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Materials & Techniques black chalk

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Materials & Techniques laid paper

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A Morning at Tattersalls (with further sketches in left margin folded over)
Creator:
Robert Polhill Bevan, 1865–1925
Date:
undated
Materials & Techniques:
Black chalk and colored washes on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/8 × 17 inches (34 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Timber Hauling
Creator:
Robert Polhill Bevan, 1865–1925
Date:
ca. 1917
Materials & Techniques:
Black chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 11/16 x 17 inches (34.8 x 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Landscape with Three Horses and a Tree in the Foreground
Creator:
James Ward, 1769–1859
Date:
undated
Materials & Techniques:
Gray wash over black chalk and brown chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/8 × 8 7/8 inches (18.1 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Margate

Margate
Creator:
attributed to Benjamin West, 1738–1820
Date:
1767
Materials & Techniques:
Black chalk on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 14 x 21 3/8 inches (35.6 x 54.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Riverside Scene with Figures, Hexagonal Building Left and Horse-Drawn Wagon Crossing Bridge at Right
Creator:
Richard Wilson, 1713/4–1782
Date:
undated
Materials & Techniques:
Graphite and black chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/4 x 14 inches (23.5 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Cavalry Officer (Henry IV) Leading a Charge Outside a Castle
Creator:
Henry William Bunbury, 1750–1811
Date:
undated
Materials & Techniques:
Watercolor, graphite and black chalk on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 20 × 15 13/16 inches (50.8 × 40.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
I am not learned in Vaccine Matters - but I think those look like Charley's Calves
Creator:
Hablot Knight Browne, 1815–1882
Date:
Undated
Materials & Techniques:
Black chalk and watercolor on moderately thick, moderately textured, gray laid paper
Dimensions:
Sheet: 21 1/2 x 28 7/8 inches (54.6 x 73.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Hunting Party
Creator:
Jan Wyck, ca. 1645–1700
Date:
undated
Materials & Techniques:
Black chalk and gray wash on medium, moderately textured, beige laid paper
Dimensions:
Mount: 16 × 21 15/16 inches (40.6 × 55.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sketchbook of Portrait Studies
Creator:
Thomas Patch, 1725–1782
Date:
1760s
Materials & Techniques:
Graphite, red chalk, and pen and brown ink on medium, slightly textured, cream laid paper bound in carta fiorentina
Dimensions:
Sheet: 8 3/4 x 6 1/2 inches (22.2 x 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Travellers on Horseback Approaching a Village with a Spire
Creator:
Thomas Gainsborough, 1727–1788
Date:
between 1765 and 1770
Materials & Techniques:
Watercolor over black chalk and gum on medium, slightly textured, cream laid paper, laid down on (laminated wove paper) card
Dimensions:
Sheet: 8 5/8 x 12 1/4 inches (21.9 x 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Open Landscape with Horsemen and Covered Cart
Creator:
Thomas Gainsborough, 1727–1788
Date:
between 1780 and 1788
Materials & Techniques:
Gray and black wash, with traces of black and white chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 3/4 x 14 inches (27.3 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection