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1. The Morning Rose, What Shall Poor Harpax Do!

The Morning Rose, What Shall Poor Harpax Do!
Creator:
Print made by John Faber the Younger, ca. 1695–1756
Date:
1744
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 1/4 x 14 5/16 inches (31.1 x 36.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

2. Das Lombre-Spiel

Das Lombre-Spiel
Creator:
Print made by Johann Jacobus Haid, 1704–1767
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 12 1/2 × 16 1/8 inches (31.8 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3. Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)

Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)
Creator:
Print made by Thomas Gaugain, 1748–1812
Date:
1797
Materials & Techniques:
Stipple engraving, open letter proofs
Dimensions:
Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

4. Statue Hall or the Modern Register Office

Statue Hall or the Modern Register Office
Creator:
Print made by Matthew Darly, active 1754–1778
Date:
1769
Materials & Techniques:
Etching and stipple engraving on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 11 x 15 13/16 inches (28 x 40.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing

Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving with etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 3/16 x 17 1/2 inches (36 x 44.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. The Refusal

The Refusal
Creator:
John Goldar, 1729–1795
Date:
1768
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 1/8 × 14 9/16 inches (33.3 × 37 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
Creator:
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:
1745
Materials & Techniques:
Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/2 x 21 5/16 inches (39.3 x 54.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Association

8. Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
Creator:
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:
1745
Materials & Techniques:
Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/4 x 18 3/4 inches (37.4 x 47.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Association

9. Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...

Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...
Creator:
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:
1745
Materials & Techniques:
Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/8 x 20 1/16 inches (39.1 x 51 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Association

10. Black Monday or the Departure for School

No cover image available
Creator:
Published by John Jones, ca. 1745–1797
Date:
1790
Materials & Techniques:
Mezzotint with hand coloring in watercolor and white gouache on medium, slightly textured, cream laid paper
Dimensions:
Frame: 25 1/8 × 30 × 1 inches (63.8 × 76.2 × 2.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Celia Hopkinson