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Collection Prints and Drawings

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Credit Line Yale Center for British Art, Paul Mellon Collection

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Collection

Period 18th century

Remove constraint Period: 18th century

Image Use Free to Use

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Classification Prints

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Search Results

George Stubbs The Farmer's Wife and the Raven
George Stubbs, 1724–1806
The Farmer's Wife and the Raven
1788
George Stubbs Dog [A Foxhound on the Scent]
George Stubbs, 1724–1806
Dog [A Foxhound on the Scent]
1788
George Stubbs A Horse Affrighted by a Lion
Print made by George Stubbs, 1724–1806
A Horse Affrighted by a Lion
1788
George Stubbs A Sleeping Leopard
Print made by George Stubbs, 1724–1806
A Sleeping Leopard
1791
George Stubbs A Tiger and a Sleeping Leopard
Print made by George Stubbs, 1724–1806
A Tiger and a Sleeping Leopard
1788
George Stubbs Tygers at Play
George Stubbs, 1724–1806
Tygers at Play
1780
George Stubbs A Lion [A recumbent Lion]
George Stubbs, 1724–1806
A Lion [A recumbent Lion]
1788
George Stubbs A Tyger (Sleeping Leopard)
George Stubbs, 1724–1806
A Tyger (Sleeping Leopard)
1788
George Stubbs A Lion [A Lion resting on a Rock]
George Stubbs, 1724–1806
A Lion [A Lion resting on a Rock]
1788
George Stubbs Hay-Makers
George Stubbs, 1724–1806
Hay-Makers
1791
William Hogarth Southwark Fair
Print made by William Hogarth, 1697–1764
Southwark Fair
1733
William Hogarth A Midnight Modern Conversation
Print made by William Hogarth, 1697–1764
A Midnight Modern Conversation
1733
William Hogarth A Rake's Progress, Plate III: He Revels
William Hogarth, 1697–1764
A Rake's Progress, Plate III: He Revels
1735
William Hogarth A Rake's Progress, Plate IV: Goes to Court
William Hogarth, 1697–1764
A Rake's Progress, Plate IV: Goes to Court
1735
William Hogarth A Rake's Progress, Plate II: His Levee
William Hogarth, 1697–1764
A Rake's Progress, Plate II: His Levee
1735
William Hogarth A Rake's Progress, Plate VIII: In Bedlam
William Hogarth, 1697–1764
A Rake's Progress, Plate VIII: In Bedlam
1735
William Hogarth Colombus breaking the Egg
William Hogarth, 1697–1764
Colombus breaking the Egg
1753
William Hogarth The Stage Coach; Or Country Inn Yard
William Hogarth, 1697–1764
The Stage Coach; Or Country Inn Yard
1747
William Hogarth Scholars at a Lecture (A Chorus of Singers)
William Hogarth, 1697–1764
Scholars at a Lecture (A Chorus of Singers)
1736
William Hogarth The Sleeping Congregation
Print made by William Hogarth, 1697–1764
The Sleeping Congregation
1736
William Hogarth The Distrest(ed) Poet
William Hogarth, 1697–1764
The Distrest(ed) Poet
1740
William Hogarth A Consultation of Physicians
William Hogarth, 1697–1764
A Consultation of Physicians
1736
William Hogarth Gulielmus Hogarth
William Hogarth, 1697–1764
Gulielmus Hogarth
1749
William Hogarth The First Stage of Cruelty: First, Children Torturing Animals
William Hogarth, 1697–1764
The First Stage of Cruelty: First, Children Torturing Animals
1751
William Hogarth Simon Lord Lovat
William Hogarth, 1697–1764
Simon Lord Lovat
1746
William Hogarth Subscription Ticket: Three Characters and Four Caricaturas
William Hogarth, 1697–1764
Subscription Ticket: Three Characters and Four Caricaturas
1743
William Hogarth The Four Stages of Cruelty: Cruelty in Perfection (The Murderer)
William Hogarth, 1697–1764
The Four Stages of Cruelty: Cruelty in Perfection (The Murderer)
1751
William Hogarth The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse
William Hogarth, 1697–1764
The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse
1751
William Hogarth The Four Stages of Cruelty: The Reward of Cruelty (Anatomy Theatre)
William Hogarth, 1697–1764
The Four Stages of Cruelty: The Reward of Cruelty (Anatomy Theatre)
1751
William Hogarth The Invasion, Plate I: France
William Hogarth, 1697–1764
The Invasion, Plate I: France
1756
William Hogarth Analysis of Beauty, Plate I: A Statuary's Yard
William Hogarth, 1697–1764
Analysis of Beauty, Plate I: A Statuary's Yard
1753
William Hogarth Analysis of Beauty, Plate II: A Country Dance
William Hogarth, 1697–1764
Analysis of Beauty, Plate II: A Country Dance
1753
William Hogarth Chairing the Members, Plate IV
William Hogarth, 1697–1764
Chairing the Members, Plate IV
1758
William Hogarth The Invasion, Plate II: England
William Hogarth, 1697–1764
The Invasion, Plate II: England
1756
William Hogarth The Bench
William Hogarth, 1697–1764
The Bench
1758
William Hogarth The Cockpit
William Hogarth, 1697–1764
The Cockpit
1759
William Hogarth Hogarth Painting the Comic Muse
Print made by William Hogarth, 1697–1764
Hogarth Painting the Comic Muse
1764
William Hogarth And as he Reasoned of Righteousness, Temperance, and Judgment to Come, Felix Trembled
William Hogarth, 1697–1764
And as he Reasoned of Righteousness, Temperance, and Judgment to Come, Felix Trembled
1752
William Hogarth Painting of Pharoah's Daughter and Moses in the Foundling Hospital
William Hogarth, 1697–1764
Painting of Pharoah's Daughter and Moses in the Foundling Hospital
1752
William Hogarth Fair Scene
William Hogarth, 1697–1764
Fair Scene
1733
William Hogarth A Rake's Progress, Plate I: He Takes Possession
William Hogarth, 1697–1764
A Rake's Progress, Plate I: He Takes Possession
1735
William Hogarth A Rake's Progress, Plate V: He Marries
Print made by William Hogarth, 1697–1764
A Rake's Progress, Plate V: He Marries
1735
William Hogarth A Rake's Progress, Plate VII: In Fleet Street Prison
Print made by William Hogarth, 1697–1764
A Rake's Progress, Plate VII: In Fleet Street Prison
1735
William Hogarth A Rake's Progress, Plate VI: He Gambles
William Hogarth, 1697–1764
A Rake's Progress, Plate VI: He Gambles
1735
William Hogarth Strolling Actresses Dressing in a Barn
William Hogarth, 1697–1764
Strolling Actresses Dressing in a Barn
1738
William Hogarth The Enraged Musician
William Hogarth, 1697–1764
The Enraged Musician
1741
William Hogarth An Election Entertainment, Plate I
William Hogarth, 1697–1764
An Election Entertainment, Plate I
1755-58
William Hogarth The Polling, Plate III
William Hogarth, 1697–1764
The Polling, Plate III
1758
William Hogarth The Laughing Audience
William Hogarth, 1697–1764
The Laughing Audience
1733
William Hogarth The Four Times of Day, Plate I: Morning
Print made by William Hogarth, 1697–1764
The Four Times of Day, Plate I: Morning
1738
William Hogarth Prospectus print "Crown & Mitre"
William Hogarth, 1697–1764
Prospectus print "Crown & Mitre"
1754
William Hogarth And the Child Grew, and She Brought Him unto Pharaohs Daughter, and He Became Her Son, and Called his name Moses
William Hogarth, 1697–1764
And the Child Grew, and She Brought Him unto Pharaohs Daughter, and He Became Her Son, and Called his name Moses
1752
William Hogarth The Four Times of Day, Plate II: Noon
William Hogarth, 1697–1764
The Four Times of Day, Plate II: Noon
1738
William Hogarth The Four Times of Day, Plate IV: Night
William Hogarth, 1697–1764
The Four Times of Day, Plate IV: Night
1738
William Hogarth William Hogarth
William Hogarth, 1697–1764
William Hogarth
1764
William Blake Plate 33 (page 72): 'And vapid; sense and reason shew the door'
William Blake, 1757–1827
Plate 33 (page 72): 'And vapid; sense and reason shew the door'
1797
William Blake The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)
1794
William Blake Air; Plate 6
Print made by William Blake, 1757–1827
Air; Plate 6
1793
William Blake Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)
1789
William Blake Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)
1789
William Blake Songs of Innocence and of Experience, Plate 44, "A Little Girl Lost" (Bentley 51)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 44, "A Little Girl Lost" (Bentley 51)
1794
William Blake Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
1793
William Blake The Book of Thel, Plate 1, "Thel's Motto . . . ."
Print made by William Blake, 1757–1827
The Book of Thel, Plate 1, "Thel's Motto . . . ."
1789
William Blake The Book of Thel, Plate 2, Title Page
Print made by William Blake, 1757–1827
The Book of Thel, Plate 2, Title Page
1789
William Blake The Complaint and the Consolation; or Night Thoughts (and title page)
William Blake, 1757–1827
The Complaint and the Consolation; or Night Thoughts (and title page)
1797
William Blake Young's Night Thoughts, Page 19, "Emblem of that which shall awake the dead"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 19, "Emblem of that which shall awake the dead"
ca. 1797
William Blake Young's Night Thoughts, Page 27, "O treacherous conscience!"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 27, "O treacherous conscience!"
ca. 1797
William Blake Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"
ca. 1797
William Blake Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"
ca. 1797
William Blake Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
ca. 1797
William Blake Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"
ca. 1797
William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
ca. 1797
William Blake Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"
ca. 1797
William Blake Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"
ca. 1797
William Blake Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
ca. 1797
William Blake Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"
ca. 1797
William Blake Europe. A Prophecy, Plate 8 (Bentley 9)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 8 (Bentley 9)
1794
William Blake Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)
1794
William Blake The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
1794
William Blake The First Book of Urizen, Plate 11 (Bentley 17)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 11 (Bentley 17)
1794
William Blake Plate 8 (page 13): 'The present moment terminates our sight'
William Blake, 1757–1827
Plate 8 (page 13): 'The present moment terminates our sight'
1797
William Blake Plate 9 (page 15):' The longest night though longer far, would fail'
Engravings by William Blake, 1757–1827
Plate 9 (page 15):' The longest night though longer far, would fail'
1797
William Blake Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
William Blake, 1757–1827
Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
1797
William Blake Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."
Print made by William Blake, 1757–1827
Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."
ca. 1797
William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
ca. 1797
William Blake Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
ca. 1797
William Blake Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"
ca. 1797
William Blake Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
ca. 1797
William Blake Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
ca. 1797
William Blake Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
ca. 1797
William Blake Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"
ca. 1797
William Blake Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
ca. 1797
William Blake Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
ca. 1797
William Blake Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"
ca. 1797
William Blake Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
William Blake, 1757–1827
Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
1797
William Blake The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
Print made by William Blake, 1757–1827
The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
1789
William Blake The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
Print made by William Blake, 1757–1827
The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
1789
William Blake Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
William Blake, 1757–1827
Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
1797
William Blake Plate 3 (page 4): 'What, though my soul fantastick measures trod'
William Blake, 1757–1827
Plate 3 (page 4): 'What, though my soul fantastick measures trod'
1797
William Blake Plate 6 (page 10): 'Disease invades the chastest temperence'
William Blake, 1757–1827
Plate 6 (page 10): 'Disease invades the chastest temperence'
1797