Author ss: after Joseph Mallord William Turner, 1775–1851, British / Period: 19th century / Exhibition History: Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)

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Author ss after Joseph Mallord William Turner, 1775–1851, British

Period 19th century

Exhibition History Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)

Print made by Thomas Oldham Barlow, 1824–1889

The Wreck of the Minotaur

1856

Print made by S. Fisher, active 1831–1844

Coventry, Warwickshire

1833

Print made by Edward Goodall, 1795–1870

The Fall of the Rebel Angels

1835

Print made by Edward Goodall, 1795–1870

Fall of the Tees, Yorkshire

1827

Print made by Thomas Jeavons, ca. 1800–1867

Lyme Regis, Norfolk

1836

Print made by John Landseer, 1769–1852

High Force or Fall of the Tees

1821

Print made by Frederick Christian Lewis the Elder, 1779–1856

The Field of Waterloo

1830

Print made by Samuel Middiman, ca. 1750–1831

Moss Dale Fall

1822

Etched by Samuel Middiman, ca. 1750–1831

Hardraw Fall

1818

Print made by Thomas Abiel Prior, 1809–1886

Zurich

1854

Print made by J. P. Quilley, active 1828

The Deluge

1828

Print made by William Radclyffe, 1780–1855

Salisbury, Wiltshire

1830

Print made by W. R. Smith, active 1819–1851

The Entrance to Fowey Harbour, Cornwall

1829

Print made by W. R. Smith, active 1819–1851

Longships Lighthouse, Lands End

1836

Print made by W. R. Smith, active 1819–1851

Lowestoffe, Suffolk

1837

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