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Materials & Techniques graphite

Remove constraint Materials & Techniques: graphite

Materials & Techniques gray ink

Remove constraint Materials & Techniques: gray ink

Credit Line Yale Center for British Art, Paul Mellon Collection

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Collection

Period 18th century

Remove constraint Period: 18th century

Subject Terms rocks (landforms)

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Search Results

Rocky River Scene with Sepoys
Creator:
Samuel Davis, 1760–1819
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 21 1/4 × 29 3/8 inches (54 × 74.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Timber Waggon
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1790
Materials & Techniques:
Gray wash and graphite with pen and gray ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 4 9/16 x 7 5/16 inches (11.6 x 18.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Landscape with Temple Ruins at Sunium
Creator:
William Pars, 1742–1782
Date:
undated
Materials & Techniques:
Penand brown ink, gray ink, gray wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 18 1/4 inches (29.5 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sacred Cave of Archidamus
Creator:
William Pars, 1742–1782
Date:
undated
Materials & Techniques:
Watercolor with pen and black and gray ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 5/8 x 18 7/16 inches (29.5 x 46.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Temple of Jupiter Panhellenios at Aegina
Creator:
William Pars, 1742–1782
Date:
between 1764 and 1766
Materials & Techniques:
Pen and black ink, pen and gray ink, pen and brown ink, gray wash, and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 18 inches (29.2 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Entrance to Wookey Hole, Somerset
Creator:
Bernard Lens III, 1682–1740
Date:
ca. 1719
Materials & Techniques:
Gray wash, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/16 x 12 9/16in. (20.8 x 31.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rocky Landscape with Two Figures on a Path in the Center
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1745 and 1748
Materials & Techniques:
Gray wash, brown wash, gray ink, and graphite on moderately thick, moderately textured, cream wove paper, prepared with yellow wash
Dimensions:
Sheet: 5 3/8 x 8 1/8in. (13.7 x 20.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Landscape with Two Figures on a Road
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1745 and 1748
Materials & Techniques:
Gray wash with pen and gray ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 1/8 x 7 3/16 inches (13 x 18.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Renard's Hole, Dovedale, Derbyshire
Creator:
William Day, 1764–1807
Date:
1789
Materials & Techniques:
Watercolor, pen and brown ink, black ink, gray ink and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 1/4 × 14 7/8 inches (33.7 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
unknown artist
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and gray ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 7/16 × 14 5/8 inches (26.5 × 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection