Date: 1783 / Classification: Prints - YCBA Collections Search Search Results

1. There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. "There is No Natural Religion", London, by William Blake

Creator:: William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching (several sheets in the set are touched with watercolor)
Dimensions:: Spine: 5 1/2in. (14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Hon. Mrs. Stanhope

Creator:: Print made by John Raphael Smith, 1752–1812
Date:: 1783
Materials & Techniques:: Mezzotint (first state) on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 25 5/8 × 18 1/4 inches (65.1 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

14. The Calling of Samuel

Creator:: Print made by John Raphael Smith, 1752–1812
Date:: 1783
Materials & Techniques:: Mezzotint (second state) on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 16 5/16 × 12 3/16 inches (41.4 × 31 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

15. The Infant Academy

Creator:: Print made by Francis Haward, 1759–1797
Date:: 1783
Materials & Techniques:: Etching and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 3/4 × 22 3/4 inches (42.5 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

16. Sir Abraham Hume, Bart. F.R.S.

Creator:: Print made by John Jones, ca. 1745–1797
Date:: 1783
Materials & Techniques:: Mezzotint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 15 1/8 × 11 1/8 inches (38.4 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

17. The Feathered Fair, Feeding the Feathered Fowl

Creator:: Print made by unknown artist
Date:: 1783
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 1/2 × 11 5/8 inches (47 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

18. Sir William James

Creator:: John Raphael Smith, 1752–1812
Date:: 1783
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 13 x 18 1/4in. (33 x 46.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

19. Twelve Illustrations of Robinson Crusoe

Creator:: Carington Bowles, 1724–1793
Date:: 1783
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection

20. The Tempest, Act I Sc. 3

Creator:: Print made by William Sharp, 1749–1824
Date:: 1783
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

21. Honorable Mrs. Stanhope

Creator:: John Raphael Smith, 1752–1812
Date:: 1783
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 21 1/4 × 15 1/2 inches (54 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. The Death of Captain Cook

Creator:: Figures engraved by Francesco Bartolozzi, 1728–1815
Date:: 1783
Materials & Techniques:: Etching and line engraving; engraver's proof
Dimensions:: Sheet: 18 1/2 x 23 1/2in. (47 x 59.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Building of a Cutter

Creator:: Benjamin Thomas Pouncey, active 1772–1799
Date:: 1783
Materials & Techniques:: Engraving with watercolor
Dimensions:: Sheet: 9 x 12in. (22.9 x 30.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Chase of a Cutter

Creator:: Benjamin Thomas Pouncey, active 1772–1799
Date:: 1783
Materials & Techniques:: Engraving with watercolor
Dimensions:: Sheet: 9 x 12in. (22.9 x 30.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Soldiers with Pack-Horse (Laid down on same sheet as B1977.14.12070)

Creator:: Robert Blyth, 1750–1784
Date:: 1783
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. The Battle of Agincourt

Creator:: Thomas Burke, 1749–1815
Date:: 1783
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. The Battle of Agincourt

Creator:: Thomas Burke, 1749–1815
Date:: 1783
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. The Battle of Agincourt

Creator:: Thomas Burke, 1749–1815
Date:: 1783
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. The Elevation of the Brazen Serpent in the Wilderness

Creator:: Robert Blyth, 1750–1784
Date:: 1783
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. The Elevation of the Brazen Serpent in the Wilderness

Creator:: Robert Blyth, 1750–1784
Date:: 1783
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. The Encampment in the Museum Garden

Creator:: unknown artist
Date:: 1783
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 1/2 x 19 7/8in. (39.4 x 50.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. The Queen or Domestic Education at Windsor (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)

Creator:: James Barry, 1741–1806
Date:: after 1783
Materials & Techniques:: Engraving
Dimensions:: Sheet: 16 x 19in. (40.6 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. The Thames or the Triumph of Navigation (Designs for the Great Room of the Society for the Encouragement of the Arts)

Creator:: James Barry, 1741–1806
Date:: after 1783
Materials & Techniques:: Etching and engraving
Dimensions:: Sheet: 16 13/16 x 19 13/16in. (42.7 x 50.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. The Society for the Encouragement of the Arts (2 copies)

Creator:: James Barry, 1741–1806
Date:: after 1783
Materials & Techniques:: Engraving
Dimensions:: Sheet: 16 x 19in. (40.6 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. The Fall of Agandecca

Creator:: Print made by James Parker, 1750–1805
Date:: 1783
Materials & Techniques:: Etching and stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Mount: 21 1/8 × 30 1/8 inches (53.7 × 76.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Fainasollis, Borbar and Fingal

Creator:: James Parker, 1750–1805
Date:: 1783
Materials & Techniques:: Line-engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 1/2 × 20 inches (44.5 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. His Majesty Recommending a Law (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)

Creator:: James Barry, 1741–1806
Date:: after 1783
Materials & Techniques:: Engraving
Dimensions:: Sheet: 16 x 19in. (40.6 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Orpheus instructing..in Theology (Designs for the Walls of the Great Room of Society for the Encouragement of the Arts)

Creator:: James Barry, 1741–1806
Date:: After 1783
Materials & Techniques:: Engraving
Dimensions:: Sheet: 16 x 19in. (40.6 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. A Grecian Harvest Home (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)

Creator:: James Barry, 1741–1806
Date:: after 1783
Materials & Techniques:: Engraving
Dimensions:: Sheet: 16 x 19in. (40.6 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Mademoiselle Baccelli

Creator:: Print made by John Raphael Smith, 1752–1812
Date:: 1783
Materials & Techniques:: Mezzotint on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 13 15/16 × 10 inches (35.4 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Louisa Finch (née Thynne), Countess of Aylesford

Creator:: Valentine Green, 1739–1813
Date:: 1783
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 19 1/8 × 14 1/8 inches (48.6 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. The Diagorides Victors at Olympia (Design for the Walls of the Great Room of the Society for the Encouragement of the Arts)

Creator:: James Barry, 1741–1806
Date:: after 1783
Materials & Techniques:: Engraving
Dimensions:: Sheet: 16 x 19in. (40.6 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Front, Side View, and Back Front, of a Modern fine Gentleman

Creator:: unknown artist
Date:: 1783
Materials & Techniques:: Etching
Dimensions:: Sheet: 9 1/2 x 10 1/2in. (24.1 x 26.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. The Inflexible Porter, a Tragedy

Creator:: unknown artist
Date:: 1783
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Sir Harbord Harbord Bart.

Creator:: John Raphael Smith, 1752–1812
Date:: 1783
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 25 11/16 × 15 15/16 inches (65.2 × 40.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. The Spell, or Hobnelia

Creator:: Print made by James Walker, 1748–1808
Date:: 1783
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 1/8 × 15 1/4 inches (53.7 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Samuel, Lord Hood

Creator:: Print made by Henry Kingsbury, active 1750–1780
Date:: 1783
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 19 15/16 x 14in. (50.7 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. King Street, Guildhall

Creator:: Thomas Malton, 1726–1801
Date:: 1783
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 14 1/2 x 20in. (36.8 x 50.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Lady Elizabeth Harriet Bulkeley (née Warren)

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1783
Materials & Techniques:: Stipple engraving on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 12 × 9 1/8 inches (30.5 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. View of Mr. Hatchett's Capital House in Long Acre

Creator:: James Walker, 1748–1808
Date:: 1783
Materials & Techniques:: Engraving
Dimensions:: Sheet: 8 1/8 x 9 1/4in. (20.6 x 23.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. S. E. View of Copenhagen House

Creator:: unknown artist
Date:: 1783
Dimensions:: Sheet: 11 3/8 x 15in. (28.9 x 38.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Grandison, Plate XXVIII

Creator:: Print made by William Walker, 1729–1793
Date:: 1783
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

53. Lord Robert Manners, Captain R.N.

Creator:: Print made by William Dickinson, 1746–1823
Date:: 1783
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 25 × 15 3/8 inches (63.5 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

54. Sir Harbord Harbord

Creator:: Print made by John Raphael Smith, 1752–1812
Date:: 1783
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 25 3/16 × 15 5/8 inches (64 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

55. George, Prince of Wales

Creator:: Print made by John Raphael Smith, 1752–1812
Date:: 1783
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 26 3/8 × 18 3/4 inches (67 × 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

56. John Henderson

Creator:: Print made by John Jones, ca. 1745–1797
Date:: 1783
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 3/16 × 13 inches (43.7 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

57. Lady Amelia Hume

Creator:: Valentine Green, 1739–1813
Date:: 1783
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. A View of Paddington Green

Creator:: unknown artist
Date:: 1783
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Grandison, Plate XI

Creator:: Print made by William Walker, 1729–1793
Date:: 1783
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

