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Sealing the Stone and Setting a Watch
Creator:
William Blake, 1757–1827
Date:
1800 to 1803
Materials & Techniques:
Watercolor, pen and gray ink, black ink, and graphite on moderately thick, slightly textured, wove paper
Dimensions:
Sheet: 20 × 16 15/16 inches (50.8 × 43 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Everett V. Meeks, B.A. 1901 Fund
One of eighteen designs for a series of plates illustrating Venus and Adonis
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Graphite, brown chalk, watercolor, and white gouache on medium, slightly textured, gray wove paper
Dimensions:
Sheet: 6 5/8 × 6 5/8 inches (16.8 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Pale Melancholy
Creator:
Paul Sandby Munn, 1773–1845
Date:
ca. 1804
Materials & Techniques:
Gray wash and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 12 1/8 inches (23.2 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
One of eighteen designs for a series of plates illustrating Venus and Adonis
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Graphite, red chalk, watercolor and white gouache on medium, slightly textured, gray wove paper
Dimensions:
Sheet: 6 5/8 × 6 5/8 inches (16.8 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Study of a Military Scene
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink, black chalk and graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 5 5/8 × 4 3/8 inches (14.3 × 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Scraps", no. 34: Mounted Mameluke Pointing a Pistol
Creator:
Henry Thomas Alken, 1785–1851
Date:
1823
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/2 × 9 1/2 inches (16.5 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Scraps", no. 35: Mounted Mameluke with Bamboo Spear
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 13/16 × 9 1/4 inches (17.3 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Symptoms: of Can't Wait, of Come-to Ther Glass, of Blood & Bone-Going Against Time, of the Reduced List, of Out of Cash & a-Little in Debt at an Inn, of In cash-at an Inn
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1818 and 1822
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 × 8 15/16 inches (19.1 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Man and woman of Chasna-Tenerife
Creator:
Alfred Diston, active 1818–1829
Date:
1828
Materials & Techniques:
Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 7 1/2 inches (22.9 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Peasants of Chasna, Tenerife
Creator:
Alfred Diston, active 1818–1829
Date:
1825
Materials & Techniques:
Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 7/8 × 6 5/8 inches (20 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Rifleman at Musketry Practice
Creator:
John Augustus Atkinson, 1775–1831
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/2 × 3 1/8 inches (11.4 × 7.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection