Materials & Techniques: drypoint / Image Use: Under Certain Circumstances / Classification: Prints

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Materials & Techniques drypoint

Image Use Under Certain Circumstances

Classification Prints

Print made by Robert Spence, 1871–1964

We Went Back to Our Inn..

between 1890 and 1911

Print made by Robert Spence, 1871–1964

George Fox Shows His Leather Breeches at Hellett

between 1890 and 1911

Print made by Robert Spence, 1871–1964

George Fox and Captain Keat

between 1890 and 1911

Print made by Robert Spence, 1871–1964

George Fox at Launceston Gaol

between 1890 and 1911

Print made by Robert Spence, 1871–1964

George Fox in the Garden of Dr. Craddock at Coventry

between 1890 and 1911

Print made by Robert Spence, 1871–1964

George Fox Is Stoned by the Crowd at Walney Island

between 1890 and 1911

Print made by Robert Spence, 1871–1964

George Fox Is Beaten in the Steeple-House at Ulverston

between 1890 and 1911

Print made by Robert Spence, 1871–1964

The Next Day Wee Passed on..

between 1890 and 1911

Print made by Robert Spence, 1871–1964

George Fox and the Old Priest

between 1890 and 1911

Print made by Ernest Stephen Lumsden, 1883–1948

Line Engraving/Dry Point/Soft Ground

ca. 1925

Print made by Sir Frank William Brangwyn, 1867–1956

The Bridge, Cahors

1911

Print made by William Spencer Bagdatopolous, 1888–1965

Entry of the Rajah, Ogmor

1935

Print made by Sir David Young Cameron, 1865–1945

Monzie

undated

Print made by Sir Frank William Brangwyn, 1867–1956

A Bend in the River

1926

Print made by Robert Sargent Austin, 1895–1973

The Boy and Bull Calf

1929

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