Materials & Techniques: chine collé / Author ss: after Joseph Mallord William Turner, 1775–1851, British / Genre: marine art

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Materials & Techniques chine collé

Author ss after Joseph Mallord William Turner, 1775–1851, British

Genre marine art

Print made by James C. Allen, active 1821–1831

Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz

1824

Print made by James T. Willmore, 1800–1863

Fire at Sea (vignette)

1835

Print made by James T. Willmore, 1800–1863

Nantes

1828-1832

Print made by James T. Willmore, 1800–1863

The Sea The Sea (vignette)

1836

Print made by James T. Willmore, 1800–1863

Fire at Sea (vignette)

1835

Print made by Robert Wallis, 1794–1878

Havre

1833

Print made by James T. Willmore, 1800–1863

The Sea The Sea (vignette)

1836

Print made by Robert Wallis, 1794–1878

Havre

1832

Print made by Edward Goodall, 1795–1870

Shipbuilding (An Old Oak Dead)

1834

Print made by Robert Wallis, 1794–1878

Edinburgh from Leith Harbour, Vignette Title to Vol. II

1826

Print made by Edward Goodall, 1795–1870

Shipbuilding (An Old Oak Dead)

1834

Print made by William Miller, 1796–1882

Loch Lomond

1834

Print made by Edward Goodall, 1795–1870

The Landing of Columbus

1834

Print made by George Cooke, 1781–1834

Naples, from the Mole

1820

Print made by Edward Goodall, 1795–1870

The Vision of Columbus

1834

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