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Materials & Techniques etching (printing process)

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Materials & Techniques line engraving

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Francesco Bartolozzi Title Page: Bartolozzi's Works
Francesco Bartolozzi, 1728–1815
Title Page: Bartolozzi's Works
1796
Robert Smirke Taming of the Shrew
Robert Smirke, 1752–1845
Taming of the Shrew
1821
Thomas Chambars Mrs. Beale and her Son Charles
Print made by Thomas Chambars, ca. 1724–1789
Mrs. Beale and her Son Charles
1762
Thomas Chambars Mrs. Beale and her Son Charles
Print made by Thomas Chambars, ca. 1724–1789
Mrs. Beale and her Son Charles
1762
Pierre Audouin Angelica Kauffman
Print made by Pierre Audouin, 1768–1822
Angelica Kauffman
undated
M. Coote Dudley Priory in Worcestershire, Plate 1
Print made by M. Coote, ca. 1758/62–1801
Dudley Priory in Worcestershire, Plate 1
before 1786
M. Coote Edgar's Tower at Worcester
Print made by M. Coote, ca. 1758/62–1801
Edgar's Tower at Worcester
before 1786
M. Coote Dudley Priory in Worcestershire, Plate 2
M. Coote, ca. 1758/62–1801
Dudley Priory in Worcestershire, Plate 2
before 1786
M. Coote Edgar's Tower at Worcester
Print made by M. Coote, ca. 1758/62–1801
Edgar's Tower at Worcester
before 1786
M. Coote Dudley Priory in Worcestershire, Plate 2
Print made by M. Coote, ca. 1758/62–1801
Dudley Priory in Worcestershire, Plate 2
before 1786
Elizabeth Blackwell Pastinaca (Parsnip), Plate 379 from 'A Curious Herbal', volume II, London, 1737
Print made by Elizabeth Blackwell, died 1774
Pastinaca (Parsnip), Plate 379 from 'A Curious Herbal', volume II, London, 1737
1737
Elizabeth Blackwell Lysimachia (Loosestrife), Plate 278 from 'A Curious Herbal', volume II, London, 1737
Print made by Elizabeth Blackwell, died 1774
Lysimachia (Loosestrife), Plate 278 from 'A Curious Herbal', volume II, London, 1737
1737
Caroline Watson Judith, or Cowper's Oak
Print made by Caroline Watson, 1760–1814
Judith, or Cowper's Oak
1803-1804
Adeline S. Illingworth Vidler's Farm, Headcorn
Print made by Adeline S. Illingworth, 1858–ca.1930
Vidler's Farm, Headcorn
1901