60. Mrs. Smith

Creator:: Print made by John Raphael Smith, 1752–1812
Date:: 1783
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 3/8 × 10 7/16 inches (36.5 × 26.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

61. John, Lord Cardiff

Creator:: Edward Fisher, 1722–1785
Date:: 1783
Materials & Techniques:: Mezzotint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 15 1/16 × 121 3/4 inches (38.3 × 309.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Lucan-House

Creator:: Thomas Milton, 1742/1743–1827
Date:: 1783
Materials & Techniques:: Etching and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Sappho Embracing Love

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1783
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Cherub Whispering To Woman Holding Letter

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1783
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Carlo Khan's Triumphal entry into Leadenhall Street

Creator:: James Sayer, 1748–1823
Date:: 1783
Materials & Techniques:: Etching
Dimensions:: Sheet: 11 3/4 x 8 7/8in. (29.8 x 22.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. A Transfer of East India Stock

Creator:: James Sayer, 1748–1823
Date:: 1783
Materials & Techniques:: Etching
Dimensions:: Sheet: 11 3/4 x 8 7/8in. (29.8 x 22.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Young Lady in Feathered Hat

Creator:: John Raphael Smith, 1752–1812
Date:: 1783
Materials & Techniques:: Mezzotint (in feigned oval)
Dimensions:: Sheet: 14 x 10in. (35.6 x 25.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Chiswick House in Middlesex, the Seat of Duke of Devonshire

Creator:: William Watts, 1752–1851
Date:: 1783
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Polyhemus, Playing The Panpipes For Galatea

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1783
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. The Encampment in St. James's Park MDCCLXXX

Creator:: unknown artist
Date:: 1783
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. St. James's Park

Creator:: unknown artist
Date:: 1783
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Diana, The Huntress

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1783
Materials & Techniques:: Line and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Paulus Aemelius

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1783
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Cephalus and Procris

Creator:: Print made by Thomas Burke, 1749–1815
Date:: 1783
Materials & Techniques:: Stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 7 11/16 x 11 inches (19.6 x 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Love Caressed

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1783
Materials & Techniques:: Stipple engraving printed in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 9/16 × 7 7/8 inches (26.8 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Prudence

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1783
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: undated
Materials & Techniques:: Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 7/16 × 9 3/16 inches (34.1 × 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Diego Ignacio de Pina Manique

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: undated
Materials & Techniques:: Stipple engraving on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 7/8 x 8 7/16 inches (27.6 x 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Coriolanus, Act 5, Scene III

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1783
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Nymphs Bathing

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1783
Materials & Techniques:: Stipple engraving, printed in brown ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 3/8 × 10 inches (36.5 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. The Union, - Whom --- Has Join'd, Let No Man put Asunder!

Creator:: Edward Topham, 1751–1820
Date:: 1783
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 5 1/2 x 9in. (14 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

82. The Patriot Exalted

Creator:: James Sayer, 1748–1823
Date:: ca. 1788
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 14 x 10 3/4in. (35.6 x 27.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Such was the Love of Office of the Noble Lord, That finding he would not be Permitted to Mount the Box, He had been Content to get up Behind

Creator:: James Sayer, 1748–1823
Date:: 1783
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 11 1/4 x 16 7/8in. (28.6 x 42.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. A Transfer of East India Stock

Creator:: James Sayer, 1748–1823
Date:: 1783
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 11 3/8 x 8 3/4in. (28.9 x 22.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. A Sun Setting in a Fog, With The Old Hanover Hack Descending

Creator:: James Gillray, 1756–1815
Date:: 1783
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 5/8 x 13 1/8in. (21.9 x 33.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. A Coalition of Parties, Give Justice Her Claims

Creator:: Print made by James Gillray, 1756–1815
Date:: 1783
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 11 9/16 x 8 3/8in. (29.4 x 21.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Two New Sliders for the State Magic Lanthern

Creator:: James Gillray, 1756–1815
Date:: 1783
Materials & Techniques:: Etching
Dimensions:: Sheet: 8 x 12 7/8in. (20.3 x 32.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. A New Administration, or - The State Quacks Administring

Creator:: James Gillray, 1756–1815
Date:: 1783
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 3/4 x 12 7/8in. (22.2 x 32.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. A Warm Birth for the Old Administration -----

Creator:: James Gillray, 1756–1815
Date:: 1783
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 3/4 x 13 1/4in. (22.2 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. The Siphons or Tale of a Tub

