Materials & Techniques: chine collé / Creator Gender: male / Date: 1827 / Genre: landscape

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Materials & Techniques chine collé

Creator Gender male

Date 1827

Genre landscape

Print made by J. C. Varrall, active 1815–1827

Launceston, Cornwall

1827

Print made by J. C. Varrall, active 1815–1827

Launceston, Cornwall

1827

Print made by Robert Wallis, 1794–1878

Barnard Castle, Durham

1827

James Redway, active 1827–1838

Althorp Castle, Northamptonshire

undated

Print made by Robert Wallis, 1794–1878

Buckfastleigh Abbey, Devonshire

1827

Print made by Edward Francis Finden, 1791–1857

Temple of Minerva, Cape Colonna

ca. 1832

Print made by Richard Parkes Bonington, 1802–1828

Vue Generale des Ruines du Château d'Arlay

1827

Print made by Richard Parkes Bonington, 1802–1828

Pierre de Vaivre

1827

Print made by Richard Parkes Bonington, 1802–1828

Ruines de Château d'Arlay

1827

Print made by Edward Goodall, 1795–1870

Tivoli, a Composition

1827

Print made by Edward Goodall, 1795–1870

Rievaulx Abbey, Yorkshire

1827

Print made by W. R. Smith, active 1819–1851

Dartmouth Cove

1827

Print made by Edward Goodall, 1795–1870

Fall of the Trees, Yorkshire

1827

Print made by George Richmond, 1809–1896

The Shepherd

1827

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1827

Print made by Edward Goodall, 1795–1870

Rievaulx Abbey, Yorkshire

1827

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1827

Print made by George Richmond, 1809–1896

The Fatal Bellman

1827

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