A Block for the Whigs - or, The new State Whirligig (Poor John Bull's House Plundered at Noon Day)
1783
321
James Gillray, 1756–1815
A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)
1783
322
James Gillray, 1756–1815
Britania's Assassination or The Republican's Amusement
1782
323
James Gillray, 1756–1815
Pigs Meat; - or - The Swine Flogg'd Out of the Farm-Yard
1798
324
James Gillray, 1756–1815
Junction of Parties
1783
325
James Gillray, 1756–1815
The Injured Countess
1786-1788
326
James Gillray, 1756–1815
The Castle in the Moon
1782
327
James Gillray, 1756–1815
Sawney in the Bog-House
1779
328
James Gillray, 1756–1815
Wouski
1788
329
James Gillray, 1756–1815
Sir Richard Worse-than-sly, Exposing his Wifes Bottom; O Fye!
1782
330
James Gillray, 1756–1815
The Bolgna Sausages or Opposition Flux'd
1788
331
James Gillray, 1756–1815
The Minister endeavouring to eke out Dr. Pr*ty***n's Bisho-Prick
1787
332
James Gillray, 1756–1815
The Royal Joke or Black Jacks Delight
1788
333
James Gillray, 1756–1815
The Fall of Phaeton
1788
334
James Gillray, 1756–1815
Westminster School. - or - Dr. Busby Settling Accounts with Master-Billy and his Playmates
1785
335
James Gillray, 1756–1815
A View in Perspective. The Zenith of French Glory. The Pinnacle of Liberty
1793
336
James Gillray, 1756–1815
- "and would'st thou turn the vile Reproach on me?"
1807
337
James Gillray, 1756–1815
The Valley of the Shadow of Death
1808
338
Print made by James Gillray, 1756–1815
Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will
1791
339
James Gillray, 1756–1815
Portrait of an Irish Chief; Drawn from Life at Wexford
1798
340
James Gillray, 1756–1815
Councellor Ego. - i.e.: - Little I, Myself, I
1798
341
James Gillray, 1756–1815
-Gentle Manners, with Affections Mild, in Wit a Man, Simplicity a Child
1798
342
James Gillray, 1756–1815
Horrors of the Irish-Union; - Botheration of Poor Pat! - or - A Whisper Across the Channel (from: Caricature, vol. 1)
1798
343
James Gillray, 1756–1815
French Liberty - British Slavery
1792
344
James Gillray, 1756–1815
The Hopes of the Party, Prior to July 14th, ---"From Such Wicked Crown and Anchor-Dreams, Good Lord, Deliver Us."
1791
345
James Gillray, 1756–1815
The Introduction
1791
346
James Gillray, 1756–1815
Dido Forsaken, Sic Transit Gloria Regimae
1787
347
James Gillray, 1756–1815
The Royal Joke, - or - Black Jades Delight, A Hint For a New Reform
1788
348
James Gillray, 1756–1815
Ancient Music
1787
349
James Gillray, 1756–1815
Monstrous Craws, At a New Coalition Feast
1787
350
James Gillray, 1756–1815
Design for the New Gallery of Busts and Pictures
1792
351
James Gillray, 1756–1815
Anti-Sacharrites, - or - John Bull and His Family Leaving off the Use of Sugar
1792
352
James Gillray, 1756–1815
French Democrats Surprizing the Royal-Runaways
1791
353
James Gillray, 1756–1815
The Bottomless-Pitt
1792
354
James Gillray, 1756–1815
The Power of Beauty; - St. Cecillia Charming the Brute; - or - The Seduction of the Welch-Ambassador (from: Caricature, vol. 2)
1792
355
James Gillray, 1756–1815
The Bridal-Night
1797
356
James Gillray, 1756–1815
Retribution; - Tarring and Feathering; - or - The Patriots Revenge, - Nay You'll Stop Our Mouths, Beware Your Own
1795
357
James Gillray, 1756–1815
The Sleep-Walker
1795
358
James Gillray, 1756–1815
Hounds in Full-Cry
1800
359
James Gillray, 1756–1815
The (Prince's) Nursery or Nine Months After
1786
360
James Gillray, 1756–1815
The Funeral Procession of Miss Regency
1789
361
James Gillray, 1756–1815
The Tottering Pyramid
1784
362
James Gillray, 1756–1815
The Times - or a View of the Old House in Little Brittain - with Nobody Giving to Hannover
1784
363
James Gillray, 1756–1815
The Fall of Dagon - or Rare News for Leaden-Hall Street
1784
364
Print made by James Gillray, 1756–1815
The Butchers of Freedom
1788
365
James Gillray, 1756–1815
A Modern Cherub, - Vide Peters
1791
366
James Gillray, 1756–1815
The Battle of Bow-Street
1788
367
James Gillray, 1756–1815
The English Regency
1789
368
Print made by Joseph Brown, 19th century
James Gillray
1848
369
Print made by James Gillray, 1756–1815
Venus Attired by the Graces
1800
370
Print made by James Gillray, 1756–1815
The King of Brobdingnag and Gulliver
1803
371
James Gillray, 1756–1815
Political Mathematician's Shaking the Broad Bottom'd Hemispheres
ca. 1811
372
James Gillray, 1756–1815
Political Candour - i.e. - Coalition "Resolutions" of June 14th 1805 - Pro Bono Publico
1805
373
James Gillray, 1756–1815
An Angel Gliding on a Sunbeam Into Paradise. Down Thither, Prone in Flight, Lo! Schwelly Speeds, and With Her Brings, The Gems, and Spoils of Heaven. Milton
1791
374
James Gillray, 1756–1815
The French Consular Triumvicate Settling the New Constitution. With a Peep at the Constitutional-Pidgeon-Holes of the Abbe Seiyes - In the Back Ground
1797
375
James Gillray, 1756–1815
Political Dreamings! - Visions of Peace! Prospective Horrors
1801
376
James Gillray, 1756–1815
The Devil to Pay; or Neptune Reposing after Fording the Jordan
1791
377
James Gillray, 1756–1815
Guy Vanx Discovered in his Attempt to Destroy the King and the House of Lords. "His Companions Attempting to Escape - N.B. His Associates were all Taken Afterwards and Executed."
1791
378
James Gillray, 1756–1815
Opposition Coaches
1788
379
James Gillray, 1756–1815
Opposition Coaches
1788
380
James Gillray, 1756–1815
Honi Soit Qui Mal Y Pense (Shame on Him Who Evil Thinks)
381
James Gillray, 1756–1815
Out of Fits - or the Recovery to the Satisfaction of All Parties
1786
382
James Gillray, 1756–1815
Hudibrass and His ' Squire (Fox and Burke)
1784
383
James Gillray, 1756–1815
Amsterdam in a Dam'd Predicament, - or - The Last Scene of the Republican Pantomine
1787
384
James Gillray, 1756–1815
The Giant - Factotum Amusing Himself (Pitt)
1797
385
James Gillray, 1756–1815
Meeting of the Monied Interest: - Constitutional Opposition to e/y 10 pr. cent: - i.e. John Bull's Friends Alarm'd by the New Tax (from: Caricature, vol. 1)
1798
386
James Gillray, 1756–1815
Tiddy-Doll the Great French-Ginger-Bread-Baker, Drawing Out a Batch of Kings-His Man, Hopping Talley, Mixing the Dough
1806
387
James Gillray, 1756–1815
The Apotheosis of the Corsican Phoenix
1808
388
James Gillray, 1756–1815
The Nursery, with, Britannia Reposing in Peace
1802
389
James Gillray, 1756–1815
Patriotic-Petitions on the Convention/ the Cockney Petition; The Westminster Petition, The Chelmsford Petition, the Middlesex Petition
1808
390
James Gillray, 1756–1815
The New Dynasty; or the Little Corsican Gardener Planting a Royal Pippin-Tree. -All the Talents (Busy in) are Clearing the Ground of the Old Timber
1807
391
James Gillray, 1756–1815
Introduction of Citizen Volpone - and His Suite, at Paris
1802
392
James Gillray, 1756–1815
German - Nonchalence: - or - The Vexation of Little Boney
1803
393
James Gillray, 1756–1815
The Man of Feeling, in Search of Indispensibles: - A Scene at the Little French Milleners
1800
394
James Gillray, 1756–1815
The Apples and The Horse-Turds: - or - Bonaparte, among the Golden Pippins
1800
395
James Gillray, 1756–1815
Confederated- Coalitions; or, The Giant's Storming Heaven, With the Gods Alarmed for their Everlasting Abodes
1804
396
James Gillray, 1756–1815
Half Natural
1799
397
James Gillray, 1756–1815
Pen-etration
1799
398
James Gillray, 1756–1815
Citizens Visiting the Bastille, - Vide. Democratic Charities. -
1799
399
James Gillray, 1756–1815
Pizarro, Contemplating (over) The Product of His Peruvian Mine
1799
400
James Gillray, 1756–1815
The Introduction of the Pope to the Convocation at Oxford, By the Cardinal Broad Bottom