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Credit Line Yale Center for British Art, Paul Mellon Collection
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1
- Moses Receiving the Law
- ca. 1780
2
- An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figure of Aveline Countess of Lancaster, Cumbent on her Monument (Plate II)
- 1780
3
- An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Under Vaulting of one side of the Canopy of the Monument of Aveline, Coutess of Lancaster (Plate III)
- 1780
4
- An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figures supposed to be those of King Sebert and King Henry III (Plate V)
- 1780
5
- An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The North Front of the Monument of King Schert (Plate IV)
- 1780
6
- An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: Heads and Ornaments on the North Side of the Monument of King Sebert (Plate VI)
- 1780
7
- An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Monument of Ann of Cleves, fourth Wife of King Henry VIII (Plate VII)
- 1780
8
- "There is No Natural Religion", London, by William Blake
- ca. 1788
9
- "A Select Collection of English Songs," London, 1783
- 1783
10
- A Select Collection of English Songs
- 1783
11
- A Select Collection of English Songs
- 1783
12
- A Select Collection of English Songs
- 1783
13
- A Select Collection of English Songs
- 1783
14
- A Select Collection of English Songs
- 1783
15
- A Select Collection of English Songs
- 1783
16
- A Select Collection of English Songs
- 1783
17
- A Select Collection of English Songs
- 1783
18
- A Select Collection of English Songs
- 1783
19
- A Select Collection of English Songs
- 1783
20
- A Select Collection of English Songs
- 1783
21
- A Select Collection of English Songs
- 1783
22
- A Select Collection of English Songs
- 1783
23
- A Select Collection of English Songs
- 1783
24
- A Select Collection of English Songs
- 1783
25
- A Select Collection of English Songs
- 1783
26
- May-Day in London
- 1784
27
- Satan Approaching the Court of Chaos
- 1784 to 1785
28
- Tiriel Supporting the Dying Myratana and Cursing His Sons
- 1786 to 1789
29
- "The Book of Thel William Blake Original Wrappers 1789"
- 1789
30
- Songs of Innocence and of Experience
- 1789-1794
31
- The Book of Thel
- 1789
32
- The Book of Thel
- 1789
33
- Beggar's Opera, Act III
- c.1790
34
- The Complaint and The Consolation: or Night Thoughts
- ca. 1797
35
- Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
- 1793
36
- Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "
- 1793
37
- Visions of the Daughters of Albion, Plate 1, Frontispiece
- 1793
38
- Visions of the Daughters of Albion, Plate 2, Title Page
- 1793
39
- Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
- 1793
40
- Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "
- 1793
41
- Europe. A Prophecy, 1793 (printed 1795)
- 1793, printed 1795
42
- For Children. The Gates of Paradise, London, by William Blake
- 1793
43
- "Visions of the Daughters of Albion", London, by William Blake
- 1793
44
- Songs of Innocence and of Experience, Plate 47, "My Pretty Rose Tree" (Bentley 43)
- 1794
45
- Songs of Innocence and of Experience, Plate 48, "The Fly" (Bentley 40)
- 1794
46
- Songs of Innocence and of Experience, Plate 46, "The Human Abstract" (Bentley 47)
- 1794
![William Blake The [First] Book of Urizen](https://media.collections.yale.edu/thumbnail/ycba/12c5d561-7a27-493a-8414-af89b2b6c510)
47
- The [First] Book of Urizen
- 1794
48
- A Woody Landscape
- ca. 1801
49
- Landscape with Spire
- ca. 1801
50
- Pl. 13: `Psyche Repents'
- 1796