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Author ss after Joseph Mallord William Turner, 1775–1851, British

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Date 1835

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Classification Prints

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Caernarvon Castle, Wales
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1835
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ullswater, Cumberland
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, 1st published state on moderately thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 14 1/8 × 16 3/8 inches (35.9 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Caernarvon Castle, Wales
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1835
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ullswater, Cumberland
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Powis Castle, Montgomery
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Worcester, Worcestershire
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof (completed)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Worcester, Worcestershire
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof, touched with graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Destruction of Both Houses of Parliament
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 16 1/8 × 11 1/2 inches (41 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fire at Sea (vignette)
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 17 5/16 × 11 7/8 inches (44 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Destruction of Both Houses of Parliament
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, first published state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 16 7/8 × 11 5/16 inches (42.9 × 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fire at Sea (vignette)
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, first published state on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 16 7/8 × 11 5/16 inches (42.9 × 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Powis Castle, Montgomery
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Powis Castle, Montgomery
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Field of Waterloo
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving, engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 × 13 1/4 inches (21.9 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fontainebleau
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 13 1/4 × 8 5/8 inches (33.7 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Malmaison

Malmaison
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/4 × 8 5/8 inches (33.7 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
HMS Bellerophon, Plymouth Sound
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1835
Materials & Techniques:
Etching and line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 17 × 11 7/8 inches (43.2 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Rhymer's Glen
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and engraving, engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 13 1/4 × 8 1/2 inches (33.7 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Chiefswood Cottage
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 17 × 11 1/4 inches (43.2 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. St. Cloud

St. Cloud
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving; first published state on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 12 × 17 1/8 inches (30.5 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Vincennes

Vincennes
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 17 1/4 × 11 7/8 inches (43.8 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Milan

Milan
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1835
Materials & Techniques:
Etching and line engraving; first published state on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Chiefswood Cottage
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 17 1/8 × 11 3/4 inches (43.5 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mount Moriah
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1835-1836
Materials & Techniques:
Etching and engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Red Sea and Suez
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1835
Materials & Techniques:
Etching and engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Jericho

Jericho
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Santa Sabas and the Brook Kidron
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof touched
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Joppa

Joppa
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1835-1836
Materials & Techniques:
Line engraving and graphite, touched engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Desert of Sinai
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1835-1836
Materials & Techniques:
Etching and engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ramah and Rachel's Tomb
Creator:
Print made by William Finden, 1787–1852
Date:
1835-1836
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Solomon's Pools
Creator:
Print made by James Stephenson, 1808–1886
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof, touched
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Dead Sea, Jericho and the Mouth of the Jordan
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Babylon

Babylon
Creator:
Print made by John Cousen, 1804–1880
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Jerusalem from the Mount of Olives
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Nineveh, Moussul on the Tigris
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1835-1836
Materials & Techniques:
Etching and engraving, (Engraver's Proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Nazareth

Nazareth
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1835-1836
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lebanon from Tripoli
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Egypt, the Pyramids of Ghizeh
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Jerusalem, with the Walls
Creator:
Print made by William Finden, 1787–1852
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Valley of the Brook Kedron
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Jerusalem, Pool of Bethesda
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof (touched)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Rhodes

Rhodes
Creator:
Print made by S. Fisher, active 1831–1844
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mount Lebanon and the Convent of St. Antonio
Creator:
Print made by William Finden, 1787–1852
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof, touched
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Assos

Assos
Creator:
Print made by William Finden, 1787–1852
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Sidon

Sidon
Creator:
Print made by William Finden, 1787–1852
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mustering of the Warrior Angels
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1835
Materials & Techniques:
Line engraving, 1st published state
Dimensions:
Sheet: 17 3/16 × 11 3/4 inches (43.7 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Fall of the Rebel Angels
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1835
Materials & Techniques:
Line engraving, first published state
Dimensions:
Plate: 8 7/16 x 5 7/8in. (21.5 x 14.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Temptation on the Mountain
Creator:
Print made by John Cousen, 1804–1880
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Temptation on the Pinnacle
Creator:
Print made by Frederick Bacon, 1803–1887
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Verona

Verona
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 11 7/8 × 17 1/8 inches (30.2 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Paris from Pere-la-Chaise
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 12 × 17 1/8 inches (30.5 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fontainbleau
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and engraving, (First Published State) on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 16 7/8 × 11 1/4 inches (42.9 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Field of Waterloo with Lightning
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 11 1/4 × 17 inches (28.6 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Malmaison

Malmaison
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving; first published state on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 17 1/8 × 11 3/4 inches (43.5 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Rhymer's Glen
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 17 1/8 × 11 3/4 inches (43.5 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Bellerophon, Plymouth Sound
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1835
Materials & Techniques:
Etching and line engraving; first published state on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 17 1/4 × 11 7/8 inches (43.8 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Bethlehem

Bethlehem
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1835-1836
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Expulsion from Paradise
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1835
Materials & Techniques:
Line engraving, 1st published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Temptation on the Mountain
Creator:
Print made by John Cousen, 1804–1880
Date:
1835
Materials & Techniques:
Line engraving, with scraping out and touched with graphite (Engraver's Proof b)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ludlow Castle - Rising of the Water - Nymphs
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1835
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Michael's Mount - Shipwreck of Lycidas
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dismantling of the Temple of Jupiter, Aegina
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1835
Materials & Techniques:
Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Marche aux Fleurs and the Pont-au-Change
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1835
Materials & Techniques:
Etching and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker
Bridge of St. Cloud and Sevres
Creator:
Print made by S. Fisher, active 1831–1844
Date:
1835
Materials & Techniques:
Etching and engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker
Dismantling of the Temple of Jupiter, Aegina
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1835
Materials & Techniques:
Line engraving; engraver's proof on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Caernarvon Castle, Wales
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1835
Materials & Techniques:
Line engraving and etching; 3rd state on medium, smooth, cream wove paper
Dimensions:
Sheet: 10 11/16 × 14 5/8 inches (27.1 × 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Boston, Lincolnshire
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1835
Materials & Techniques:
Etching and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dudley, Worcestershire
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1835
Materials & Techniques:
Line engraving, 3rd state on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 13/16 × 15 inches (27.5 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fire at Sea - from various 'Annuals' 1826-1837; 'The Keepsake' 1828-1837
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Mount: 11 3/16 × 15 1/4 inches (28.4 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Venice - the Campanile
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 16 3/8 × 10 7/8 inches (41.6 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Michael's Mount - Shipwreck of Lycidas
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lebanon from Tripoli
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1835
Materials & Techniques:
Line engraving, first state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fire at Sea - from various 'Annuals' 1826-1837; 'The Keepsake' 1828-1837
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, 1st state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 9 1/4 × 6 9/16 inches (23.5 × 16.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fire at Sea
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, 1st state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 16 1/16 × 11 1/16 inches (40.8 × 28.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. Ashestiel

Ashestiel
Creator:
Print made by William Richardson, active 1842–1877
Date:
1835
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Piazzetta, Venice, circa 1835
Creator:
Print made by Pellissier & Allen, active late 19th century
Date:
c.1835
Materials & Techniques:
Photogravure
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Siene between Mantes and Vernon
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1835
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 × 16 1/2 inches (27.9 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bridge of Meulan
Creator:
Print made by John Cousen, 1804–1880
Date:
1835
Materials & Techniques:
Line engraving, touched with graphite (First Published State) on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:
Sheet: 10 1/4 × 15 1/2 inches (26 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bridges of St. Cloud and Sevres
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1835
Materials & Techniques:
Line engraving, third state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Paris from the Barriere de Passy
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Etching and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bridge of St. Cloud from Sevres
Creator:
Print made by S. Fisher, active 1831–1844
Date:
1835
Materials & Techniques:
Etching and engraving, Engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. Verona

Verona
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 10 5/8 × 16 3/8 inches (27 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Expulsion from Paradise (Vignette)
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1835
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Temptation on the Pinnacle (Vignette)
Creator:
Print made by Frederick Bacon, 1803–1887
Date:
1835
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. Vernon

Vernon
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 5 1/8 × 8 3/8 inches (13 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Pont de l'Arche
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Etching and line engraving
Dimensions:
Sheet: 5 1/8 × 8 3/8 inches (13 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Château Gaillard, from the South (Vignette Title)
Creator:
Print made by John Cousen, 1804–1880
Date:
1835
Materials & Techniques:
Line engraving on steel on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 8 3/8 × 5 1/8 inches (21.3 × 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

88. Mantes

Mantes
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1835
Materials & Techniques:
Line engraving, third state
Dimensions:
Sheet: 5 × 8 1/4 inches (12.7 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Germains
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1835
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/8 × 8 3/8 inches (13 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Saint Denis
Creator:
Print made by S. Fisher, active 1831–1844
Date:
1835
Materials & Techniques:
Line engraving, third state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Pont-Neuf, Paris
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Boulevards, Paris
Creator:
Print made by Thomas Higham, 1796–1844
Date:
1835
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

93. Troyes

Troyes
Creator:
James Charles Armytage, 1802–1897
Date:
1835
Materials & Techniques:
Etching and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

94. Melun

Melun
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Confluence of the Seine and Marne
Creator:
James Charles Armytage, 1802–1897
Date:
1835
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Rhymer's Glen (Vignette)
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 16 1/8 × 10 1/2 inches (41 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Temptation on the Mountain (Vignette)
Creator:
Print made by John Cousen, 1804–1880
Date:
1835
Materials & Techniques:
Line engraving (First State)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Fall of the Rebel Angels (Vignette)
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1835
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mustering of the Warrior Angels (Vignette)
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1835
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Lanterne of St. Cloud
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Etching and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection