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Materials & Techniques graphite

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Credit Line Yale Center for British Art, Paul Mellon Fund

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Image Use Free to Use

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George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
1773
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
1773
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
1773
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
1773
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
1773
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
1773
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
1773
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
1773
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
1773
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
1773
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
1773
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
1773
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
1773
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
1773
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
1773
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
1773
James Thomson Grittleton, West Front Elevation, No.5
James Thomson, 1800–1883
Grittleton, West Front Elevation, No.5
1851
James Thomson Grittleton, East Front Elevation, No.7
James Thomson, 1800–1883
Grittleton, East Front Elevation, No.7
1851
Stephen Riou Design for a villa: `Fore Front' (south-east elevation), `Garden Front' (north-west elevation) and overlay plan.
Stephen Riou, 1720–1780
Design for a villa: `Fore Front' (south-east elevation), `Garden Front' (north-west elevation) and overlay plan
1763
Stephen Riou Design for a substantial villa. The `Forefront' and profile plan of the front elevation.
Stephen Riou, 1720–1780
Design for a substantial villa. The `Forefront' and profile plan of the front elevation
1770
Stephen Riou Design for 'the Houses of both sides of the intended Street to extend in a right line from the Mansion-House to More-Gate humbly proposed to consideration'
Stephen Riou, 1720–1780
Design for 'the Houses of both sides of the intended Street to extend in a right line from the Mansion-House to More-Gate humbly proposed to consideration'
1762
Stephen Riou Design for a villa: `The Ground Plan and Elevations of a Villa'
Stephen Riou, 1720–1780
Design for a villa: `The Ground Plan and Elevations of a Villa'
1770
Joseph Goupy Death of Ananias
Joseph Goupy, 1689–1769
Death of Ananias
1740
unknown artist Comic Valentine
unknown artist
Comic Valentine
undated
Edmund Ashfield Portrait of a Nobleman
Edmund Ashfield, active 1669–1690?
Portrait of a Nobleman
between 1670 and 1675
Edmund Ashfield Portrait of a Nobleman's Wife
Edmund Ashfield, active 1669–1690?
Portrait of a Nobleman's Wife
between 1670 and 1675
Octavius Oakley Agnes and Emma Coke and Sarah Salmond in a Park
Octavius Oakley, 1800–1867
Agnes and Emma Coke and Sarah Salmond in a Park
1827
James Ward Studies for "Venus Rising from her Couch"
James Ward, 1769–1859
Studies for "Venus Rising from her Couch"
ca. 1828
Samuel Fisher Sheerness & the Isle of Sheppey, with the Junction of the Thames & Medway from the Nore
Print made by Samuel Fisher, 1806–1851
Sheerness & the Isle of Sheppey, with the Junction of the Thames & Medway from the Nore
between 1821 and 1851
Thomas Goff Lupton Dover
Print made by Thomas Goff Lupton, 1791–1873
Dover
1827
Edward Goodall Rocks at Colgong on the Ganges
Print made by Edward Goodall, 1795–1870
Rocks at Colgong on the Ganges
1836
Edward Goodall Oxford from North Hinksey
Print made by Edward Goodall, 1795–1870
Oxford from North Hinksey
1841
David Cox The Opening of New London Bridge
David Cox, 1783–1859
The Opening of New London Bridge
1831
John Le Keux St. Agatha’s Abbey, Easby (touched proof, unrecorded state between Rawlinson a and b)
Print made by John Le Keux, 1783–1846
St. Agatha’s Abbey, Easby (touched proof, unrecorded state between Rawlinson a and b)
1822
Thomas Frye Portrait of a Man Wearing a Turban
Thomas Frye, 1710–1762
Portrait of a Man Wearing a Turban
between 1760 and 1762
Henry George Hine Pevensey Bay, Sussex
Henry George Hine, 1811–1895
Pevensey Bay, Sussex
1868