Materials & Techniques: aquatint and stipple engraving / On-site Access: Accessible by appointment in the Study Room / Subject Terms: literary theme - YCBA Collections Search Search Results

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Materials & Techniques aquatint

Materials & Techniques stipple engraving

On-site Access Accessible by appointment in the Study Room

Subject Terms literary theme

1. Little Red Riding Hood

Little Red Riding Hood

Creator:: Print made by imitator of George Baxter, 1804–1867
Date:: after 1856
Materials & Techniques:: Aquatint and stipple engraving; color woodcut done by Le Blond & Co. on moderately thick, slightly textured, cream wove paper, laid on mount
Dimensions:: Sheet: 7 1/16 × 5 1/8 inches (17.9 × 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)

King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)

Creator:: Print made by Robert Thew, 1758–1802
Date:: 1792
Materials & Techniques:: Stipple engraving, etching, and aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 29 3/8 × 20 1/16 inches (74.6 × 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)

King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)

Creator:: Print made by Robert Thew, 1758–1802
Date:: 1789
Materials & Techniques:: Stipple engraving and aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 20 1/8 × 29 3/8 inches (51.1 × 74.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . . .

Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . . .

Creator:: Print made by Charles Gauthier Playter, died 1809
Date:: 1793
Materials & Techniques:: Stipple engraving, etching, and aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 28 1/2 × 20 1/8 inches (72.4 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)

Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)

Creator:: Print made by Peter Simon, 1750–1810
Date:: 1791
Materials & Techniques:: Stipple engraving, etching, and aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 20 1/8 × 29 3/8 inches (51.1 × 74.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. In Horne's House

In Horne's House

Creator:: Print made by Richard Hamilton, 1922–2011
Date:: 1982
Materials & Techniques:: Etching, aquatint, soft-ground etching, stipple engraving, line engraving, lift-ground, and spit-bite on medium, smooth, white Rives wove paper
Dimensions:: Sheet: 29 3/4 × 22 1/8 inches (75.6 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund and Gift of Mr. and Mrs. James Duncan, Yale BA 1975

7. How a Great Daily Organ is Turned Out

How a Great Daily Organ is Turned Out

Creator:: Print made by Richard Hamilton, 1922–2011
Date:: 1990
Materials & Techniques:: Composite of twenty mixed intaglio plate (various sizes): lift-ground aquatint, photogravure, drypoint, hard and soft-ground etching, burin, stipple, mezzotint, line engraving and roulette on medium, smooth, cream Hahnemuhle wove paper
Dimensions:: Sheet: 29 15/16 × 22 1/16 inches (76 × 56 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund and Gift of Mr. and Mrs. James Duncan, Yale BA 1975