Crumbs of Comfort, - or - Old-Orthodox Restoring Consolation to His Fallen Children
1782
102
James Gillray, 1756–1815
Cincinnatus in Retirement, Falsely Supposed to Represent Jesuit-Pad' Driven Back to his Native Potatoes. (from: Caricature, vol. 2)
1782
103
James Gillray, 1756–1815
Committee of Grievances and Apprehensions
1792
104
James Gillray, 1756–1815
The Friendly Agent
1787
105
Print made by James Gillray, 1756–1815
Evacuation Before Resignation
1782
106
Print made by James Gillray, 1756–1815
The Coming-On, of the Monsoons; or - The Retreat from Seringapatam
1791
107
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
108
Print made by James Gillray, 1756–1815
The (Coward), Comforted; - or - A Scene Immediately After the Duel ---
1789
109
James Gillray, 1756–1815
The Republican - Attack
1795
110
James Gillray, 1756–1815
Fatal Effect of the French Defeat - Hanging (and) Drowning
1795
111
James Gillray, 1756–1815
Extirpation of the Plagues of Egypt
1798
112
Print made by James Gillray, 1756–1815
The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing
1805
113
unknown artist
Four Figures on a Sheet
undated
114
unknown artist
We Explain the Rights of Man to de Noblesse -- Scene from the House of Lords
115
James Gillray, 1756–1815
A Morning Ride
1804
116
unknown artist
Sketch of the Interior of St. Stephens as it now Stands (Pitt speaking)
1802
117
James Gillray, 1756–1815
Evacuation Before Resignation
1782
118
James Gillray, 1756–1815
Miss, I Have a Monstrous Crow to Pluck with You!
1794
119
James Gillray, 1756–1815
Vices overlook'd in the New Proclamation
1792
120
James Gillray, 1756–1815
Sans-Culottes, Feeding Europe with the Bread of Liberty
1793
121
James Gillray, 1756–1815
A Democrat, - or - Reason and Philosophy
1793
122
James Gillray, 1756–1815
Sin, Death, and the Devil
1792
123
James Gillray, 1756–1815
The Chancellor of the Inquisition Marking the Incorrigibles
1793
124
James Gillray, 1756–1815
Dumourier Dining in State at St. James on the 15th of May 1793
1793
125
James Gillray, 1756–1815
Louis XVI Taking Leave of His Wife and Family
1793
126
Print made by James Gillray, 1756–1815
Shakespeare Sacrificed; or, The Offering to Avarice
1789
127
James Gillray, 1756–1815
Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
1802
128
James Gillray, 1756–1815
Freedom (France) - Slavery (Britain)
1789
129
James Gillray, 1756–1815
Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)
1791
130
James Gillray, 1756–1815
Betty Canning (Gunning) Revived, or a Peep at the Conjuration of Mary Squires and the Gipsy Family
1791
131
James Gillray, 1756–1815
Squire Thomas Just Arriv'd, Touch Me Not! I'm Still a Maid
1783
132
James Gillray, 1756–1815
Search-Night;- or - State-Watchmen, Mistaking Honest-Men for Conspirators - Vide, State Arrests
1798
133
James Gillray, 1756–1815
Le Coup de Maitre
1797
134
James Gillray, 1756–1815
The Tree of Liberty, - With The Devil Tempting John Bull (Fox)
1798
135
James Gillray, 1756–1815
Un Diplomatique, Settl'ing Affairs at Stevens's (Baron Haslang, Bavarian Minister)
1794
136
James Gillray, 1756–1815
The Salute, - Vide, The Parade
1797
137
James Gillray, 1756–1815
Shrine at St. Ann's Hill
1798
138
James Gillray, 1756–1815
God Save the King. - In a Bumper. Or - An Evening Scene Three Times a Week at Wimbleton
1795
139
James Gillray, 1756–1815
The Table's Turn'd. Billy, in the Devil's Claws. - Billy, Sending the Devil Packing
1797
140
James Gillray, 1756–1815
Nightly Visitors, at St. Ann's Hill; In Glided Edward's Pale-Eye'd Ghost, and Stood at Carlo's Feet
1798
141
James Gillray, 1756–1815
The Tree of Liberty
1797
142
James Gillray, 1756–1815
The Republican - Hercules Defending His Country
1797
143
James Gillray, 1756–1815
John Bull Ground Down
1795
144
James Gillray, 1756–1815
French - Telegraph Making Signals in the Dark
1795
145
James Gillray, 1756–1815
Patriotic Regeneration, - Viz - Parliament Refoun'd a la Francoise, - that is, - Honest Men (i.e. Opposition) in the Seat of Justice. Vide, Carmaguol Expectations
1795
146
James Gillray, 1756–1815
The Genius of France Triumphant - or - Britannia Petitioning for Peace - Vide. The Proposals of Opposition
1795
147
James Gillray, 1756–1815
The Death of the Great Wolf
1795
148
James Gillray, 1756–1815
Light Expelling Darkness, - Evaporation of Stygian Exhalations, - or - The Sun of the Constitution, Rising Superior to the Clouds of Opposition
1795
149
James Gillray, 1756–1815
The Lover's Dream
1795
150
James Gillray, 1756–1815
The Prophet of the Hebrews, - The Prince of Peace, Conducting the Jews to the Promis'd-Land
1795
151
James Gillray, 1756–1815
Corpor(e)al (!) Stamina
1801
152
James Gillray, 1756–1815
Leaving off Powder, - or - a Frugal Family Saving the Guinea
1795
153
James Gillray, 1756–1815
The Real Cause of the Present High-Price of Provisions or A View on the Sea Coast of England, with French Agents Smuggling Away Supplies for France
1795
154
James Gillray, 1756–1815
A Slice of Glo'ster Cheese
1795
155
James Gillray, 1756–1815
Fighting for the Dunghill, - or - Jack Tar Settling Citoyen Francois (from: Caricature, vol. 1)
1798
156
James Gillray, 1756–1815
The Crown & Anchor - Libel, Burnt by the Public Hangman (from: Caricature, vol. 1)
1795
157
James Gillray, 1756–1815
Substitutes for Bread; - or - Right Honorables, Saving the Loaves and Dividing the Fishes
1795
158
James Gillray, 1756–1815
Blindmans-Buff - or - Too Many for John Bull
1795
159
James Gillray, 1756–1815
The Prodigal Son
1787
160
James Gillray, 1756–1815
What a Cur ' tis
1795
161
James Gillray, 1756–1815
The Royal Society
1786
162
James Gillray, 1756–1815
The York Reverence; - or - City - Loyalty Amply Rewarded
1791
163
James Gillray, 1756–1815
The Noble Sans - Culotte
1794
164
James Gillray, 1756–1815
Taking Physick; - or - The News of Shooting the King of Sweden!
1792
165
James Gillray, 1756–1815
Les Trois Magots
1791
166
James Gillray, 1756–1815
Buonaparte, Hearing of Nelson's Victory, Swears by His Sword, to Extirpate the English off the Earth (from: Caricature, vol. 1)
1798
167
James Gillray, 1756–1815
Love's Last Shift
1787
168
James Gillray, 1756–1815
The Dagger Scene: - or - The Plot Discover'd
1792
169
Print made by Joseph Brown, 19th century
James Gillray
1848
170
James Gillray, 1756–1815
Hounds in Finding
1800
171
James Gillray, 1756–1815
Hounds Throwing-Off
1800
172
James Gillray, 1756–1815
Cockney-Sportsmen Shooting-Flying
1800
173
James Gillray, 1756–1815
Coming-In at the Death
1800
174
James Gillray, 1756–1815
Cockney-Sportsmen finding a Hare
1800
175
James Gillray, 1756–1815
Cockney-Sportsmen Re-charging
1800
176
James Gillray, 1756–1815
Hounds in Full-Cry
1800
177
James Gillray, 1756–1815
John Bull at His Studies. Attended by His Guardian Angell
1799
178
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."
1806
179
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
1806
180
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
1806
181
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
1806
182
James Gillray, 1756–1815
John Bull Bother'd; - or - The Geese Alarming the Capitol
1792
183
James Gillray, 1756–1815
French Liberty - British Slavery
1792
184
James Gillray, 1756–1815
The Soldier's Return; - or - Rare News for Old England - See the Conquering Hero Comes
1791
185
James Gillray, 1756–1815
Design for the New Gallery of Busts and Pictures
1792
186
James Gillray, 1756–1815
Anti-Sacharrites, - or - John Bull and His Family Leaving off the Use of Sugar
1792
187
James Gillray, 1756–1815
Malagrida, Driving Post
188
James Gillray, 1756–1815
The Bottomless-Pitt
1792
189
James Gillray, 1756–1815
The Power of Beauty; - St. Cecillia Charming the Brute; - or - The Seduction of the Welch-Ambassador (from: Caricature, vol. 2)
1792
190
James Gillray, 1756–1815
A Duet. - Turn Fair Clora, Turn Ah Cruel, Turn Again
1792
191
James Gillray, 1756–1815
Wha Wants Me?
1792
192
James Gillray, 1756–1815
An Excrescence; - Afungus; - Alias - A Toadstool Upon a Dung-Hill
1791
193
James Gillray, 1756–1815
The Finishing Touch
1791
194
James Gillray, 1756–1815
The National Assembly Petrified _________/The National Assembly Revivified
1792
195
James Gillray, 1756–1815
La Derniere Resource; - or - Van-Buchells
1791
196
James Gillray, 1756–1815
A Sphere, Projecting against a Plane ---
1792
197
James Gillray, 1756–1815
Retribution; - Tarring and Feathering; - or - The Patriots Revenge, - Nay You'll Stop Our Mouths, Beware Your Own