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Materials & Techniques etching (printing process)

Remove constraint Materials & Techniques: etching (printing process)

Materials & Techniques graphite

Remove constraint Materials & Techniques: graphite

Author ss after Joseph Mallord William Turner, 1775–1851, British

Remove constraint Author ss: after Joseph Mallord William Turner, 1775–1851, British

Period 19th century

Remove constraint Period: 19th century

Genre architectural subject

Remove constraint Genre: architectural subject

Search Results

Joseph Mallord William Turner Sheep-Washing, Windsor
Etched by Joseph Mallord William Turner, 1775–1851
Sheep-Washing, Windsor
between 1813 and 1823
Joseph Mallord William Turner Holy Island Cathedral
Etched by Joseph Mallord William Turner, 1775–1851
Holy Island Cathedral
1808
Edward Goodall Cologne
Print made by Edward Goodall, 1795–1870
Cologne
1824
Edward Goodall Cologne
Print made by Edward Goodall, 1795–1870
Cologne
1824
J. C. Varrall Merrick Abbey, Swaledale
Print made by J. C. Varrall, active 1815–1827
Merrick Abbey, Swaledale
1822
George Cooke Pendennis Castle and Entrance of Falmouth Harbour
Print made by George Cooke, 1781–1834
Pendennis Castle and Entrance of Falmouth Harbour
1814 to 1826
William Miller Brienne
Print made by William Miller, 1796–1882
Brienne
1834
Edward Goodall St. Pierre's Cottage
Print made by Edward Goodall, 1795–1870
St. Pierre's Cottage
1834
William Miller Scott's Birthplace, no. 39, Castle Street, Edinburgh
Print made by William Miller, 1796–1882
Scott's Birthplace, no. 39, Castle Street, Edinburgh
1839
James T. Willmore Ancient Italy - Ovid Banished from Rome
Print made by James T. Willmore, 1800–1863
Ancient Italy - Ovid Banished from Rome
1842
John Le Keux St. Agatha’s Abbey, Easby (touched proof, unrecorded state between Rawlinson a and b)
Print made by John Le Keux, 1783–1846
St. Agatha’s Abbey, Easby (touched proof, unrecorded state between Rawlinson a and b)
1822