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Materials & Techniques engraving (printing process)

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Subject Terms religious and mythological subject

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Classification Prints

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1. The Morning of Life

The Morning of Life
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1860-1861
Materials & Techniques:
Etching, engraving and drypoint, with plate tone on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 10 7/8 inches (19 x 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Thomas Wolsey

Thomas Wolsey
Creator:
Pieter S. van der Gunst, 1659–c. 1724
Date:
undated
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 9/16 × 8 inches (34.4 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Florence, from Chiesa al Monte

Florence, from Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Etching and engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 9/16 × 12 3/4 inches (21.7 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Florence, from Chiesa al Monte

Florence, from Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 3/8 × 15 3/16 inches (26.4 × 38.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. William Robertson

William Robertson
Creator:
John Hall, 1739–1797
Date:
undated
Materials & Techniques:
Engraving on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 7 3/4 × 5 1/4 inches (19.7 × 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Turin from the Portico of the Superga Church

Turin from the Portico of the Superga Church
Creator:
Print made by James Mitan, 1776–1822
Date:
1820
Materials & Techniques:
Etching and engraving on medium, smooth, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 × 14 3/8 inches (25.4 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Turin from the Portico of the Superga Church

Turin from the Portico of the Superga Church
Creator:
Print made by James Mitan, 1776–1822
Date:
1820
Materials & Techniques:
Etching and engraving on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 9/16 × 14 3/4 inches (26.8 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Durham Cathedral

Durham Cathedral
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching and engraving, 3rd state on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 × 14 7/8 inches (27.9 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. The Morning of Life

No cover image available
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1860-1861
Materials & Techniques:
Etching, engraving and drypoint, with plate tone, retouched with white watercolor, gouache or chalk on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 x 12 5/16 inches (22.6 x 31.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Illustrations of the Book of Job, pl. 8 (page 7): [Job's Comforters]

No cover image available
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving on india proof paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection