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Materials & Techniques gold leaf

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Creator Gender male

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Design for a Medal: Frederick and Augusta, Prince and Princess of Wales
Creator:
Hubert-François Gravelot, 1699–1773
Date:
undated
Materials & Techniques:
Pen and black ink, pen and red ink, graphite, red chalk and gold leaf on medium, moderately textured, beige laid paper mounted on moderately thick, moderately textured, cream laid paper; with gold leaf, watercolor, and pen, with black and red ink, border lines
Dimensions:
Mount: 11 × 7 5/8 inches (27.9 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for a Medal: Boths Hand Fil'd for Britain
Creator:
Hubert-François Gravelot, 1699–1773
Date:
between 1734 and 1736
Materials & Techniques:
Pen and black ink, pen and red ink, graphite with red chalk, squared for transfer on medium, moderately textured, beige laid paper mounted on moderately thick, moderately textured, cream laid paper, with gold leaf, watercolor, and pen, with black and red ink border lines
Dimensions:
Mount: 11 x 7 5/8 inches (27.9 x 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for a Medal: Seated Women Being Crowned by a Winged Genius
Creator:
Hubert-François Gravelot, 1699–1773
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, squared for transfer on medium, slightly textured, gray laid paper mounted on moderately thick, moderately textured, cream laid paper, with gold leaf, watercolor, pen in black and red ink, border lines
Dimensions:
Mount: 11 x 7 7/8 inches (27.9 x 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for a Coin: Chambre du Commerce de Picarde; First Draft
Creator:
Hubert-François Gravelot, 1699–1773
Date:
ca. 1761
Materials & Techniques:
Pen in black and gray ink over graphite on medium, slightly textured, cream laid paper mounted on moderately thick, moderately textured, cream laid paper, with gold leaf, watercolor, pen in black and red ink, border lines
Dimensions:
Mount: 11 x 7 3/4 inches (27.9 x 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Layout Design for a Bookplate
Creator:
Hubert-François Gravelot, 1699–1773
Date:
undated
Materials & Techniques:
Graphite and black chalk on medium, slightly textured, gray laid paper mounted on moderately thick, slightly textured, cream laid paper, with gold leaf, watercolor, pen in black and red ink border lines
Dimensions:
Mount: 11 x 7 7/8 inches (27.9 x 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for an Engraving: Battle of Troy with the Trojan Horse
Creator:
Hubert-François Gravelot, 1699–1773
Date:
undated
Materials & Techniques:
Pen and brown ink, pen and black ink, red chalk, graphite, watercolor and gold leaf on medium, moderately textured, beige laid paper mounted on moderately thick, moderately textured, cream laid paper, with gold leaf, watercolor, pen in black and red ink, border lines
Dimensions:
Mount: 12 1/8 × 11 inches (30.8 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for a Frontispiece: Group of Allegorical Figures
Creator:
Hubert-François Gravelot, 1699–1773
Date:
undated
Materials & Techniques:
Black chalk on medium, slightly textured, beige wove paper mounted on moderately thick, moderately textured, cream laid paper, with gold leaf, watercolor, pen in black and red ink border lines
Dimensions:
Mount: 15 1/2 × 11 1/8 inches (39.4 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Hubert-François Gravelot, 1699–1773
Date:
ca. 1757
Materials & Techniques:
Black chalk on medium, slightly textured, beige laid paper, mounted on very thick, moderately textured, cream wove paper, with gold leaf, and brown and red ink border lines
Dimensions:
Mount: 10 1/2 × 7 1/8 inches (26.7 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
British, Neoclassical frame
Creator:
Design Robert Adam, 1728–1792
Date:
2nd half of 18th century
Materials & Techniques:
Wood and compo, later gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
Original pattern by Thomas Allwood, ca. 1750–ca.1800
Date:
early 19th century
Materials & Techniques:
Carved wood, later gilding over original gilding
Dimensions:
Frame: 45 1/2 × 58 × 4 inches (115.6 × 147.3 × 10.2 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
Perhaps Thomas Vialls, 1719–1781
Date:
3rd quarter of 18th century
Materials & Techniques:
Carved wood, original matt and burnished water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Artist's frame: Pre-Raphaelite
Creator:
Joseph Green Jr., 1840–1870
Date:
1861
Materials & Techniques:
Wood and compo with oak mount, original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
Perhaps Thomas Vialls, 1719–1781
Date:
4th quarter of 18th century
Materials & Techniques:
Wood and compo, original oil and water gilding and sanded inlay
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Palladian frame
Creator:
James Richards, 1721–1767
Date:
1730
Materials & Techniques:
Carved wood, later patinated oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
attributed to Thomas Allwood, ca. 1750–ca.1800
Date:
4th quarter of 18th century
Materials & Techniques:
Carved wood, original matt and burnished water gilding, and oil gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Rococo frame
Creator:
Perhaps Richard Fisher of York, ca. 1705–ca. 1770
Date:
2nd and 3rd quarters of 18th century
Materials & Techniques:
Carved wood, later gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
Perhaps Thomas Allwood, ca. 1750–ca.1800
Date:
late 18th century
Materials & Techniques:
Carved wood, regilded over original water gilding; sanded spandrels
Dimensions:
Frame: 50 3/4 × 60 1/2 inches (128.9 × 153.7 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
workshop of Robert Adam, 1728–1792
Date:
4th quarter of 18th century
Materials & Techniques:
Carved wood, original matt and burnished water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Rococo Trophy frame
Creator:
Perhaps Isaac Gosset, 1713–1799
Date:
mid-18th century
Materials & Techniques:
Carved wood, later gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
workshop of Robert Adam, 1728–1792
Date:
4th quarter of 18th century
Materials & Techniques:
Carved wood, original matt and burnished water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
Perhaps Isaac Gosset, 1713–1799
Date:
late 18th century
Materials & Techniques:
Wood and compo, later oil gilding over original gilding
Dimensions:
Frame: 59 3/4 × 70 1/2 × 5 3/4 inches (151.8 × 179.1 × 14.6 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art