Collection: Prints and Drawings / Associated Places: Rome - YCBA Collections Search Search Results

201. The Isola Farnese

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: undated
Materials & Techniques:: Brown wash, pen and brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 5/8 × 11 inches (21.9 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

202. A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii

Creator:: Joseph Michael Gandy, 1771–1843
Date:: ca. 1830
Materials & Techniques:: Graphite, watercolor and gouache with pen and brown ink on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 11 1/2in. (18.4 x 29.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

203. View from Behind the Colonnade, Piazza San Pietro, Rome

Creator:: John Brown, 1749–1787
Date:: ca. 1772
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 9 1/2 inches (22.2 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

204. Part of the Wall of Rome Near the Villa Medici

Creator:: John Robert Cozens, 1752–1797
Date:: between 1782 and 1783
Materials & Techniques:: Graphite and varnish on thin, slightly textured, beige laid paper
Dimensions:: Sheet: 5 7/16 x 6 3/8 inches (13.8 x 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

205. Facade of Ruined (?) Roman Temple, with Columns and Doorway

Creator:: Heneage Finch fourth Earl of Aylesford, 1751–1812
Date:: after 1771
Materials & Techniques:: Watercolor and graphite, verso: blue wash on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 9 1/4 × 8 inches (23.5 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

206. Ruined Archway with a Line of Washing, possibly in Rome

Creator:: Heneage Finch fourth Earl of Aylesford, 1751–1812
Date:: after 1771
Materials & Techniques:: Watercolor, graphite, and blue wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/2 × 8 7/8 inches (26.7 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

207. An Interior View of the Colosseum, Rome

Creator:: John Warwick Smith, 1749–1831
Date:: undated
Materials & Techniques:: Watercolor over graphite on thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/2 x 21 1/2 inches (36.8 x 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

208. Broken Side of the Amphitheatre at Rome

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1780
Materials & Techniques:: Graphite and varnish on thin, slightly textured, beige laid paper
Dimensions:: Sheet: 6 3/8 x 10 inches (16.2 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

209. The Remains of the Senatorial Bridge on the Tyber; now call'd Ponte Rotto over this Bridge the Senate all ways pass'd to Consult the Sybills Books at Monte Gianiculo

The Remains of the Senatorial Bridge on the Tyber; now call'd Ponte Rotto over this Bridge the Senate all ways pass'd to Consult the Sybills Books at Monte Gianiculo

Creator:: unknown artist
Date:: 1768
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. Leon Korn

210. The Gate of St. Pancrass formerly Janiculensis: 1. the Vitellia road which leads to the Sea Coast 2. the Aurelian Way to Antient Gaul of France

Creator:: unknown artist
Materials & Techniques:: Engraving
Dimensions:: Sheet: 9 15/16 x 15 1/2in. (25.2 x 39.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

211. A View of Castle Gate: 1. the Castle of Angels 2. the Gallery of Communication from thence to the Vaticein Palace

Creator:: unknown artist
Materials & Techniques:: Engraving
Dimensions:: Sheet: 9 7/8 x 15 7/16in. (25.1 x 39.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

212. A View of the Angelick Gate: 1. the Summer House Belvedere 2. the Gallery of Communiation between the Vatian Palace and the Summer House

Creator:: unknown artist
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 1/8 x 15 1/2in. (25.7 x 39.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

213. A View of St. Pauls Gate formerly call'd Trigemina: 1. the Monument of Caus Cestus

Creator:: unknown artist
Materials & Techniques:: Engraving
Dimensions:: Sheet: 7 5/8 x 9 9/16in. (19.4 x 24.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

214. A View of the Gate Fabrica: 1. St. Peters Church 2. the Quarters of the Light Horse Guards 3. the Mount of Honour

Creator:: unknown artist
Materials & Techniques:: Engraving
Dimensions:: Sheet: 9 15/16 x 15 1/2in. (25.2 x 39.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

215. The Gate Settimiana, Near which was formerly plac'd 12 statues the symbols of the Months

Creator:: unknown artist
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

216. A Perspective View of the Castle of St. Angelo & Elian Bridge with part of the City of Rome

Creator:: unknown artist
Materials & Techniques:: Engraving
Dimensions:: Sheet: 7 3/8 x 10 7/8in. (18.7 x 27.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

217. A view of Rome with adjacent hills

Creator:: Richard Cooper the Elder, 1701–1764
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 14 1/2 x 20in. (36.8 x 50.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

218. The Gate Portese formerly Portuensis: 1. the Apostolick office of St. Michael 2. the Custom house on the Grand Quay 3. the Priory of the Knights of Jerusalem 4. the Marble Wharf.

