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Materials & Techniques laid paper

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Genre sporting art

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Creator Gwin, James, 1700–1769

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1. De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte

De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 5/8 × 16 5/8 inches (27 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes

De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 7/8 × 16 inches (27.6 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. De la Parade du Cavé sur le Coup de Flanconnade

De la Parade du Cavé sur le Coup de Flanconnade
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/8 × 17 1/16 inches (26.4 × 43.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Du Desarmement sur le Coup de Tierce

Du Desarmement sur le Coup de Tierce
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 3/16 × 15 3/16 inches (28.4 × 38.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise

De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Premiere Position pour tirer L'Epée

Premiere Position pour tirer L'Epée
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, beige wove paper
Dimensions:
Contemporary drawn border: 10 9/16 × 8 5/16 inches (26.8 × 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Position pour le Garde en Tierce et le Coup de Tierce

Position pour le Garde en Tierce et le Coup de Tierce
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 1/2 × 16 1/8 inches (26.7 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Troisieme Position du Salut

Troisieme Position du Salut
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 9 15/16 × 10 inches (25.2 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes

Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 1/2 × 15 1/2 inches (26.7 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Seconde Position du Salut

Seconde Position du Salut
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 1/8 × 10 3/16 inches (25.7 × 25.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. De la Parade de Seconde sur le Coup de Seconde

De la Parade de Seconde sur le Coup de Seconde
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 15/16 × 17 1/4 inches (27.8 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. De la Parade du Demi-Cercle sur le Coup, de Quarte Basse

De la Parade du Demi-Cercle sur le Coup, de Quarte Basse
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 1/8 × 17 11/16 inches (28.3 × 44.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. De la Parade Dequinte sur le Coup de Quinte

De la Parade Dequinte sur le Coup de Quinte
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/4 × 17 1/2 inches (27.3 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Position de la Garde Italienne de L'Epée & Poignard

Position de la Garde Italienne de L'Epée & Poignard
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/4 × 15 15/16 inches (27.3 × 40.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne

Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 3/16 × 16 3/8 inches (28.4 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B.

Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B.
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 1/16 × 16 7/16 inches (28.1 × 41.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. L'Epée & Lanterne Combattüe par L'Epée et Manteau

L'Epée & Lanterne Combattüe par L'Epée et Manteau
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 1/16 × 17 inches (28.1 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Position pour la Garde en Quarte

Position pour la Garde en Quarte
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 7/16 × 11 7/8 inches (26.5 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Position pour la Garde en Quarte et le Coup de Quarte

Position pour la Garde en Quarte et le Coup de Quarte
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 9/16 × 15 1/2 inches (26.8 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Position pour la Garde en Tierce

Position pour la Garde en Tierce
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 1/4 × 11 1/4 inches (26 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Position de la Garde de Tierce et le Coup de Seconde

Position de la Garde de Tierce et le Coup de Seconde
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/8 × 17 1/16 inches (26.4 × 43.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Premiere Position du Salut

Premiere Position du Salut
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 1/4 × 10 1/16 inches (26 × 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Position de la Garde en Quarte, et le Coup de Flanconnade

Position de la Garde en Quarte, et le Coup de Flanconnade
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 1/4 × 15 7/8 inches (26 × 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Quatrieme Position du Salut

Quatrieme Position du Salut
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 1/2 × 10 15/16 inches (26.7 × 27.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Cinquieme Position du Salut

Cinquieme Position du Salut
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/16 × 10 7/8 inches (25.9 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. De la Parade de Tierce, sur le Coup de Tierce

De la Parade de Tierce, sur le Coup de Tierce
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 1/2 × 16 15/16 inches (26.7 × 43 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. De la Risposte de Quarte apres la Parade de Quarte

De la Risposte de Quarte apres la Parade de Quarte
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 5/8 × 16 5/16 inches (27 × 41.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. De la Parade de Prime sur le Coup de Seconde

De la Parade de Prime sur le Coup de Seconde
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 1/16 × 16 inches (28.1 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes

De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/4 × 16 1/4 inches (27.3 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche

De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 7/8 × 16 15/16 inches (27.6 × 43 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Du Coupé sur Pointe de Quarte en Quarte sur les Armes

Du Coupé sur Pointe de Quarte en Quarte sur les Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 1/2 × 16 inches (29.2 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde

De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/4 × 16 inches (27.3 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce

De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 × 17 3/8 inches (27.9 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. De la Risposte en Quinte de Pied forme sur le Coup de Seconde

De la Risposte en Quinte de Pied forme sur le Coup de Seconde
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 5/8 × 17 1/4 inches (27 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. De la Passe en Quarte du Dehors des Armes

De la Passe en Quarte du Dehors des Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 × 15 3/8 inches (27.9 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes

Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/4 × 15 15/16 inches (27.3 × 40.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Demi Volte sur les Coups Forcés au Dehors des Armes

Demi Volte sur les Coups Forcés au Dehors des Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 15/16 × 16 inches (27.8 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Position Aprés Avoir Desarmé sur le Coup de Quarte

Position Aprés Avoir Desarmé sur le Coup de Quarte
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 3/16 × 15 11/16 inches (28.4 × 39.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Du Desarmement Aprés Avoir Paré le Coup de Quarte

Du Desarmement Aprés Avoir Paré le Coup de Quarte
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 3/16 × 15 1/2 inches (28.4 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. De la Volte sur la Passe au Dehors des Armes

De la Volte sur la Passe au Dehors des Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 3/8 × 15 1/8 inches (28.9 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime

Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/8 × 15 1/16 inches (26.4 × 38.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Position Aprés Avoir Désarmé sur le Coup de Tierce

Position Aprés Avoir Désarmé sur le Coup de Tierce
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 7/16 × 14 1/8 inches (29.1 × 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson

De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Risposte Aprés Avoir Trompé la Parade du Poignard

Risposte Aprés Avoir Trompé la Parade du Poignard
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/4 × 16 7/16 inches (27.3 × 41.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Du Desarmement Aprés la Parade au Dehors des Armes

Du Desarmement Aprés la Parade au Dehors des Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 7/8 × 14 15/16 inches (27.6 × 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime

Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 11/16 × 15 1/4 inches (27.1 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Desseins Originaux des Attitudes Continuée dans L'École des Armes

No cover image available
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Pen and black ink and brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Contemporary drawn border: 9 9/16 × 11 3/4 inches (24.3 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection