Britania's Assassination - or - The Republicans Amusement
1782
392
James Gillray, 1756–1815
Guy Vanx
1782
393
James Gillray, 1756–1815
The Lord of the Vineyard
1783
394
James Gillray, 1756–1815
Rodney Introducing De Grasse
1782
395
James Gillray, 1756–1815
There's More Ways Than One - Vide, Coalition Expedients
1788
396
James Gillray, 1756–1815
Questions & Commands; or The Mistaken Bad Road to HE-R-F-RD: A Sunday Evenings Amusement
1788
397
James Gillray, 1756–1815
Amsterdam in a Dam'd Predicament, - or - The Last Scene of the Republican Pantomine
1787
398
James Gillray, 1756–1815
The Dissolution, - or - The Alchymist Producing An Aetherial Representation (Pitt)
1796
399
James Gillray, 1756–1815
Election-Troops, Bringing in Their Accounts, to the Pay-Table
1788
400
James Gillray, 1756–1815
Meeting of the Monied Interest: - Constitutional Opposition to e/y 10 pr. cent: - i.e. John Bull's Friends Alarm'd by the New Tax (from: Caricature, vol. 1)