Creator:: unknown artist
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 x 15 1/2in. (25.4 x 39.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

219. Thermae of Caracalla

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1923
Materials & Techniques:: Etching and drypoint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

220. View of the Ruins of the Temple of Peace

Creator:: Richard Cooper the Elder, 1701–1764
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 14 1/2 x 20 1/8in. (36.8 x 51.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

221. Study of Pines, Villa Borghese, Rome, 1871

Creator:: Walter Crane, 1845–1915
Date:: 1871
Materials & Techniques:: Graphite on medium, slightly textured, blue wove paper
Dimensions:: Sheet: 10 × 14 inches (25.4 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of David Schaff, Yale BA 1965

222. The Horse Race at Rome During the Carnival

Creator:: Thomas Sandby, 1721–1798
Date:: ca. 1781
Materials & Techniques:: Aquatint and etching on moderately thick, slightly textured, cream wove paper mounted on medium, moderately textured, cream wove paper
Dimensions:: Mount: 15 3/8 x 22 5/16 inches (39.1 x 56.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

223. Antique Seat of White marble / from the Original at Rome

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Graphite, pen and ink, and gray wash on medium, slightly textured, white wove paper
Dimensions:: Sheet: 7 1/4 x 4 1/2 inches (18.4 x 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

224. Roman General / from the arch of Constantine at Rome

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Graphite, pen and ink, and gray wash on medium, slightly textured, white wove paper
Dimensions:: Sheet: 7 1/8 x 4 9/16 inches (18.1 x 11.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

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Collection Prints and Drawings

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201. The Isola Farnese

202. A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii

203. View from Behind the Colonnade, Piazza San Pietro, Rome

204. Part of the Wall of Rome Near the Villa Medici

205. Facade of Ruined (?) Roman Temple, with Columns and Doorway

206. Ruined Archway with a Line of Washing, possibly in Rome

207. An Interior View of the Colosseum, Rome

208. Broken Side of the Amphitheatre at Rome

209. The Remains of the Senatorial Bridge on the Tyber; now call'd Ponte Rotto over this Bridge the Senate all ways pass'd to Consult the Sybills Books at Monte Gianiculo

210. The Gate of St. Pancrass formerly Janiculensis: 1. the Vitellia road which leads to the Sea Coast 2. the Aurelian Way to Antient Gaul of France

211. A View of Castle Gate: 1. the Castle of Angels 2. the Gallery of Communication from thence to the Vaticein Palace

212. A View of the Angelick Gate: 1. the Summer House Belvedere 2. the Gallery of Communiation between the Vatian Palace and the Summer House

213. A View of St. Pauls Gate formerly call'd Trigemina: 1. the Monument of Caus Cestus

214. A View of the Gate Fabrica: 1. St. Peters Church 2. the Quarters of the Light Horse Guards 3. the Mount of Honour

215. The Gate Settimiana, Near which was formerly plac'd 12 statues the symbols of the Months

216. A Perspective View of the Castle of St. Angelo & Elian Bridge with part of the City of Rome

217. A view of Rome with adjacent hills

218. The Gate Portese formerly Portuensis: 1. the Apostolick office of St. Michael 2. the Custom house on the Grand Quay 3. the Priory of the Knights of Jerusalem 4. the Marble Wharf.

219. Thermae of Caracalla

220. View of the Ruins of the Temple of Peace

221. Study of Pines, Villa Borghese, Rome, 1871

222. The Horse Race at Rome During the Carnival

223. Antique Seat of White marble / from the Original at Rome

224. Roman General / from the arch of Constantine at Rome