Exhibition HistoryThe Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
Sarsden House and Gardens, Oxfordshire: Bird's-eye View
ca. 1795
4
Sir John Soane, 1753–1837
Hinton St. George, Somerset: View of the Saloon
1797
5
William Pars, 1742–1782
A View of Rome Taken from the Pincio
1776
6
Benjamin West, 1738–1820
Design for a Wall of the Chapel of Revealed Religion
ca. 1780
7
Thomas Girtin, 1775–1802
Lichfield Cathedral, Staffordshire
1794
8
Thomas Rowlandson, 1756–1827
Place des Victoires, Paris
ca. 1783
9
Thomas Hearne, 1744–1817
View of Bath from Spring Gardens
1790
10
Thomas Jones, 1742–1803
The Claudian Aqueduct and Colosseum
1778
11
William Alexander, 1767–1816
City of Lin Tsin, Shantung, with a View of the Grand Canal
1795
12
Michael "Angelo" Rooker, 1746–1801
The Chapel of the Greyfriars Monastery, Winchester
between 1790 and 1795
13
Samuel Davis, 1760–1819
Tassisudon
1783
14
Abraham Louis Rodolphe Ducros, 1748–1810
Ruins of the Basilica of Maxentius in the Roman Forum
1779
15
Paul Sandby, 1731–1809
The North Terrace, Looking East
ca. 1765
16
Thomas Hearne, 1744–1817
A View on the Island of Antigua: the English Barracks and Saint John's Church Seen from the Hospital
ca. 1775
17
Amelia Long, 1762–1837
Kirkstall Abbey, Yorkshire
undated
18
Michael "Angelo" Rooker, 1746–1801
A Game of Bowls on the Bowling Green Outside the Bunch of Grapes Inn, Hurst, Berkshire
undated
19
Sir William Chambers, 1723–1796
The Hoo, Kimpton, Hertfordshire: Elevations and Details of a Gateway
ca. 1760-1764
20
Sir William Chambers, 1723–1796
Facade for a Temple of Peace, Kew Gardens, Surrey
ca. 1763
21
Jean B. C. Chatelain, 1710–1771
A View of the Rotunda in the Garden at Stowe, Buckinghamshire
1753
22
James Gandon, 1742–1823
Elevation for the West Front of Parliament House, Dublin
ca. 1787
23
Edward Dayes, 1763–1804
Queen Square, London
1786
24
Thomas Daniell, 1749–1840
Main Entrance of the Jami Mosque, Jaunpur
1797 to 1807
25
Stephen Riou, 1720–1780
Design for 'the Houses of both sides of the intended Street to extend in a right line from the Mansion-House to More-Gate humbly proposed to consideration'