Etched by Joseph Mallord William Turner, 1775–1851
Frontispiece
1812
2
Print made by William Blake, 1757–1827
Jerusalem, Plate 1, Frontispiece
1804 to 1820
3
Print made by William Blake, 1757–1827
Europe. A Prophecy, Frontispiece Proof Impression
ca. 1820
4
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 1, Frontispiece
1793
5
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
1789
6
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
ca. 1788
7
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 1, Frontispiece
1794
8
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"
1826
9
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 1, Frontispiece
1793
10
Print made by William Blake, 1757–1827
What is Man!, Frontispiece; Plate 1
1793
11
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)
1794
12
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)
1789
13
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Frontispiece
1821
14
Print made by Edward Goodall, 1795–1870
Frontispiece for 'Pilgrim's Progress'
1836
15
Robert White, 1645–1703
Frontispiece to John Nalson's "Impartial Collection of the Great Affairs of State"
1682
16
Francesco Bartolozzi, 1728–1815
Frontispiece to Volume II of a Book, Woman pointing to a Tablet on which is written "Sanchos letters"
1782
17
Print made by Edward Goodall, 1795–1870
Frontispiece (Fisher's `Pilgrim's Progress)
1838
18
Samuel Rawle, 1771–1860
The County Fire and Provident Life Office, Regent Street, Piccadilly (published for the European Magazine - Frontispiece, Volune 77, by J. Asperne); page 71 (Volume One)
1820
19
John Hamilton Mortimer, 1740–1779
Frontispiece dedicated to Sir Joshua Reynolds (no. 1 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
20
Print made by George Cooke, 1781–1834
Antiquities at Pola, Frontispiece
1818
21
Print made by George Cooke, 1781–1834
Antiquities at Pola, Frontispiece
1818
22
Print made by Luigi Schiavonetti, 1765–1810
William Blake, Frontispiece
1808, published 1813
23
Print made by James Girtin, ca. 1780–after 1820
Dedication Page for: to the Right Honorable George Earl of Essex
1803
24
Print made by George Cruikshank, 1792–1878
Frontispiece: The Progress of a Midshipman
1820
25
Print made by Frederick Christian Lewis the Elder, 1779–1856
Frontispiece to Mr. Fawkes Catalogue
1820
26
Print made by Francesco Curti, 1610–1690
Frontispiece: Hercules Fighting the Hydra
ca. 1633
27
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'
1821, reprinted 1977
28
Print made by Luigi Schiavonetti, 1765–1810
William Blake, Frontispiece
1808
29
Print made by Luigi Schiavonetti, 1765–1810
William Blake, Frontispiece
1808
30
Print made by Luigi Schiavonetti, 1765–1810
William Blake, Frontispiece
1808
31
Edward Fisher, 1722–1785
Paul Sandby
1742
32
Print made by Edward Goodall, 1795–1870
The Lake of Geneva; Frontispiece, Title Page, and Index
1830
33
Print made by Philippe Soye, active 1565–1568
Frontispiece, Fratris Eremitae Augustiniani XXVII Pontificvm Maximorvm, Elogia et Imagines Accuratissime ad Uiuum Aeneis Typeis Delineatae