Study of Capitals in South Transept, Chartres Cathedral
703
Robert H. Burden, fl.1850–1890
Two Stained Glass Windows, Chartres
1862
704
Robert H. Burden, fl.1850–1890
Crucifixion in Stained Glass, Chartres
705
Robert H. Burden, fl.1850–1890
Three Studies of Colored Diapers and Borders, Chartres, on One Paper
1862
706
Robert H. Burden, fl.1850–1890
South East View of St. Foi, Chartres
1862
707
Robert H. Burden, fl.1850–1890
Houses on Rue de la Bourdiniere, Chartres
1862
708
Robert H. Burden, fl.1850–1890
Tower of St. Pierre, Chartres
1862
709
Robert H. Burden, fl.1850–1890
West Front of St. Andre, Chartres
1862
710
Robert H. Burden, fl.1850–1890
The House of Baron Morgan (?), Rue Conde
1862
711
Robert H. Burden, fl.1850–1890
Tower of St. Germain, Amiens
1862
712
Robert H. Burden, fl.1850–1890
The Belfry, Amiens
1862
713
Robert H. Burden, fl.1850–1890
Chapter House at Amiens Cathedral
1862
714
Robert H. Burden, fl.1850–1890
South West Tower at Amiens
1862
715
Nathaniel Dance, 1735–1811
Man Hanging from an Apple Tree Branch, over a River
716
Nathaniel Dance, 1735–1811
Man Peering Over the Edge of a Cliff
717
Nathaniel Dance, 1735–1811
Man with Hammer and Chisel Working on a Globe; and a View of St. Peter's in a Frame
718
Thomas D. W. Dearn, 1777–1853
A Country House
1830
719
Thomas D. W. Dearn, 1777–1853
Woman Standing by a Trough
1829
720
Thomas D. W. Dearn, 1777–1853
A Sluice Gate
1831
721
Thomas D. W. Dearn, 1777–1853
Two Men on a Dock with a Castle in the Distance
1832
722
Thomas D. W. Dearn, 1777–1853
A Country House with a Stone Fence
1833
723
Thomas D. W. Dearn, 1777–1853
A Large Country House with Mountains in the Distance; lower half: warehouse on a river
1833
724
Thomas D. W. Dearn, 1777–1853
Inside a Cloister
725
Thomas Patch, 1725–1782
Caricatures - 47 portraits on 26 sheets bound in a volume
1768
726
Thomas Patch, 1725–1782
Caricatures - 47 portraits on 26 sheets bound in a volume
1768
727
Thomas Patch, 1725–1782
Caricatures - 47 portraits on 26 sheets bound in a volume
1768
728
Thomas Patch, 1725–1782
Caricatures - 47 portraits on 26 sheets bound in a volume
1768
729
Thomas Patch, 1725–1782
Caricatures - 47 portraits on 26 sheets bound in a volume
1768
730
Thomas Patch, 1725–1782
Caricatures - 47 portraits on 26 sheets bound in a volume
1768
731
Thomas Patch, 1725–1782
Caricatures - 47 portraits on 26 sheets bound in a volume
1768
732
Thomas Patch, 1725–1782
Caricatures - 47 portraits on 26 sheets bound in a volume
1768
733
Thomas Patch, 1725–1782
Caricatures - 47 portraits on 26 sheets bound in a volume
1768
734
Thomas Patch, 1725–1782
Caricatures - 47 portraits on 26 sheets bound in a volume
1768
735
Thomas Patch, 1725–1782
Caricatures - 47 portraits on 26 sheets bound in a volume
1768
736
Thomas Patch, 1725–1782
Caricatures - 47 portraits on 26 sheets bound in a volume
1768
737
Thomas Patch, 1725–1782
Caricatures - 47 portraits on 26 sheets bound in a volume
1768
738
Thomas Patch, 1725–1782
Caricatures - 47 portraits on 26 sheets bound in a volume
1768
739
Thomas Patch, 1725–1782
Caricatures - 47 portraits on 26 sheets bound in a volume
1768
740
Thomas Beilby, 1747–1826
View of Heaton Mill, near Newcastle
1776
741
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, au Premier Etage, du Petit Chateau de Brucourt, avec un Agrandissement Projete
undated
742
Robert H. Burden, fl.1850–1890
Interior View of West End of South Aisle, St. Vivien, Rouen
1862
743
Henry Shaw, 1800–1873
Italian Churches
undated
744
Henry Phillip Hope, active 1799–1818
Fragmens des Differens Monumens de la Troade
undated
745
Henry Phillip Hope, active 1799–1818
Vue d'une Ancien Aquaduc a Alexandria Troas
undated
746
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: View of Mr. Coesvelt's Bedroom
undated
747
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Plan du Rez-de-Chaussee d'une Maison de la Rue Pigale...(indiquant) les Changements faits par Monsieur le Duc d'Otrante
undated
748
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay - Elevation sur la Cour
undated
749
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Deuxieme (2me) Etage Plan
undated
750
