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1. Flatford Lock

Flatford Lock
Creator:
John Constable, 1776–1837
Date:
between 1810 and 1811
Materials & Techniques:
Oil on paper on canvas
Dimensions:
14 1/2 x 14 1/2 inches (36.8 x 36.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. Study of Christ Raising Lazarus

Study of Christ Raising Lazarus
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 5/8 × 5 11/16 inches (9.2 × 14.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Study For, Christ's Entry into Jerusalem

Study For, Christ's Entry into Jerusalem
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
1810 to 1820
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 × 4 15/16 inches (20.3 × 12.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Study of the Resurrection of Lazarus

Study of the Resurrection of Lazarus
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 5/8 × 10 9/16 inches (19.4 × 26.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Study of the Resurrection of Lazarus

Study of the Resurrection of Lazarus
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/2 × 9 5/8 inches (16.5 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Study of the Resurrection of Lazarus

Study of the Resurrection of Lazarus
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pan and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/8 × 9 5/8 inches (21.3 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Three Full-Length Figures of Men Talking

Three Full-Length Figures of Men Talking
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1815
Materials & Techniques:
Pen and red-brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 9 1/4 x 7 3/8 inches (23.5 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. From Port Askaig, Jura

From Port Askaig, Jura
Creator:
William Daniell, 1769–1837
Date:
ca. 1815
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/8 x 9 1/8 inches (16.2 x 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. South Entrance of the Sound between Jura and Islay

South Entrance of the Sound between Jura and Islay
Creator:
William Daniell, 1769–1837
Date:
ca. 1815
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/2 x 9 3/8 inches (16.5 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Clackursail Bridge

Clackursail Bridge
Creator:
William Daniell, 1769–1837
Date:
ca. 1815
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 x 9 1/8 inches (15.3 x 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Craignish Castle, Jura

Craignish Castle, Jura
Creator:
William Daniell, 1769–1837
Date:
ca. 1815
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/16 x 9 1/4 inches (16.3 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection