Materials & Techniques: laid paper / Exhibition History: The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09) and The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)

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Materials & Techniques laid paper

Exhibition History The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)

Exhibition History The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)

Print made by Samuel Palmer, 1805–1881

The Lonely Tower

1879

Print made by Samuel Palmer, 1805–1881

Opening the Fold

1880

Print made by Samuel Palmer, 1805–1881

The Bellman

1879

Etched by Joseph Mallord William Turner, 1775–1851

Peat Bog, Scotland

1812

Etched by Joseph Mallord William Turner, 1775–1851

Norham Castle on the Tweed

1816

Print made by Thomas Gainsborough, 1727–1788

Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church

1779 to 1780

Print made by David Lucas, 1802–1881

Frontispiece, Artist's Home at East Bergholt, Suffolk

1831

Print made by David Lucas, 1802–1881

Vignette, Hampstead Heath, Middlesex

1831

Print made by Charles Turner, 1774–1857

Shields, on the River Tyne

1823

Print made by William Bernard Cooke, 1778–1855

Battle Abbey, The Spot where Harold Fell

1819

Print made by John Crome, 1768–1821

Composition: Sandy Road through Woodland

1813

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