A New Administration, or the State Quacks Administering
1783
303
James Gillray, 1756–1815
Egyptian Sketches
1799
304
James Gillray, 1756–1815
The Pigs Possessed
1807
305
James Gillray, 1756–1815
Light Expelling Darkness
1795
306
James Gillray, 1756–1815
Effusions of a Pot of Porter
1799
307
James Gillray, 1756–1815
Le Diable Boiteaux
1806
308
James Gillray, 1756–1815
Patience on a Monument
1791
309
James Gillray, 1756–1815
Westminster School. - or - Dr. Busby Settling Accounts with Master-Billy and his Playmates
1785
310
James Gillray, 1756–1815
The Devil to Pay; The Wife Metamorphos'd or Neptune reposing after Fording the Jordan
1791
311
James Gillray, 1756–1815
The Physick; - or - The News of Shooting the King of Sweden
1792
312
James Gillray, 1756–1815
The Coming-on of the Monsoons; - or - The Retreat from Seringapatam
1791
313
James Gillray, 1756–1815
Wha Wants Me?
1792
314
James Gillray, 1756–1815
Nature display'd, shewing the Effect of the change of the Seasons on the Ladies garden
1797
315
James Gillray, 1756–1815
National Conveniences
1796
316
James Gillray, 1756–1815
Fashionable Contrasts - or The Duchess's little shoe yielding to the Magnitude of the Duke's Foot
1792
317
James Gillray, 1756–1815
Going to London, through "Epping Forest"
1802
318
James Gillray, 1756–1815
Ladies Dress, as it soon will be
1796
319
James Gillray, 1756–1815
A View in Perspective. The Zenith of French Glory. The Pinnacle of Liberty
1793
320
James Gillray, 1756–1815
Fashionable Jockeyship
1796
321
James Gillray, 1756–1815
The Grand - Signior retiring
1796
322
James Gillray, 1756–1815
Presentation of the Mahometan Credentials - or - The Final resource of French Atheists
1793
323
James Gillray, 1756–1815
The Orangerie; - or - the Dutch Cupid reposing after the fatigues of Planting
1796
324
James Gillray, 1756–1815
Brisk Cathartic
1804
325
James Gillray, 1756–1815
Ci-devant Occupations - or - Madame Talian and the Empress Josephine dancing Naked before Barrass in the Winter of 1797
1805
326
James Gillray, 1756–1815
"The Feast of Reason & the Flow of the Soul," - I.E. - The Wits of the Age, Setting the Table in a - Roar
1797
327
James Gillray, 1756–1815
Duke William's Ghost
1799
328
James Gillray, 1756–1815
Evacuation of Malta
1803
329
James Gillray, 1756–1815
Miss, I have a Monstrous Crow to pluck with you!!
1794
330
James Gillray, 1756–1815
Palemon and Lavinia
1805
331
James Gillray, 1756–1815
- "and would'st thou turn the vile Reproach on me?"
1807
332
James Gillray, 1756–1815
The French Invasion; or John Bull, bombarding the Bum Boats
1793
333
Print made by James Gillray, 1756–1815
The Coming-On, of the Monsoons; or - The Retreat from Seringapatam
1791
334
James Gillray, 1756–1815
The Doctor Indulged with his Favorite Scene ---
ca. 1790
335
James Gillray, 1756–1815
The (Prince's) Nursery or Nine Months After
1786
336
James Gillray, 1756–1815
The Funeral Procession of Miss Regency
1789
337
James Gillray, 1756–1815
The Tottering Pyramid
1784
338
James Gillray, 1756–1815
The Fall of Dagon - or Rare News for Leaden-Hall Street
1784
339
James Gillray, 1756–1815
The Times - or a View of the Old House in Little Brittain - with Nobody Giving to Hannover
1784
340
Print made by James Gillray, 1756–1815
The Butchers of Freedom
1788
341
Print made by James Gillray, 1756–1815
Mason, The Duke's Confectioner Disposing of the Trinkets
1788
342
James Gillray, 1756–1815
Exit Liberte a la Francois! - or - Buounaparte Closing the Farce of Egalite, at St. Cloud near Paris, Nov. 10th 1799
1799
343
James Gillray, 1756–1815
Nelson's Victory: - or - Good - News Operating Upon Loyal - Feelings
1798
344
James Gillray, 1756–1815
Extirpation of the Plagues of Egypt
1798
345
James Gillray, 1756–1815
Exhibition of a Democratic Transparency,-with its Effect upon Patriotic Feelings: Representing, the Secret-Committee throwing a Light upon the Dark Sketches of a Revolution found among the Papers of the Jacobin Societies lately apprehended..
1799
346
James Gillray, 1756–1815
Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself
1798
347
James Gillray, 1756–1815
New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite
1798
348
James Gillray, 1756–1815
French Generals Retiring, on Account of their Health; - with Lepaux Presiding in the Directorial Dispensary
1799
349
James Gillray, 1756–1815
The Leadenhall Volunteer, Drest in his Shawl
1797
350
James Gillray, 1756–1815
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master
1791
351
James Gillray, 1756–1815
Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____
1798
352
James Gillray, 1756–1815
The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar
1797
353
James Gillray, 1756–1815
Independence
1799
354
James Gillray, 1756–1815
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
1797
355
James Gillray, 1756–1815
A Man of Importance
1799
356
James Gillray, 1756–1815
Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square
1796
357
James Gillray, 1756–1815
The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton)
1797
358
James Gillray, 1756–1815
Destruction of the French Collossus
1798
359
James Gillray, 1756–1815
The High German Method of Destroying Vermin at Rat-Stadt
1799
360
James Gillray, 1756–1815
Buonaparte Leaving Egypt
1800
361
James Gillray, 1756–1815
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery
1791
362
James Gillray, 1756–1815
Field Marshall Count Suwarrow-Rominskoy ---
1799
363
James Gillray, 1756–1815
Elegance - Democratique, - A Sketch Found Near High-Wycombe; - Whenever I Wish to Form a Proper,- Estimate - of a Mans Mind, I Observe his Manners and his Dress. --- Lord Chesterfield,
1799
364
James Gillray, 1756–1815
And The' - Tisick, - The Colic, Punch Cures The Gout
1799
365
James Gillray, 1756–1815
Homer Singing His Verses to the Greeks
1797
366
James Gillray, 1756–1815
A Hackney Meeting
1796
367
James Gillray, 1756–1815
The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat
1796
368
James Gillray, 1756–1815
Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe
1796
369
James Gillray, 1756–1815
The Grand-Signior Retiring
1796
370
James Gillray, 1756–1815
Hounds in Full-Cry
1800
371
James Gillray, 1756–1815
Preparing for The Grand Attack - or - A Private Rehearsal of the Ci-Devant Ministry in Danger
1801
372
James Gillray, 1756–1815
The Spanish-Bull-Fight - or - The Corsical-Matador in Danger
1808
373
James Gillray, 1756–1815
The high-Flying Candidate (i.e. Little Paul-Goose) Mounting from a Blanket
1806
374
James Gillray, 1756–1815
Westminster-Conscripts under the Training Act
1806
375
James Gillray, 1756–1815
The Bear and His Leader. --"What tho' I am Obliged to Dance A Bear, A Man may be a Gentleman for That, --My Bear Ever Dances to the Genteelest of Tunes"
1806
376
James Gillray, 1756–1815
Comfort's of a Bed of Roses; Vide Charley's Elucidation of Lord C(a)stl(e) R(ea)gh's Speech! --A Nightly Scene near Cleveland Row
1806
377
James Gillray, 1756–1815
British Tars Towing the Danish Fleet into Harbour; The Broad Bottom Leviathan Trying to Swamp Billy's Old Boat; and the Little Corsican Tottering on the Clouds of Ambition
1807
378
James Gillray, 1756–1815
Despair
1802
379
James Gillray, 1756–1815
Hope
1802
380
James Gillray, 1756–1815
King Henry The Fourth's Last Scene
1788
381
James Gillray, 1756–1815
Captain Townshend
1800
382
James Gillray, 1756–1815
The Lubber's - Hole, - Alias - The Crack'd Jordan
1791
383
James Gillray, 1756–1815
Blood on Thunder Fording the Red Sea
1788
384
James Gillray, 1756–1815
The Pigs Possessed: - or - The Broad Bottom'd Litter Running Headlong into Ye Sea of Perdition. A Supplement to More Pigs thanTeats
ca. 1808
385
James Gillray, 1756–1815
Patriot's Deciding a Point of Honor! - or - An Exact Representation of the Celebrated Rencontre which Took Place at Combe Wood at May 2nd 1807 - Between Little-Paul the Taylor and Sir Francis Goose
1807
386
James Gillray, 1756–1815
The New Speaker (i.e. The Law Chick) Between the Hawks and Buzzards - Poor Little Michee!- Just Mounting, and then Funk'd and Frighten'd Out of All His Hopes (from: Caricature, vol. 1)
1800
387
James Gillray, 1756–1815
The Apotheosis of the Corsican Phoenix
1808
388
James Gillray, 1756–1815
The Nursery, with, Britannia Reposing in Peace
1802
389
James Gillray, 1756–1815
The Apples and The Horse-Turds: - or - Bonaparte, among the Golden Pippins
1800
390
James Gillray, 1756–1815
Pizarro, Contemplating (over) The Product of His Peruvian Mine
1799
391
James Gillray, 1756–1815
Pillars of the Constitution - Three O'Clock and A Cloudy Morning
1809
392
James Gillray, 1756–1815
An Old English-Gentleman pester'd by Servants wanting Places
1809
393
James Gillray, 1756–1815
Meeting of the Monied Interest: - Constitutional Opposition to e/y 10 pr. cent: - i.e. John Bull's Friends Alarm'd by the New Tax (from: Caricature, vol. 1)
1798
394
James Gillray, 1756–1815
The New Dynasty; or the Little Corsican Gardener Planting a Royal Pippin-Tree. -All the Talents (Busy in) are Clearing the Ground of the Old Timber
1807
395
James Gillray, 1756–1815
Introduction of Citizen Volpone - and His Suite, at Paris
1802
396
James Gillray, 1756–1815
German - Nonchalence: - or - The Vexation of Little Boney
1803
397
James Gillray, 1756–1815
The Man of Feeling, in Search of Indispensibles: - A Scene at the Little French Milleners
1800
398
James Gillray, 1756–1815
Confederated- Coalitions; or, The Giant's Storming Heaven, With the Gods Alarmed for their Everlasting Abodes