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The Mansion House
Creator:
John Maurer, active 1713–1761
Date:
1750
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The South West View of Isleworth Church
Creator:
James Roberts the Elder, 1725–1799
Date:
1750
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
George Vertue of London, Engraver, 1750
Creator:
George Vertue, 1684–1756
Date:
1750
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of Woolwich
Creator:
John Boydell, 1720–1804
Date:
1750
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
North East View of the Old Church of St. Mary, Islington
Creator:
unknown artist
Date:
1750
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The South View of Kensington
Creator:
James Roberts the Elder, 1725–1799
Date:
1750
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of the Savoy from the River Thames
Creator:
unknown artist
Date:
1750
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of the Rt. Hon. The Earl of Burlington's House at Chiswick, and part of the Town
Creator:
J. Fougeron, active 1761
Date:
1750
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
This View of the Right Honorable the Earl of Chesterfield's House near Hyde Park
Creator:
John S. Muller, ca. 1715–1792
Date:
1750
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plan of Lambeth Palace
Creator:
Attributed to Thomas Cook, 1744–1818
Date:
1750
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mrs Grosvenor Laundry Woman to the Queen
Creator:
Print made by unknown artist
Date:
between 1750 and 1800
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mrs. J. Gomeldon
Creator:
Print made by unknown artist
Date:
between 1750 and 1800
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Stephen's, Walbrook
Creator:
John Boydell, 1720–1804
Date:
1750
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Temple Church
Creator:
John Boydell, 1720–1804
Date:
1750
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Stephen's, Walbrook
Creator:
John Boydell, 1720–1804
Date:
1750
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of Fulham Bridge and Putney
Creator:
Jean B. C. Chatelain, 1710–1771
Date:
1750
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The South East View of Hackney Church
Creator:
James Roberts the Elder, 1725–1799
Date:
1750
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of Blackwall looking towards Greenwich
Creator:
John Boydell, 1720–1804
Date:
1750
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of Blackwall looking towards Greenwich
Creator:
John Boydell, 1720–1804
Date:
1750
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
North West View of the Old Church of St. Mary, Islington
Creator:
unknown artist
Date:
1750
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The South East View of Kensington Church
Creator:
James Roberts the Elder, 1725–1799
Date:
1750
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of Hammersmith looking down the Thames
Creator:
John Boydell, 1720–1804
Date:
1750
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
East View of Wandsworth
Creator:
James Roberts the Elder, 1725–1799
Date:
1750
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Marine Society's Certificate for a Boy Fifer
Creator:
Thomas Major, 1714–1799
Date:
c.1750
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View from Somerset Gardens to Westminster Bridge
Creator:
John S. Muller, ca. 1715–1792
Date:
1750
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The South East Prospect of Westminster
Creator:
Thomas Bowles III, ca. 1712–1767
Date:
1750
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of St. James's Park taken near the Stable Yard
Creator:
Print made by James Smith, active 1733–1759
Date:
1750
Materials & Techniques:
Etching and line engraving with hand coloring in watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The North West View of Hackney Church
Creator:
James Roberts the Elder, 1725–1799
Date:
1750
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
'At the High Court of Justice for the trying and inditing of Charles Steuart King of England January Anno Dom. 1648'
Creator:
George Vertue, 1684–1756
Date:
1750
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
George Jameson
Creator:
Thomas Trotter, ca. 1750–1803
Date:
undated
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Thomas Major, 1714–1799
Date:
1750
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Thomas Major, 1714–1799
Date:
1750
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Thomas Major, 1714–1799
Date:
1750
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Thomas Major, 1714–1799
Date:
1750
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Thomas Major, 1714–1799
Date:
1750
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Thomas Major, 1714–1799
Date:
1750
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Thomas Major, 1714–1799
Date:
1750
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Thomas Major, 1714–1799
Date:
1750
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by Thomas Major, 1714–1799
Date:
1750
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by Thomas Major, 1714–1799
Date:
1750
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
M. Morin, active 1750
Date:
1750
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by Charles Grignion, 1717–1810
Date:
1750
Materials & Techniques:
Etching and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Francois Vivares, 1709–1780
Date:
1750
Materials & Techniques:
Engravings
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
New designs for Chinese temples, triumphal arches, garden seats, palings &c. ... / by William Halfpenny.
Creator:
Halfpenny, William, -1755
Date:
1750-1752
Physical Description:
4 pts. in 1 : ill. ; 19 cm.
Collection:
Rare Books and Manuscripts
A survey of the city and suburbs of Bristol / survey'd by John Rocque ... = Plan de la ville et faubourgs de Bristol / levé par Jean Rocque.
Creator:
Rocque, John, -1762
Date:
1750
Physical Description:
1 map ; 48 x 45 cm., on sheet 57 x 78 cm.
Collection:
Rare Books and Manuscripts
A geometrical plan of the city and suburbs of Bristol / survey'd by John Rocque ...
Creator:
Rocque, John, -1762
Date:
[175-?]
Physical Description:
1 map : ill. ; 48 x 45 cm., on sheet 55 x 75 cm.
Collection:
Rare Books and Manuscripts
British, Provincial Variant Neoclassical frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood, later oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood, later oil gilding over original oil and water gilding and sanded rail
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood, later gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
3rd quarter of 18th century
Materials & Techniques:
Carved wood, later gilding over original gilding and sanded inlay
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood, later oil gilding and lacquer over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
3rd quarter of 18th century
Materials & Techniques:
Carved wood, later gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood, partially regilded over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
Perhaps Thomas Vialls, 1719–1781
Date:
3rd quarter of 18th century
Materials & Techniques:
Carved wood, original matt and burnished water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
3rd quarter of 18th century
Materials & Techniques:
Carved wood, later oil gilding and over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Palladian, 'William Kent' style frame
Creator:
unknown framemaker
Date:
3rd quarter of 18th century
Materials & Techniques:
Carved wood and composition, regilded over original gilding and sanded frieze
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood, later oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Wood and compo, later oil gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood, later oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood, later oil gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood, later oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' - NeoClassical variant frame
Creator:
unknown framemaker
Date:
3rd quarter of 18th century
Materials & Techniques:
Carved wood, later oil gilding and over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood, regilded over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
third quarter of 18th century
Materials & Techniques:
Carved wood, regilded over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British Neoclassical frame
Creator:
unknown framemaker
Date:
3rd quarter of 18th century
Materials & Techniques:
Carved wood, regilded over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
3rd quarter of 18th century
Materials & Techniques:
Carved wood, later oil gilding over original gilding and sanded top rail
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood, later oil gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British or Irish (?), Provincial variant Neoclassical frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood, later oil gilding and over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British (?), Provincial 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
3rd quarter of 18th century
Materials & Techniques:
Carved wood and compo, later oil gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British provincial 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
3rd quarter of 18th century
Materials & Techniques:
Carved wood, regilded over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood, later gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood, later gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Wood and compo, later gilding over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
3rd quarter of 18th century
Materials & Techniques:
Carved wood, regilded over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood and compo, later patinated oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood, later oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
3rd quarter of 18th century
Materials & Techniques:
Carved wood, partially regilded over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood, later gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
3rd quarter of 18th century
Materials & Techniques:
Carved wood and compo, later patinated oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British 'Carlo Maratta' - Neoclassical variant frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood and compo, later patinated oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
3rd quarter of 18th century
Materials & Techniques:
Carved wood, original water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Louis XIV style frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood, later oil gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
3rd quarter of 18th century
Materials & Techniques:
Carved wood, original matt and burnished water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British Neoclassical frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood, regilded over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
Irish Provincial Rococo frame
Creator:
unknown framemaker
Date:
3rd quarter of 18th century
Materials & Techniques:
Carved wood, abraded regilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood, later gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
3rd quarter of 18th century
Materials & Techniques:
Carved wood, later oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood, later oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
3rd quarter of 18th century
Materials & Techniques:
Carved wood, parcel gilt and ebonised
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Wood and compo, later oil gilding over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
Design Robert Adam, 1728–1792
Date:
2nd half of 18th century
Materials & Techniques:
Wood and compo, later gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood, later oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame component frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood, original water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
3rd quarter of 18th century
Materials & Techniques:
Carved wood, original matt and burnished water gilding and sanded spandrels
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood, partially regilded over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood, partially regilded over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood, later oil gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood, later oil gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art