Materials & Techniques: chine collé / Credit Line: Yale Center for British Art, Paul Mellon Collection / Image Available: Available

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Materials & Techniques chine collé

Credit Line Yale Center for British Art, Paul Mellon Collection

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John Martin, 1789–1854

Joshua Commanding the Sun to Stand Still

1827

Print made by William John Cooke, 1797–1865

Plymouth, Devonshire

1832

Print made by Robert Brandard, 1805–1862

Orford, Suffolk

1827

Print made by Henry Griffiths, 1835–1849

The Wreck

1826-1837

Print made by James T. Willmore, 1800–1863

Fire at Sea - from various 'Annuals' 1826-1837; 'The Keepsake' 1828-1837

1835

Print made by James T. Willmore, 1800–1863

Fire at Sea - from various 'Annuals' 1826-1837; 'The Keepsake' 1828-1837

1835

Print made by John Cousen, 1804–1880

Lake of Nemi (Vignette)

ca. 1844

Print made by William Miller, 1796–1882

The Dead Eagle - Oran (Vignette)

1837

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1819

Print engraved by John Pye, 1782–1874

Hardraw Fall

1818

Print made by Edward Goodall, 1795–1870

Aldborough, Suffolk

1827

Print made by William Miller, 1796–1882

Palace of LaBelle Gabrielle

1826-1837

Print made by Samuel Bellin, 1799–1894

David Cox

undated

Print made by J. Brown, active 1839–1869

John Gibson

1851

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