Creator:: Print made by unknown artist
Date:: 1783
Materials & Techniques:: Etching, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. G. B. Cipriani, RA

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1783
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. The Eclipse at an End - and Political Tilting Discovered

Creator:: Print made by unknown artist
Date:: ca. 1788
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 7/8 x 13in. (22.5 x 33cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. The True State of the Junction; or Men of Abilities Call'd For

Creator:: unknown artist
Date:: 1783
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 5 1/4 x 6 11/16in. (13.3 x 17cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Tax on Receipts

Creator:: Thomas Colley, active 1780s
Date:: 1783
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 7/8 x 12 7/8in. (22.5 x 32.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. The West India Flower Girl

Creator:: Print made by Louis Charles Ruotte, 1754–ca. 1806
Date:: undated
Materials & Techniques:: Stipple engraving and etching with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 1/4 × 9 7/16 inches (31.1 × 24 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. A pair: 1. Symptoms of Rearing, 2. Moses

Creator:: James Bretherton, ca. 1730–1806
Date:: 1783
Materials & Techniques:: Etching
Dimensions:: Sheet: 11 3/8 x 16 1/8in. (28.9 x 41cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Cecilia

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1783
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. The Triumph of Beauty and Love

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1783
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. A Sacrifice To Cupid

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1783
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Meekness

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1783
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

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Date 1783

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1. There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)

2. There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)

3. There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)

4. There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)

5. There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)

6. There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)

7. There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)

8. There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)

9. There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)

10. There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)

11. There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)

12. "There is No Natural Religion", London, by William Blake

13. Hon. Mrs. Stanhope

14. The Calling of Samuel

15. The Infant Academy

16. Sir Abraham Hume, Bart. F.R.S.

17. The Feathered Fair, Feeding the Feathered Fowl

18. Sir William James

19. Twelve Illustrations of Robinson Crusoe

20. The Tempest, Act I Sc. 3

21. Honorable Mrs. Stanhope

22. The Death of Captain Cook

23. Building of a Cutter

24. Chase of a Cutter

25. Soldiers with Pack-Horse (Laid down on same sheet as B1977.14.12070)

26. The Battle of Agincourt

27. The Battle of Agincourt

28. The Battle of Agincourt

29. The Elevation of the Brazen Serpent in the Wilderness

30. The Elevation of the Brazen Serpent in the Wilderness

31. The Encampment in the Museum Garden

32. The Queen or Domestic Education at Windsor (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)

33. The Thames or the Triumph of Navigation (Designs for the Great Room of the Society for the Encouragement of the Arts)

34. The Society for the Encouragement of the Arts (2 copies)

35. The Fall of Agandecca

36. Fainasollis, Borbar and Fingal

37. His Majesty Recommending a Law (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)

38. Orpheus instructing..in Theology (Designs for the Walls of the Great Room of Society for the Encouragement of the Arts)

39. A Grecian Harvest Home (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)

40. Mademoiselle Baccelli

41. Louisa Finch (née Thynne), Countess of Aylesford

42. The Diagorides Victors at Olympia (Design for the Walls of the Great Room of the Society for the Encouragement of the Arts)

43. Front, Side View, and Back Front, of a Modern fine Gentleman

44. The Inflexible Porter, a Tragedy

45. Sir Harbord Harbord Bart.

46. The Spell, or Hobnelia

47. Samuel, Lord Hood

48. King Street, Guildhall

49. Lady Elizabeth Harriet Bulkeley (née Warren)

50. View of Mr. Hatchett's Capital House in Long Acre

51. S. E. View of Copenhagen House

52. Grandison, Plate XXVIII

53. Lord Robert Manners, Captain R.N.

54. Sir Harbord Harbord

55. George, Prince of Wales

56. John Henderson

57. Lady Amelia Hume

58. A View of Paddington Green

59. Grandison, Plate XI

60. Mrs. Smith

61. John, Lord Cardiff

62. Lucan-House

63. Sappho Embracing Love

64. Cherub Whispering To Woman Holding Letter

65. Carlo Khan's Triumphal entry into Leadenhall Street

66. A Transfer of East India Stock

67. Young Lady in Feathered Hat

68. Chiswick House in Middlesex, the Seat of Duke of Devonshire

69. Polyhemus, Playing The Panpipes For Galatea

70. The Encampment in St. James's Park MDCCLXXX

71. St. James's Park

72. Diana, The Huntress

73. Paulus Aemelius

74. Cephalus and Procris