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Materials & Techniques wove paper

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Robert Polhill Bevan The Bayhorse, Tattersall’s
Robert Polhill Bevan, 1865–1925
The Bayhorse, Tattersall’s
1921
Robert Polhill Bevan A London Church
Print made by Robert Polhill Bevan, 1865–1925
A London Church
1924
Samuel Palmer Old Cedar Tree in Botanic Garden, Chelsea
Samuel Palmer, 1805–1881
Old Cedar Tree in Botanic Garden, Chelsea
1854
Samuel Palmer Kensington Gardens
Samuel Palmer, 1805–1881
Kensington Gardens
ca. 1848
John Constable Fulham Church from across the River
John Constable, 1776–1837
Fulham Church from across the River
1818
John Constable A Recollection of the New R.A.
John Constable, 1776–1837
A Recollection of the New R.A
1837
John Constable Shipping on the Thames
John Constable, 1776–1837
Shipping on the Thames
ca. 1818
John Constable Hampstead Heath
John Constable, 1776–1837
Hampstead Heath
1820
William Hogarth The First Stage of Cruelty: Children Torturing Animals
Print made by William Hogarth, 1697–1764
The First Stage of Cruelty: Children Torturing Animals
1751, printed 1790
William Hogarth The Second Stage of Cruelty: Coachman Beating a Fallen Horse
Print made by William Hogarth, 1697–1764
The Second Stage of Cruelty: Coachman Beating a Fallen Horse
1751, printed 1790
Joseph Mallord William Turner London from Greenwich
Etched by Joseph Mallord William Turner, 1775–1851
London from Greenwich
1811
William Blake Sheet from the Blake-Varley Sketchbook of 1819, Pages 37 and 38
William Blake, 1757–1827
Sheet from the Blake-Varley Sketchbook of 1819, Pages 37 and 38
1819
John Preston Neale The Quadrangle of the Royal Exchange
John Preston Neale, 1771/80–1847
The Quadrangle of the Royal Exchange
undated
James Miller Fountain's Boarding School, Marylebone
James Miller, active 1773–1814
Fountain's Boarding School, Marylebone
1780
John Nash Argyll Concert Rooms, Regent Street, London: Perspective
John Nash, 1752–1835
Argyll Concert Rooms, Regent Street, London: Perspective
between 1810 and 1820