Elizabeth Barton, Commonly called The Holy Maid of Kent, Practicing her Impositions
1810
3502
Print made by unknown artist
Caractacus before Claudius
1816
3503
Print made by Anker Smith, 1759–1819
Queen Margaret Protected by a Robber
1810
3504
Print made by Michael "Angelo" Rooker, 1746–1801
Wynn Stay in Denbighshire, the Seat of Sir Watkin Williams Wynn Bart
1775
3505
Print made by John T. Smyth, 1819?–1851
The Last In
1850
3506
Print made by Tiburce de Mare, 1840–1900
The Negligent Boy
ca. 1868
3507
Print made by Charles Rolls, 1800–active 1830
The Wayside in Italy
ca. 1883
3508
Print made by Herbert Bourne, ca. 1820–after 1885
The Butt, Shooting a Cherry
ca. 1869
3509
Print made by Francesco Bartolozzi, 1728–1815
View of the Temple of Aesculapius
1764
3510
Print made by Francesco Bartolozzi, 1728–1815
View of the Porta Ferrea
1764
3511
Print made by Francesco Bartolozzi, 1728–1815
View of the Inside of the Vestibulum
1764
3512
Print made by George Vertue, 1684–1756
William Cavendish, Duke of Newcastle
1739
3513
Print made by Francesco Bartolozzi, 1728–1815
Another View of the Temple of Aesculapius
1764
3514
Print made by Caroline Watson, 1760–1814
Judith, or Cowper's Oak
1803-1804
3515
Print made by William Finden, 1787–1852
The Great Temple, Hurdwar
ca. 1840
3516
Print made by Bell, active 1840s
Hindu Fakirs Practising their Superstitious Rites
ca. 1840
3517
Print made by Thomas Higham, 1796–1844
Pilgrims at the Sacred Fair of Hurdwar
1836
3518
Print made by Edward Goodall, 1795–1870
Scene at Colgong on the Ganges
1836
3519
Print made by James H. Kernot, active early 19th century
Jumma Musjid, Mandoo
1834
3520
Print made by François-Louis Couché, 1782–1849
Tombeau de Tippoo Saeb; De Beaussel, Lauriston
1835
3521
Print made by unknown artist
A Tiger Seizing a Bullock in a Pass
ca. 1830
3522
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
3523
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
3524
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
3525
Print made by Gerard de Jode, born 1509 or 1517, died 1591
Seruius Super Vergilivm, et Postremo, Marcvs Tul Cicero; De Triumphali Pompa in Lvcivm Pisonem; Trivmphi Maioris vsvs Permansisse Constat Ad Ivstiniani Tempora
between 1546 and 1590
3526
Print made by Gerard de Jode, born 1509 or 1517, died 1591
Amplissimi Ornatissimique Triumphi; Trivmphi Maioris In Vrbe Romana ob Victoriam; and Ne Quis Picturae Huis Veritatem Requirat
between 1546 and 1590
3527
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
3528
Print made by Gerard de Jode, born 1509 or 1517, died 1591
De Bello Iudaico Valerivs Maximus Libro 2 Cap. 3; De Iure Triumphali Ioannes Zonara Hisoriarum; and In Vita Pavli Aemily Appianvs Alexandrinus in Lybico
between 1546 and 1590
3529
Print made by Gerard de Jode, born 1509 or 1517, died 1591
Uel Ingenio Alicuius Excogitatam Operae Precium Duxi hic; Nomina Ex Quibus ea Desumpta Est Dionisivs Libro Quinto; and In Triumpho Poplicolae Iosephvs Libro Septimo Cap. 23
between 1546 and 1590
3530
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
3531
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
3532
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
3533
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
3534
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
3535
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
3536
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
3537
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
3538
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome
ca. 1633
3539
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
3540
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
3541
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
3542
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
3543
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
3544
Print made by unknown artist
Inde Francaise, Costumes, Elephant Caparaconne
1835
3545
Print made by William C. Wilson, active 1798–1836
Fable VIII. The Man, the Cat, the Dog, and the Fly
1793
3546
Print made by W. Grainger, active 1793
Fable XV. The Cook-Maid, the Turnspit, and the Ox
1793
3547
Print made by Peter Mazell, active 1761–1797
Fable IX. The Jackall, Leopard, and other Beasts
1793
3548
Print made by W. Grainger, active 1793
Fable XI. The Pack-Horse and the Carrier
1793
3549
Print made by John Byrne, 1786–1847
A View of Hall-head Sugar Plantation, Jamaica
1816
3550
Charles Robert Cockerell, 1788–1863
The Temple of Venus in the Port at Aegina: Elevations
1811
3551
Print made by William C. Wilson, active 1798–1836
Fable V. The Bear in a Boat
1793
3552
Print made by William Skelton, 1763–1848
Fable XIV. The Owl, the Swan, the Cock, the Spider, the Ass, and the Farmer