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Materials & Techniques gray ink

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Materials & Techniques pen

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Author ss Thomas Rowlandson, 1756–1827, British

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Genre military art

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Subject Terms horses (animals)

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Search Results

The Guards on the March for the Duke of York's Campaign in France
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, pen and red ink, pen and gray ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 6 3/4 × 9 1/4 inches (17.1 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Soldiers in St. James Park
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, graphite, pen and brown ink, and pen and gray ink on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 5 x 7 1/4 inches (12.7 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hungarian and Highland Broadsword Exercise
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray and black ink over graphite; verso: graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/16 x 10 11/16 inches (20.8 x 27.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Two Studies of a (?) French Cavalryman.
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Pen and gray-brown ink; verso: graphite and pen in brown ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 4 1/4 x 5 3/4 inches (10.8 x 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Heralds
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown and gray brown ink over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 3/16 x 7 7/16 inches (15.7 x 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection