The Reflection: Grotesque Fat man Looking in a Hand Mirror
undated
4
unknown artist
Sketch of the Interior of St. Stephens as it now Stands (Pitt speaking)
1802
5
unknown artist
We Explain the Rights of Man to de Noblesse -- Scene from the House of Lords
6
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
1806
7
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
1806
8
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
1806
9
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
1806
10
Charles Turner, 1774–1857
James Gillray
1819
11
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
12
Print made by James Gillray, 1756–1815
The Sick Prince
1787
13
James Gillray, 1756–1815
The Doctor Indulged with his Favorite Scene ---
ca. 1790
14
James Gillray, 1756–1815
The Funeral Procession of Miss Regency
1789
15
James Gillray, 1756–1815
The (Prince's) Nursery or Nine Months After
1786
16
Print made by James Gillray, 1756–1815
Mason, The Duke's Confectioner Disposing of the Trinkets
1788
17
Print made by James Gillray, 1756–1815
Hyde-Park; - Sunday, - or - Both Hemispheres of the World in a Sweat ---
1789
18
Print made by James Gillray, 1756–1815
The (Coward), Comforted; - or - A Scene Immediately After the Duel ---
1789
19
James Gillray, 1756–1815
The Valley of the Shadow of Death
1808
20
James Gillray, 1756–1815
Freedom (France) - Slavery (Britain)
1789
21
Print made by James Gillray, 1756–1815
Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will
1791
22
James Gillray, 1756–1815
Squire Thomas Just Arriv'd, Touch Me Not! I'm Still a Maid
1783
23
James Gillray, 1756–1815
The Caneing in Conduit Street - Dedicated to the Flag Officers of the British Navy
1796
24
James Gillray, 1756–1815
Search-Night;- or - State-Watchmen, Mistaking Honest-Men for Conspirators - Vide, State Arrests
1798
25
James Gillray, 1756–1815
The Hustings-Vox Populi, - "We'll Have a Mug! - A Mug! - A Mug! / Mayor of Garret--" (Fox) (from: Caricature, vol. 1)
1796
26
James Gillray, 1756–1815
United Irishmen in Training
1798
27
James Gillray, 1756–1815
The Tree of Liberty, - With The Devil Tempting John Bull (Fox)
1798
28
James Gillray, 1756–1815
The Salute, - Vide, The Parade
1797
29
James Gillray, 1756–1815
Un Diplomatique, Settl'ing Affairs at Stevens's (Baron Haslang, Bavarian Minister)
1794
30
James Gillray, 1756–1815
Le Coup de Maitre
1797
31
James Gillray, 1756–1815
Shrine at St. Ann's Hill
1798
32
James Gillray, 1756–1815
Nightly Visitors, at St. Ann's Hill; In Glided Edward's Pale-Eye'd Ghost, and Stood at Carlo's Feet
1798
33
James Gillray, 1756–1815
The Table's Turn'd. Billy, in the Devil's Claws. - Billy, Sending the Devil Packing
1797
34
James Gillray, 1756–1815
God Save the King. - In a Bumper. Or - An Evening Scene Three Times a Week at Wimbleton
1795
35
James Gillray, 1756–1815
The Tree of Liberty
1797
36
James Gillray, 1756–1815
John Bull Ground Down
1795
37
James Gillray, 1756–1815
The Genius of France Triumphant - or - Britannia Petitioning for Peace - Vide. The Proposals of Opposition
1795
38
James Gillray, 1756–1815
Patriotic Regeneration, - Viz - Parliament Refoun'd a la Francoise, - that is, - Honest Men (i.e. Opposition) in the Seat of Justice. Vide, Carmaguol Expectations
1795
39
James Gillray, 1756–1815
French - Telegraph Making Signals in the Dark
1795
40
James Gillray, 1756–1815
The Death of the Great Wolf
1795
41
James Gillray, 1756–1815
The Lover's Dream
1795
42
James Gillray, 1756–1815
Leaving off Powder, - or - a Frugal Family Saving the Guinea
1795
43
James Gillray, 1756–1815
The Real Cause of the Present High-Price of Provisions or A View on the Sea Coast of England, with French Agents Smuggling Away Supplies for France
1795
44
James Gillray, 1756–1815
Light Expelling Darkness, - Evaporation of Stygian Exhalations, - or - The Sun of the Constitution, Rising Superior to the Clouds of Opposition
1795
45
James Gillray, 1756–1815
The Prophet of the Hebrews, - The Prince of Peace, Conducting the Jews to the Promis'd-Land
1795
46
James Gillray, 1756–1815
Presages of the Millenium
1795
47
James Gillray, 1756–1815
A Slice of Glo'ster Cheese
1795
48
James Gillray, 1756–1815
Loyal Souls; - or - A Peep into the Mess-Room, at St. James's
1797
49
James Gillray, 1756–1815
Councellor Ego. - i.e.: - Little I, Myself, I
1798
50
James Gillray, 1756–1815
Portrait of an Irish Chief; Drawn from Life at Wexford
1798
51
James Gillray, 1756–1815
John Bull Taking a Luncheon; - or - British Cooks, Cramming Old Grumble-Gizzard with Bonne-Chere (from: Caricature, vol. 1)
1798
52
James Gillray, 1756–1815
Copenhagen House
1795
53
James Gillray, 1756–1815
-Gentle Manners, with Affections Mild, in Wit a Man, Simplicity a Child
1798
54
James Gillray, 1756–1815
The Republican - Attack
1795
55
James Gillray, 1756–1815
Fatal Effect of the French Defeat - Hanging (and) Drowning
1795
56
James Gillray, 1756–1815
The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton)
1797
57
James Gillray, 1756–1815
Extirpation of the Plagues of Egypt
1798
58
James Gillray, 1756–1815
French Generals Retiring, on Account of their Health; - with Lepaux Presiding in the Directorial Dispensary
1799
59
James Gillray, 1756–1815
Buonaparte Leaving Egypt
1800
60
James Gillray, 1756–1815
Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____
1798
61
James Gillray, 1756–1815
New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite
1798
62
James Gillray, 1756–1815
Exhibition of a Democratic Transparency,-with its Effect upon Patriotic Feelings: Representing, the Secret-Committee throwing a Light upon the Dark Sketches of a Revolution found among the Papers of the Jacobin Societies lately apprehended..
1799
63
James Gillray, 1756–1815
Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself
1798
64
James Gillray, 1756–1815
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
1797
65
James Gillray, 1756–1815
The Leadenhall Volunteer, Drest in his Shawl
1797
66
James Gillray, 1756–1815
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery
1791
67
James Gillray, 1756–1815
Field Marshall Count Suwarrow-Rominskoy ---
1799
68
James Gillray, 1756–1815
Homer Singing His Verses to the Greeks
1797
69
James Gillray, 1756–1815
A Man of Importance
1799
70
James Gillray, 1756–1815
Elegance - Democratique, - A Sketch Found Near High-Wycombe; - Whenever I Wish to Form a Proper,- Estimate - of a Mans Mind, I Observe his Manners and his Dress. --- Lord Chesterfield,
1799
71
James Gillray, 1756–1815
A Portrait ------------
1799
72
James Gillray, 1756–1815
A Hackney Meeting
1796
73
James Gillray, 1756–1815
Independence
1799
74
James Gillray, 1756–1815
And The' - Tisick, - The Colic, Punch Cures The Gout
1799
75
James Gillray, 1756–1815
The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat
1796
76
James Gillray, 1756–1815
Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe
1796
77
James Gillray, 1756–1815
Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square
1796
78
James Gillray, 1756–1815
The Grand-Signior Retiring
1796
79
James Gillray, 1756–1815
Fashionable - Jockeyship
1796
80
James Gillray, 1756–1815
Glorious Reception of the Ambassador of Peace, on His Entry Into Paris
1796
81
James Gillray, 1756–1815
Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon
1796
82
James Gillray, 1756–1815
Hint to Modern Sculptors, as an Ornament to a Future Square ---
1796
83
James Gillray, 1756–1815
The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe
1792
84
James Gillray, 1756–1815
John Bull & His Dog Faithful; - "Among The Faithless, Faithful Only Found"
1796
85
Print made by James Gillray, 1756–1815
The Prince of Wales
1802
86
James Gillray, 1756–1815
Patience on a Monument
1791
87
James Gillray, 1756–1815
A Uniform Whig ---
1791
88
James Gillray, 1756–1815
A Natural Crop; - Alias - A Norfolk Dumpling
1791
89
James Gillray, 1756–1815
Committee of Grievances and Apprehensions
1792
90
James Gillray, 1756–1815
The Friendly Agent
1787
91
James Gillray, 1756–1815
The Fall of the Wolsey of the Woolsack
1792
92
James Gillray, 1756–1815
The Bubbles of Opposition
1788
93
James Gillray, 1756–1815
A New Administration, or - The State Quacks Administring
1783
94
James Gillray, 1756–1815
A Warm Birth for the Old Administration -----
1783
95
James Gillray, 1756–1815
A Copper Countenance, Selling by Private Contract, The Property of a Noble Lord Out of Office Having No Further Use for It..
1780
96
James Gillray, 1756–1815
Ah, Grant A Me Von Letel Bite
1780
97
James Gillray, 1756–1815
The Cole - Heavers. Two Virtuous Elves, Taking care of Themselves
1783
98
James Gillray, 1756–1815
Balaam, - or - The Majesty of the People,- The Lord Open'd the Mouth of the Ass, . . . etc
1783
99
James Gillray, 1756–1815
Bonus - Melior - Optimus, or the Devil's The Best of the Bunch