Materials & Techniques: hand coloring and line engraving / Creator Gender: male / Subject Terms: science - YCBA Collections Search Search Results

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Materials & Techniques hand coloring

Materials & Techniques line engraving

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1. The Chillington Oxen

The Chillington Oxen

Creator:: Print made by John Porter, active 1838
Date:: 1838
Materials & Techniques:: Line engraving and mezzotint with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 21 1/2 inches (46.4 x 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Ships in Distress

Ships in Distress

Creator:: Richard Bernard Godfrey, 1728–op.1794
Date:: 1796
Materials & Techniques:: Line engraving with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 1/8 x 16 11/16 inches (30.8 x 42.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Phalaena Aceris. Acer Rubrum (Grey Maple Moth, Red Maple), Plate 93 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

Phalaena Aceris. Acer Rubrum (Grey Maple Moth, Red Maple), Plate 93 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

Creator:: Print made by John Harris the elder, 1767–1832
Date:: 1797
Materials & Techniques:: Engraving with original hand coloring on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 x 12 1/4 inches (40.6 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

4. Phalaena Quernaria. Quercus Rubra (American Oak Beauty, Northern Red Oak), Plate 103 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

Phalaena Quernaria. Quercus Rubra (American Oak Beauty, Northern Red Oak), Plate 103 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

Creator:: Print made by John Harris the elder, 1767–1832
Date:: 1797
Materials & Techniques:: Engraving with original hand color on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 x 12 1/8 inches (40.6 x 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

5. Caryophyllus X. Mercurius. Plate 67 from 'Hortus Nitidissimis Omnem per Annum Superbiens Floribus', Nuremberg, 1768

Caryophyllus X. Mercurius. Plate 67 from 'Hortus Nitidissimis Omnem per Annum Superbiens Floribus', Nuremberg, 1768

Creator:: Print made by Adam Ludwig Wirsing, 1733–1797
Date:: 1768
Materials & Techniques:: Engraving with original hand coloring on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 20 x 14 inches (50.8 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

6. The Blue Passion Flower, 1800, from Robert John Thornton, 'The Temple of Flora', London, 1799-1812

The Blue Passion Flower, 1800, from Robert John Thornton, 'The Temple of Flora', London, 1799-1812

Creator:: Print made by James Caldwall, 1739–1819
Date:: 1800
Materials & Techniques:: Aquatint, stipple and line engraving with hand coloring on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 23 1/2 x 18 7/8 inches (59.7 x 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John D. Viener, Yale AB 1961