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Elevation sur le Quai, and Premiere Etage: Plan
undated
751
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay - Premiere Etage - Plan
undated
752
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Caves et Souterreins - Plan
undated
753
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Rez-de-Chaussee - Plan
undated
754
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Occidentale du Chateau de Wildenstein, Dedie a son Exell le Lieutenent General, Compt Rapp, par son tres Humble Serviteur 1
undated
755
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan au Rez-de-Chaussee (du Chateau de Wildenstein)
undated
756
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Premier etage du Chateau de Wildenstein
undated
757
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Second etage (du Chateau de Wildenstein)
undated
758
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer Appartenant a Madame la Comtesse Rap. Cote du Jardin
undated
759
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan du Rez-de-Chaussee de la Propriete de la rue Plumer
undated
760
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt, avec un Agrandissement Projette
undated
761
unknown artist
Colmar, Chateau Wildenstein, Rue Plumer: Maison dans laquelle le General Rapp a ete place comme Apprenti Epicier a Colmar
undated
762
unknown artist
Colmar, Chateau Wildenstein, Rue Plumer: Tombeau de General Rapp a Colmar
1825
763
unknown artist
Study of a Man's Head with a Beard
764
unknown artist
[One from] A collection of 91 original drawings of town and country houses
1853-1884
765
Giles Hussey, 1710–1788
Study of classical figure of man
between 1730 and 1768
766
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
767
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
768
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
769
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
770
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
771
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
772
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
773
Giles Hussey, 1710–1788
Study of classical scultpure of Castor and Pollux
between 1730 and 1768
774
Giles Hussey, 1710–1788
Studies of classical sculptures of Cesi Juno and Zingara
between 1730 and 1768
775
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
776
Giles Hussey, 1710–1788
Study of statue of an Egyptian man
between 1730 and 1768
777
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
778
Giles Hussey, 1710–1788
Four Studies of heads from classical figures
between 1730 and 1768
779
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
780
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
781
Giles Hussey, 1710–1788
Study of head of man with helmet
between 1730 and 1768
782
Giles Hussey, 1710–1788
Two studies of head from classical figure
between 1730 and 1768
783
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
784
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
785
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
786
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
787
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
788
Giles Hussey, 1710–1788
Two Studies of classical sculpture of Farnese Hercules
between 1730 and 1768
789
Giles Hussey, 1710–1788
Three studies of classical sculpture of Farnese Hercules
between 1730 and 1768
790
Giles Hussey, 1710–1788
Study of head from classical figures
between 1730 and 1768
791
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
792
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
793
Giles Hussey, 1710–1788
Study of classical sculpture of Apollo Sauroctonur and Nymph with a shell
between 1730 and 1768
794
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
795
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
796
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
797
Giles Hussey, 1710–1788
Four chalk studies of heads
between 1730 and 1768
798
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
799
John Leech, 1817–1864
[One from] An Album of 204 drawings for "The Cosmic History of England"