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Materials & Techniques line engraving

Remove constraint Materials & Techniques: line engraving

Exhibition History Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)

Remove constraint Exhibition History: Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)

Genre landscape

Remove constraint Genre: landscape

Genre marine art

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Image Use Free to Use

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Classification Prints

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Search Results

John Horsburgh Folkestone: Harbour, and Coast to Dover, Kent
Print made by John Horsburgh, 1791–1869
Folkestone: Harbour, and Coast to Dover, Kent
1831
James C. Allen St. Mawes, Cornwall
Print made by James C. Allen, active 1821–1831
St. Mawes, Cornwall
1814 to 1826
James C. Allen St. Mawes, Cornwall
Print made by James C. Allen, active 1821–1831
St. Mawes, Cornwall
1814 to 1826
John Horsburgh Folkestone: Harbour, and Coast to Dover, Kent
Print made by John Horsburgh, 1791–1869
Folkestone: Harbour, and Coast to Dover, Kent
1831
John Cousen Harfleur
Print made by John Cousen, 1804–1880
Harfleur
1834
William Bernard Cooke Margate
Print made by William Bernard Cooke, 1778–1855
Margate
1823
W. R. Smith Richmond Hill and Bridge, Surrey
Print made by W. R. Smith, active 1819–1851
Richmond Hill and Bridge, Surrey
1832
Robert Wallis Margate, Kent
Print made by Robert Wallis, 1794–1878
Margate, Kent
1831
Robert Wallis Margate, Kent
Print made by Robert Wallis, 1794–1878
Margate, Kent
1831
Robert Wallis Ramsgate
Print made by Robert Wallis, 1794–1878
Ramsgate
1814 to 1826
James T. Willmore Tancarville
Print made by James T. Willmore, 1800–1863
Tancarville
1834
Robert Wallis Hastings
Print made by Robert Wallis, 1794–1878
Hastings
1851