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Materials & Techniques brown ink

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Meuse and Sambre, from the Gate of the Sambre
Creator:
Print made by George Arnald, 1763–1841
Date:
1822
Materials & Techniques:
Etching and mezzotint, printed in brown ink on moderately thick, rough, beige laid paper
Dimensions:
Sheet: 8 13/16 × 11 5/16 inches (22.4 × 28.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Portico of St. Martin-in-the-Fields
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1862
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 19 1/2 x 13 1/2 inches (49.5 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Dance
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen, and brown and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Vicar's Family on the Road to Church
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and brown and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Embarkation at Southampton, June 20th 1794
Creator:
Thomas Rowlandson, 1756–1827
Date:
1794
Materials & Techniques:
Watercolor and pen and brown, gray, and red-brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 6 9/16 x 14 inches (16.7 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Greenwich
Creator:
Thomas Rowlandson, 1756–1827
Date:
1795 to 1800
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/16 x 18 5/16 inches (28.4 x 46.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The London Scottish Volunteer Regiment at Wimbledon Common Rifle Ranges with the Soldiers under canvas
Creator:
Charles Claude Pyne, 1802–1878
Date:
1872
Materials & Techniques:
Watercolor, gouache, graphite, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/8 × 10 5/16 inches (11.7 × 26.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plymouth Dock
Creator:
Thomas Rowlandson, 1756–1827
Date:
1817
Materials & Techniques:
Watercolor with pen and gray ink, pen and red ink, and pen and brown ink on medium, moderately textured, beig, laid paper
Dimensions:
Sheet: 6 7/8 x 11 5/8 inches (17.5 x 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views in the Levant: Ruins in Rome with Goats, Cows and Herdsmen
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and brown ink, graphite, white gouache, and gum arabic on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/8 × 19 1/4 inches (30.8 × 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Island of Hoy, the Orkneys
Creator:
Edward Dayes, 1763–1804
Date:
undated
Materials & Techniques:
Watercolor, pen, brown ink, graphite, gray ink, and gray wash on thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/8 x 15 7/8 inches (28.3 x 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Matlock Baths, Derbyshire
Creator:
William Day, 1764–1807
Date:
ca. 1789
Materials & Techniques:
Watercolor, pen and brown ink, gray ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 17 3/8 × 22 1/2 inches (44.1 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection